Portugal e o iberismo na sociologia política brasileira: miscigenação, patriarcalismo e centralização

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Retratos de uma musa do século XXI: a figura feminina na GQ Portugal

Relatório de estágio apresentado à Escola Superior de Comunicação Social como parte dos requisitos para obtenção de grau de mestre em Jornalismo.

Los derechos de las personas GLBTT en el ámbito familiar ecuatoriano

Los derechos de las personas gays, lesbianas, bisexuales, travestis y transexuales, en adelante GLBTT, han sido ocultados y menospreciados por un poder heteropatriarcal dominante, que dicta que la única forma posible de sexualidad es la que se da entre un hombre y una mujer exclusivamente para fines reproductivos. En la presente tesis busco negar y desmitificar tal concepto, a través de un análisis jurídico y sociológico del ámbito de la familia, demostrando que no es una institución fija, sino que responde a los intereses del poder dominante y por tanto es posible, cambiando la matriz social, ampliar los sujetos legitimados a formarla hacia las personas GLBTT. Adicionalmente, deconstruyo otros conceptos e instituciones como el sexo, género, moral, heterosexismo y patriarcalismo, demostrando que todo aquello que se toma como base inamovible y natural en las relaciones de poder no son más que productos de la cultura. Afirmo que los ordenamientos jurídicos, también productos culturales, responden a las necesidades de los grupos hegemónicos de poder, lo que lleva a analizar la forma en que éstos incluyen principios como igualdad y no discriminación en sus normas, a través de un estudio comparado de derecho, principalmente entre España y Francia en el ámbito familiar, encontrando que el reconocimiento de derechos realizado a las personas GLBTT por estos sistemas jurídicos de una u otra forma no responde a reivindicaciones reales y efectivas de los derechos de GLBTT. Concluyo que para que el reconocimiento sea real y efectivo debe crearse un conjunto de instituciones sociales y estatales que permitan el libre desarrollo de la personalidad y acceso sin presiones sociales a la familia por parte de las personas GLBTT, incluyendo la adopción y herencia, llegando a ser así sujetos de derechos tanto privados (dentro de la familia) como públicos (política, cultura, arte, etc)

A dupla poética do silêncio: uma análise de Fogo morto e Cartilha do silêncio.

This research presents a reading of the poetics of silence in the profile and actions of characters in Fogo morto, by Paraiba s novelist José Lins do Rego and Cartilha do silêncio, by Sergipe s writer José Francisco Costa Dantas. As a starting point, we intend to demonstrate, through analysis, how the traditional issue of patriarchy, installed in rural areas of Northeast Brazil, live their momentum of rise and decline in different social spaces within narratives. This article shows how man lives tensions caused by the socio-political changes that will gradually be deployed in their environment due to the process of transition from traditional to modern life. From this perspective, this reading encourages a critical reflection on the social space of the mills and farms at the time of their rise and decay, as well as the various gender relationships between the feminine and the masculine world. The analysis indicates that all the changes both in family and social space unfold a world of silent variants and this paper takes as its theoretical basis the concept of silence built from the reflections of Eni Puccinelli Orlandi (2002), Barros Lourival Holland (1990 ), Luiz Costa Lima (1974) and Marisa Simons (1999).

A contradição entre herança ibérica e modernização brasileira no pensamento político de Sérgio Buarque de Holanda: o livro Raízes do Brasil

Pós-graduação em História - FCLAS

As representações da mulher em As meninas, de Lygia Fagundes Telles

Pós-graduação em Letras - IBILCE

Estudos da violência: uma análise sociológica dos contos de Machado de Assis

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Gênero entre as ruas e a trama institucional: um estudo sobre a sobrevivência de mulheres adolescentes em situação de vulnerabilidade social no centro de São Paulo

Pós-graduação em Ciências Sociais - FFC

O olhar revolucionário em As Meninas

We analyzed here, Lia de Melo Shultz, one of the protagonists of As meninas, Lygia Fagundes Telles. Incarnation of the revolutionary romanticism of 60- 70 years of the century XX, she is the most representative character of a double crisis: the political authoritarianism of the military dictatorship and patriarchy. We highlight of the characteristic features of narrative character, exploring their actions and ideas and their role in the dramatic conflict. To contextualize the fable, we make use of texts Boris Fausto, Nadine Habert, Elio Gaspari and Leonardo Pinheiro.

As meninas: entre o universo de Lygia Fagundes Telles e o universo das representações femininas (2010)

This article is devoted to a brief analysis of representations of women in As meninas, by Lygia Fagundes Telles, focusing on the three main characters of the novel and also on some secondary characters. The novel is set within a context that was characterized by a double crisis: the political crisis arising from authoritarianism and violence of the military dictatorship, and the crisis of the patriarchy system, due to the gradual political and social emancipation of women. Our paper aims to understand, in a succinct way, the critical dialogue established in the novel between the representations of women and that context of the dual crisis that constitute the novelistic material of As meninas

Algumas reflexões sobre a condição da mulher brasileira da colônia às primeiras décadas do século XX

This article, about reflections on the condition of Brazilian women from the Colony to the first decades of the twentieth century, reveals the historical position of them and the attitudes and behaviors related to gender and sexuality. Subdued, it was treated as a sexual object, arousing all sorts of misogyny by men. Rebel, veiled or ostensibly, could serve their own desires. Throughout history, the Church and medical institutions which jointly accounted for, significantly, established the meaning and place of women. In Colony period, the woman is a ward from the Catholic ideology, but from the nineteenth century, after Independence, this power control arises to Medicine. The physician submits the religious discourse, naturalizing the status of women as one that breeds, namely the insertion of the medical issues of family scientifically legitimate colonial patriarchy. This is accentuated in the early twentieth century, when medicine consolidated setting standards and rules for marriage, to motherhood and family life. We note how the feminine universe was (and it is nowadays) ambivalent, with "one foot" in virtue and another in sin, with a tendency to contain and another to trespass. On the one hand we have the home and motherhood, validated in marriage, in which the woman is cared for and dependent on her husband. Reflecting on the motherhood of Virgin Mary, comes to the sacred dimension of the idealized woman saint by the Church. At the same time, however, feels the need for freedom, identity and independence, needing to give a voice to the desire to have their sexuality and all that it is due in full. The manifestation of the desire and the call for sexual satisfaction, and put in permanent conflict personal, psychological and social split between moral entrenched across generations and cultural transformations resulting from decades of the 20th Century.

MARIA SÍMBOLO DE DEUS E DA MULHER: estudo das Imagens de Maria na Teologia da Libertação

A figura de Maria está em processo de emancipação, de uma Maria divinizada e pura, para uma Maria concreta, humana e mulher. Sua emancipação vem em decorrência das conquistas e vitórias que as mulheres de hoje têm buscado e alcançado. Claro que essas mudanças vêm ocorrendo restritamente em uma determinada linha teológica, que a partir de uma hermenêutica libertadora e a partir do feminino como ele se mostra pra nós hoje, pensa Maria como figura (mulher) concreta. Mas, como símbolo religioso, ela será sempre Virgem, Mãe e Esposa, e as novas interpretações serão sempre um esforço de superar o modelo de mulher ideal projetado no simbolismo de Maria, vista com os óculos do patriarcalismo. Parale la a essa nova interpretação do simbolismo religioso mariano, encontra-se a estrutura do feminino como nova chave hermenêutica para se pensar Deus, perspectiva que revela a transcendência divina e sua humanidade presente também na figura da mulher. Deus-Mãe é um termo bastante utilizado nos círculos populares, a partir da leitura bíblica de textos veterotestamentário e também está restrito às academias, acepção que dificilmente se pronunciará no âmbito religioso evangélico e na sociedade, pois a cultura ainda está impregnada de patriarcalismo, onde a supremacia masculina inibe de se pensar o feminino como estrutura que transcende sua natureza humana.

"Do alto da colina" - a província do Rio Grande do Norte, o comércio, os rios Potengi e Jundiaí e o complexo comercial do Guarapes 1850 - 1900

The commercial complex Guarapes was during the second half of the nineteenth century most commercial street of Rio Grande do Norte province. In that time frame, you can see its flourishing as one of the central places of trade in the province in 1850, and its subsequent abandonment in 1900. This thesis aims to investigate, in its first part, the paths that help to understand, as the context of the expansion of global markets in the second half of the nineteenth century enabled the conditions for the emergence of the commercial complex. However, trade relations established in this province through the commercial complex, even participating in this global environment, reserved particular characteristics in their social and trade relations, as if dealing with a peripheral province, we look at the uniqueness of the relationship occurred in this space. In the second part, we seek to understand the importance that the rivers Potengi and Jundiaí had to install the commercial complex Guarapes in the second half of the nineteenth century. As the geographical position in relation to rivers, enabled this space became flow zone and confluence of goods distributed to the various parts of the interior of the province. We also monitor the process that made these rivers leave the role of mobility and transport relations in this space, giving way the railways and roads shooting. In the third part, we seek to understand the commercial complex Guarapes in focus. Analyzing their spatial distribution on the landscape, and how the spatial organization held at the same time traces of the Brazilian patriarchy exposed by Gilberto Freyre, but also "modern" features, due to the increase of a new culture inserted material in the province. We also seek to understand elements of material culture that was the environment of the complex, and how these materials are important sources for understanding this society under study. We treat from the biggest to the smallest fragments without hierarchize them. Understanding that, the study associated the written sources and materials provide a gain in understanding of everyday these people who lived in that area of the complex in the second half of the nineteenth century.

Female authorship Literature: Women in the history and in the memory

The purpose of this study is to analyze the process of Brazilian women’s search for equality, concerning cultural and social areas over five centuries. Oppression, submission and silence used to be common words for women during this period in the history. The extreme patriarchal system and the sexism in different areas of society prevented the female rights from expressing their opinions. This study process involved the research on significant articles, books and magazines related to gender equalities. The present achievements of women in the country are due to the work of feminist movements supported in Cultural Studies and Gender Theories that led women to represent an equal role in the society. As a result, women in the twentieth century got rid of the sexist oppression and besides producing remarkable writings, they improved their identities revealing themselves as skilful people able to contribute to the literary canon as well as diligent professional in education, politics and different areas of society in the postwar period.

WOMEN'S RESISTANCE IN ANNE HÉBERT’S LES FOUS DE BASSAN

The aim of this paper is to analyze the relations of power and women’s resistance in Les fous Bassan (1982) by Quebecker writer Anne Hébert (1916-2000). To this end, we will resort to texts of Michel Foucault (1926-1984) where he discusses power and resistance. More precisely, we examine how the woman opposes herself to the situations that condemn her to obedience and silence, characteristics of a patriarchal society. We will emphasize the ways in which the hebertian woman expresses her discontent with the prevailing rules of patriarchy in Griffin Creek, a small fictional village in the province of Quebec where the narrative unfolds. We will show that in the novel in question, the woman does not accept, as some critics point out, submission and control applied to her body and spirit. She resists, from the place she occupies and without major clashes.