Melt:for marimba and real-time sound processing

premiered by Mel Puga Iglesias

Marimba, rumba y peregrinación en el pacífico colombiano

Las culturas afrocolombianas recogen historias culturales muy valiosas. Guapi y Timbiquí, dos municipios del Cauca, azotados por el conflicto armado, no han dejado de mostrar su sonrisa y su devoción a través de sus fiesta patronales y su constante alegría.

Herivelto Brandino e a obra mensagem para marimba solo: discussão do processo composicional e performance

This article points out some elements required for comprehending the work mensagem for marimba solo (2011) by Herivelto Brandino in regard to its compositional process and performance. The text shows how various materials have been chosen for the confection of the work - mainly those related to the act of writing texts - and approaches the composer's queries about the non-necessity, and even the uselessness of composition, performance and artistic objects themselves. At the end we conclude that regardless such a supposed non-necessity of any musical object it is possible to construct a coherent piece based on similar paradoxes that, at first, served to make any compositional work useless.

datos.bne.es and MARiMbA: an insight into Library Linked Data

Purpose – Linked data is gaining great interest in the cultural heritage domain as a new way for publishing, sharing and consuming data. The paper aims to provide a detailed method and MARiMbA a tool for publishing linked data out of library catalogues in the MARC 21 format, along with their application to the catalogue of the National Library of Spain in the datos.bne.es project. Design/methodology/approach – First, the background of the case study is introduced. Second, the method and process of its application are described. Third, each of the activities and tasks are defined and a discussion of their application to the case study is provided. Findings – The paper shows that the FRBR model can be applied to MARC 21 records following linked data best practices, librarians can successfully participate in the process of linked data generation following a systematic method, and data sources quality can be improved as a result of the process. Originality/value – The paper proposes a detailed method for publishing and linking linked data from MARC 21 records, provides practical examples, and discusses the main issues found in the application to a real case. Also, it proposes the integration of a data curation activity and the participation of librarians in the linked data generation process.

One Hundred Years of the Concert Marimba: American and Japanese Innovation and Convergence, 1915 to 2014

Thesis (D.M.A.)--University of Washington, 2016-06

La marimba sí paga en Cali: Apropiaciones de las músicas de marimba como estrategia cultural en escenarios de industria cultural

El texto es el resultado del trabajo de investigación con dos agrupaciones musicales de la ciudad de Cali, durante el 2013 y el 2015. Hace una reflexión sociológica sobre la relación entre economía y cultura, a través de las apropiaciones que hacen estos músicos de las músicas de marimba del Pacífico del sur de Colombia, para posicionarse en escenarios de industria cultural. Con una metodología cualitativa basada en la interacción, estudia las trayectorias, prácticas y discursos de estos grupos que se consolidan en las estrategias que utilizan para ingresar en estos escenarios construidos como producto de fenómenos macrosociales globales y locales que permiten la transformación de la música como una herramienta mediadora para contar la cotidianidad que estas bandas viven en su ciudad.

应用软件发布与恢复机制研究

在传统的软件开发过程中，开发者更关注软件开发生命周期的管理，而对软 件开发后生命周期的管理并不热心。随着信息技术和互联网技术的快速发展，软 件产业发生了重大变革。新的软件运营模式要求对软件开发后生命周期管理提供 完善的支持。 本文首先回顾了传统的软件发布技术。PXE技术提供了网络远程引导功能， 该技术结合网络远程唤醒技术Wake-on-LAN使得通过网络远程控制客户机安装 操作系统成为可能。网络安装软件有基于网络克隆的Symantec Ghost和Windows Server 2003 RIS；有基于脚本的Kickstart；有基于镜像的SystemImager suite。在 开源系统中，APT是最为著名的包管理工具，它较为完善地解决了软件包之间的 依赖关系。网络更新技术则提供了更多的功能，目前的更新软件有：通用产品更 新器Install Shield, Power Update, Software Dock, Marimba等；以及供应商产品更 新器Microsoft Update, Windows Update, Microsoft SUS, Microsoft SMS, Norton AntiVirus LiveUpate等。 美国Colorado大学为软件开发后生命周期建立了一个体系结构Software Dock，并实现了一个粗略的原型系统。本研究侧重分析了应用软件的发布和恢 复机制，提出以用户的角度看待软件开发后生命周期管理的思想，建立了一个软 件发布机制体系结构，试图解决如下问题：系统重装后的运行态恢复，即系统崩 溃后如何快速而灵活地恢复到指定状态点并且重建该状态点的运行状态(即运行 态恢复)；应用软件恢复透明化和即点即用。

Summer Sprite for Orchestra

Summer Sprite for Orchestra was completed in December, 2004. The piece originated from a singular encounter with little angels at Chang-Kyung Palace, which is the oldest and the most beautiful palace in Korea, and where the kings of the Chosun Dynasty (1393-1897) lived. This encounter was in the summer of 2002. I certainly could not prove that those angels I met were real. Possibly they were the reflection of drops of water after a sudden shower on that summer day. However, I definitely remember that short, unforgettable, and mysterious moment and the angels' beautiful dance-like celebration. Summer Sprite is based on these special memories and the encounter with the little angels that summer. Summer Sprite consists of 3 movements: "Greeting," "Encounter," and "Celebration." These follow the course of my encounter with the little angels. In Summer Sprite, I wished to describe the image of the angels as well as the progression of greeting, encounter, and celebration with them. The moods that follow in Summer Sprite are by turns lyrical, poetic, fantastic, mysterious, and dream-like. In each movement, I describe the meeting of angels and composer through the use of the soloists -- violin (sometimes viola) and cello. As suggested by the subtitle of the first movement, "Greeting" portrays the moment when a surprised I met the angels. It begins with tam-tam, marimba, harp, and piano and sets a mysterious and dark mood. The second movement, "Encounter," is shorter than the first movement. This movement provides a more tranquil mood as well as more unique timbres resulting from the use of mutes and special instruments (English horn, harp, crotales, suspended cymbal, and celesta). The delicate expression of the percussion is particularly important in establishing the static mood of this movement . The last movement, °?Celebration,°± is bright and energetic. It is also the longest. Here, I require the most delicate changes of dynamics and tempo, the most vigorous harmonies, and the fastest rhythmic figures, as well as the most independent, lyrical, and poetic melodies. For bright orchestral tone color, I used various kinds of percussion such as timpani, xylophone, marimba, vibraphone, cymbals, side drum, tambourine, triangle, and bass drum. This last movement is divided rondo-like into five sections: The first (mm.1-3), second (mm.4 - rehearsal number 1), third (rehearsal numbers 2-4), fourth (rehearsal numbers 5-7), and fifth, (rehearsal numbers 8 -18). To sum up, Summer Sprite describes an unforgettable and mysterious moment in a my life. My intention was to portray this through a concerto-like framework. A model for this would be Brahms°Ø °?Double Concerto°± in A minor, op.102, in which the solo cello stands for my angel and the solo violin (sometimes solo viola) for me.

Distant Light: Songs on Texts by Richard Boada

Distant Light: Songs on Texts by Richard Boada is a collection of songs for baritone voice, piano, alto saxophone, and percussion (vibraphone and marimba). The texts do not present a continuous narrative, but they share common themes. Most are set in the rural South and deal with the conflict between nature and industrial development. This piece functions as a cohesive whole, but each song could be performed separately and would be effective out of the context of the entire work. Distant Light is made up of eight songs and is approximately 23 minutes in duration.