914 resultados para Modern language|Latin American literature|Caribbean literature|Latin American Studies


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La narrativa de Silvina Ocampo (1903-1993) no goza del lugar que merece en la ficción argentina y latinoamericana como obra de la principal cuentista del siglo XX. Hace relativamente poco que su obra comenzó a despertar el interés de la crítica, atención que se evidencia en la cantidad de artículos y disertaciones recientes. ^ Mediante una disección de la narrativa ocampeana a partir de las grandes coordenadas que la intersectan se pueden caracterizar los aspectos peculiares y distintivos de su estilo. Desarrollada tras la consolidación del psicoanálisis y su influencia en la estética surrealista, la narrativa de Ocampo incorpora algunos de esos elementos. El género fantástico también se articula aunque mediante una selección de rasgos configurados a su modo. Si bien Ocampo rechaza la etiqueta de feminista, ciertos aspectos de su estilo sólo pueden explicarse a partir de la visión particular de una mujer escritora y su representación de la identidad y las relaciones. ^ La lectura pormenorizada de varios cuentos recogidos en “Cuentos completos” I y II (1999), once volúmenes publicados durante su vida, pertenecientes a distintos períodos de su producción permiten realizar un análisis diacrónico que ofrece una caracterización redonda de su estilo y evolución. El análisis sincrónico de estos textos incorpora datos históricos acerca del contexto de producción; a la vez que otras obras literarias del período ofrecen un punto de comparación para identificar influencias y contribuciones. ^ Este análisis, realizado desde el marco teórico de la crítica literaria, da cuenta de la presencia de constituyentes narrativos (narrador, ironía, ambigüedad) que configuran espacios de indeterminación, noción postulada por las teorías de la recepción. Éstos explican las peculiares características de la obra ocampeana: su habilidad para inquietar, intrigar, sorprender y, en suma, desestabilizar al lector y sus expectativas. Es más, sirven para explicar la idiosincrática representación de la realidad que emana de su obra, su interés en lo fantástico y la articulación de lo anti-convencional, como mecanismo subversivo para escapar del orden social dominante, lo cual revela sensibilidades protofeministas. La narrativa de Silvina Ocampo se resiste al reduccionismo y construye una visión peculiar y multifacética de la artista y su obra.^

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"Language, Literacy and Literature combines concepts of language, literature and literacy within a pedagogical framework that leads readers through a series of learning processes. In other words, it is as much a book about teaching English as it is a book about learning how to learn about teaching. The book provides models for pre-service teachers to help identify the kinds of dispositions towards learning that a teacher needs to develop, such as curiosity, collaboration and willingness to ‘give things a go’. It further challenges the pre-service teacher to question what they think they know, as well as discover what they need to know. A range of practical and relevant exercises and activities assist in building habits of reflexive practice."-- publisher website

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Marggraf Turley, R. (2002). The Politics of Language in Romantic Literature. Basingstoke: Palgrave Macmillan. RAE2008

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This article looks at how four British-based poets born in the Caribbean exploit the rich language repertoire available to them in their work for children and young people. Following initial consideration of questions of definition and terminology, poetry collections by James Berry, John Agard, Grace Nichols and Valerie Bloom are discussed, with a focus on the interplay and creative tension between the different varieties of Caribbean creoles (“Bad Talk”) and standard English evident in their work. Variation both between the four poets’ usage and within each individual poet’s work is considered, and a trend over time towards the inclusion of fewer creole-influenced poems is noted. This and other issues, such as the labelling of the four poets’ work as ‘performance poetry’ and the nature of the poets’ contribution to British children’s literature, are considered in the conclusion.

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This study aims to find research relating to the use of children’s literature to promote vocabulary development in young children, particularly English language learners in Sweden. The main questions address how (methods) children’s literature can be used and why (reasons) children’s literature is often recommended for the teaching of vocabulary to young learners. The study also aims to explore reasons against the use of children’s literature in vocabulary teaching found in previous research. A systematic literature review was carried out, including results from five empirical studies. The studies involved native speakers, second language learners and foreign language learners from various backgrounds. The results suggest that while research has shown children’s literature to be a good tool to use with young learners, careful lesson planning needs to be carried out. Direct instruction and scaffolding using pictures, technology and gestures is recommended. Hence, the teacher plays an important part for the vocabulary development using children’s literature in the classroom.

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Mobile assisted language learning (MALL) is a subarea of the growing field of mobile learning (mLearning) research which increasingly attracts the attention of scholars. This study provides a systematic review of MALL research within the specific area of second language acquisition during the period 2007 - 2012 in terms of research approaches, methods, theories and models, as well as results in the form of linguistic knowledge and skills. The findings show that studies of mobile technology use in different aspects of language learning support the hypothesis that mobile technology can enhance learners’ second language acquisition. However, most of the reviewed studies are experimental, small-scale, and conducted within a short period of time. There is also a lack of cumulative research; most theories and concepts are used only in one or a few papers. This raises the issue of the reliability of findings over time, across changing technologies, and in terms of scalability. In terms of gained linguistic knowledge and skills, attention is primarily on learners’ vocabulary acquisition, listening and speaking skills, and language acquisition in more general terms.

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Previous research has shown multiple benefits and challenges with the incorporation of children’s literature in the English as a Second language (ESL) classroom. In addition, the use of children’s literature in the lower elementary English classroom is recommended by the Swedish National Agency for Education. Consequently, the current study explores how teachers in Swedish elementary school teach ESL through children’s literature. This empirical study involves English teachers from seven schools in a small municipality in Sweden. The data has been collected through an Internet survey. The study also connects the results to previous international research, comparing Swedish and international research. The results suggest that even though there are many benefits of using children’s literature in the ESL classroom, the respondents seldom use these authentic texts, due to limited time and a narrow supply of literature, among other factors. However, despite these challenges, all of the teachers claim to use children’s literature by reading aloud in the classroom. Based on the results, further research exploring pupils’ thoughts in contrast to teachers would be beneficial. In addition, the majority of the participants expressed that they wanted more information on how to use children’s literature. Therefore, additional research relating to beneficial methods of teaching English through children’s literature, especially in Sweden, is recommended.

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Includes indexes.

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Book 2: by Alice Woodworth Cooley ... assisted by W. F. Webster ...

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Vol. I compiled with the assistance of Agnes Jacques: vol. II- compiled and edited with the assistance of Clara Breslove King.