423 resultados para Oldenburg


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Internetpräsenzen von Bibliotheken müssen zunehmend mit kommerziellen oder frei zugänglichen Informationsangeboten konkurrieren. Um sich von diesen Angeboten abzuheben, müssen nicht nur, wie gehabt, qualitativ hochwertige Informationen bereitgestellt werden - der Zugang zu diesen Informationen muss nutzerfreundlich gestaltet werden und sich an Usability-Standards orientieren, um für den Nutzer attraktiv zu sein. In der Bachelorarbeit wird eine Studie zur Usability der Website der Landesbibliothek Oldenburg durchgeführt. Nach einer Einführung in die Thematik der Usability und der Analyse des IST-Zustandes der Website erfolgt eine Evaluation anhand von vier Methoden. Basierend auf Evaluationen mittels Personas, Heuristiken, Thinking-Aloud-Tests und einer Logfile-Analyse werden Usability-Probleme der Website ermittelt und anschließend Empfehlungen zur Verbesserung der Usability gegeben.

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El artículo forma parte de la sección de la revista: Aula de..Los artistas y la educación

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Realizou-se adaptação cultural do Inventário de Oldenburg para estudantes (OLBI-S) em português e estimou-se sua confiabilidade e validade. O OLBI-S foi preenchido por 958 estudantes universitários brasileiros e 602 portugueses. O modelo fatorial original apresentou ajustamento adequado mas foram removidos dois itens com confiabilidade individual baixa (λ<0,5). A nova estrutura apresentou bom ajustamento a 2/3 da amostra total sendo invariante no 1/3 restante da amostra. Verificou-se baixa consistência interna e validade convergente, confiabilidade compósita aceitável, boa validade discriminante, concorrente e divergente. O OLBI-S não foi invariante nas amostras de Brasil e Portugal. O OLBI-S apresentou limitações e ausência de validade transcultural nas amostras estudadas.

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In 1961 Allan Kaprow (1927–2006) and Claes Oldenburg (b. 1929) exchanged a number of letters in which they argued about the definition of their avant-garde practices as Happenings. Kaprow, who first introduced this "root-metaphor," as he would later call it, describes with it the necessity of the respective activity to be as far removed as possible from all motives, materials, and formats conventionally connected to art. Oldenburg, who at the time of this exchange was just as active in the New York performance scene as Kaprow, disagrees with his colleague's removal of their practice from the artistic sphere. Oldenburg is also dissatisfied with the fact that Kaprow, through his writings, launches a critical discourse that follows his own definition of the Happening. The two artists thus argue just as much about the positioning of their practices with respect to art as over the authority to establish such a position. This essay traces their argument through their written conversation and in doing so exposes the immense influence Kaprow's rhetoric had on the subsequent art-historical canonization of their respective practices: Oldenburg's more ambivalent position is today amalgamated with Kaprow's theoretical stance.

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Friedrich August