997 resultados para Pope Sixtus V (1521-1590)
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Mode of access: Internet.
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Constructed, beginning in 1576 by the architect Domenico Fontana, the Villa Montalto, named after the Cardinal Felice Peretti Montalto, was for a long rime described as having surpassed the splendor of all the villas in Rome. Located to the north of the city in an arid and practically deserted zone, between vineyards, Antique ruins and early Christian churches, the villa occupies a privileged place within the history of urban landscape. Elected pope in 1585, under the name of Sixtus V, Felice made his villa the largest that had ever existed inside of the walls, establishing the upper city of the Monti, the Città Felice, as a new economic and religious center, crystallizing his ambitions for a major territorial reform. By simultaneously focusing on the gardens, the painted decorations, the literature, and the architecture of the villa, but also on its economic and social role, this article proposes an original interpretation of the Villa Montalto, demonstrating the fundamental importance of the imagined landscape in the Rome of Sixtus V. Through the ideal space of his villa, the Pope sought to propose a new model of economic and social development necessary to the reform of the then poor and insalubrious Rome. The ultimate goal was none other than the reestablishment of a Christian Eden on Earth. Sixtus V thus placed himself within the lineage which, since Adam, had attempted through the virtue of agricultural labor, to atone for the original sin.
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Mode of access: Internet.
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In Rom entstand im ausgehenden 16. Jahrhundert die Gattung des „Tempietto-Katafalks“, eines Trauergerüsts in Form eines überkuppelten Zentralbaus, der anlässlich der feierlichen Exequien eines hochrangigen Verstorbenen die symbolische Totenbahre als anspruchsvolle ephemere Kleinarchitektur überfängt. Anhand dreier herausragender Beispiele, der Katafalke für Kardinal Alessandro Farnese, Papst Sixtus V. und Principe Carlo Barberini, sollen die architektonische Gestalt der Funeraltempietti und ihre symbolische Aussage näher beleuchtet werden. Dabei soll weniger die Ikonographie der figürlichen Ausstattung im Mittelpunkt stehen als vielmehr die “Sprachfähigkeit” der gewählten architektonischen Formen, die bei den hier vorgestellten römischen Katafalken ein zentraler Teil der Gesamtkonzepts ist. Dabei sind sowohl der Festanlass – die Memoria des verstorbenen Würdenträgers – als auch die Architektur selbst zum Thema gemacht.
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Vorbesitzer: Dr. A. Berliner
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Precede al tít. : "Ad perpetuam rei memoriam"
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v. 1. Introduction. Margaret of Valois, Queen of Henry IV. Robert Dudley, Earl of Leicester. Castelnau, Ambassador from France. La Mothe Fenelon. La Mothe Fenelon and Castelnau. Thomas Howard, fourth duke of Norfolk. Hugh, Earl of Tyrone, and notices of Walter, 1st Earl of Essex. Dr. Dee.--v. 2. Calvin and the church of Geneva. William Whittingham and the Puritans. Archbishop Whitgift and Dr. Cartwright. John Darrel, the exorcist. Loyola and the order of the Jesuits. Robert Parsons, Edmund Campian, and the Jesuits in England. Pope Sixtus V. Charles de Valois, Duc d'Angoulême. Henry de la Tour d'Auvergne, Viscount Turenne and Duke de Bouillon.
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Mode of access: Internet.
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Mode of access: Internet.
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"Romanae correctionis in latinis Bibliis editionis Vulgatae iussu Sixto V ... / obseruata a Francisco Luca ...", [50] p. (las últimas), con port. y sign. propias.
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.