Bulletin des céréales et plantes à fécule de l'Institut colonial de Marseille. Exposition nationale coloniale de Marseille 1922,

Mode of access: Internet.

Exposition colonial, Marseille, 1922. Congrés de la production coloniale. Compte-rendus du Contrés. Rapports et études.

Pt. 2, Congrés des bois coloniaux.

Compte rendu des travaux /

(Exposition coloniale de Marseille, 1906).

International exposition of colonial and overseas countries : Hearings before the Committee on Foreign Affairs, House of Representatives, Seventy-first Congress, third session, on H.J. Res. 416, a joint resolution to increase the amount authorized to be appropriated for the expenses of participation by the United States in the international exposition of colonial and overseas countries to be held at Paris, France, in 1931. December 9, 1930.

Mode of access: Internet.

Exposition Jakob Smits : Galerie Georges Giroux, du 21 janvier au 1er février 1922.

Mode of access: Internet.

Education and research in agriculture and home economics in the United States, Supplementing exhibit of the States Relations Service, United States Department of Agriculture at the Brazil centennial exposition, Rio de Janeiro, Brazil, 1922-1923.

Report prepared for the Commission of the United States of America to the Brazil centennial exposition.

6/3/20, M. Deschanel inaugure l'exposition de motoculture [aux Tuileries, en présence du président de la chambre syndicale de la motoculture de France] M. Julien : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 58336

7/5/20, Tuileries, inauguration de l'exposition des arts appliqués [présence du président Deschanel] : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 59171

The Gospel of John : an exposition /

Mode of access: Internet.

Exposition

During the course of study in semester 1, the first year BFA Dance (Performance) students were exposed to various dance genres (in terms of technical training) and associated practices. They were required to gain physical fitness and increase technical accomplishment, strength, flexibility and stylistic versatility through their training. The students also experienced dancing as soloists, with partners and in larger group scenarios. Exposition presents these elements experienced, through a pure dance work. Movement vocabulary was formed employing several methods: specifically choreographed for the individual student; through task-based instruction, which the students constructed; and from learning pre-existing material. Thom Willems dramatic and layered musical score informed the construction of new movement vocabulary; the development of pre-existing material; and the structure of the work.

Teatteri liikkeessä : Työväenteatterit Suomen teatterikentällä ja työväenliikkeessä kaksiteatterijärjestelmän syntyyn asti vuonna 1922

Workers' theatres in Finland until 1922 The topic of this dissertation is the workers' theatres in Finland before the year 1922. The main question is: why did these amateur theatres within the workers' associations become part of the professional theatre field in the 1910s by getting state subsidy as local theatre institutions? How is it possible that they received this status even after the civil war in 1918 when new professional theatres were founded all over the country? The study also asks, what kind of position did workers' theatres have in the workers' associations and in the workers' movement, what did the Social Democrats and Communists think of theatre and in particular of workers' theatre, and what kind of repertoire did the workers' theatres perform? It is a particular feature of Finland that the professional theatre field was not organised and that the workers’ movement had a relatively strong political position. The study concludes that some workers' theatres were the only steady theatre institutions in their surroundings, and thus functioned as local popular theatres performing to all social groups. Although amateur-based, they started to resemble professional theatres. Even though the Social Democratic Party did not have a specific theatre policy, the leaders of the Party appreciated and supported the workers' theatres as educational institutions and worked for their artistic improvement. The workers' theatres were also largely approved of and seen as people's theatres thought to unite and educate the nation and the working class. This reveals the need for national consensus, in the 1910s against the Russian government who worked to dissolve the autonomous position of the Finnish state, and after the civil war (1918) against the threat of a communist revolution. A wave of agitating proletarian theatre was felt in Finland in the early 1920s but it was marginalised by the large anti-communist majority.

Leo Lilienfeld Collection 1922

Poetry notebook by Leo Lilienfeld (handwritten, 1922).

Dr. Curt Bejach, Stadtarzt von Berlin-Kreuzberg 1922-1933 portraits men

Dr. Curt Bejach was town physician of Berlin-Kreuzberg 1922 - 1933. He was born on Dec. 20, 1890, and died in Auschwitz in 1944