988 resultados para Lockhart, Sophia Scott, 1799-1837.


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"Of the forty-seven letters [to Miss Millar] twenty-eight were written by Charlotte Sophia Scott ... twelve by Anne Scott."

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Dr. Stuart D. Scott has written extensively in the fields of prehistory and history. As an archaeologist, he has traveled to some of the most significant sites in the world, including Pompeii, Stonehenge, the Valley of the Kings, Egypt’s pyramids and the Taj Mahal. He spent nine months excavating with the Tikal Project in Guatemala before returning to the University of Arizona where he received a Ph.D. in 1963. He excavated in New Zealand as a Fulbright scholar in 1963-1964. In the fall of 1964, Dr. Scott started a long career in the Anthropology Department of the State University of New York. He taught graduate and undergraduate archaeology courses and continued his archaeological and historical research. In 1979, Scott established the Old Fort Niagara Archaeology in Progress Project at Old Fort Niagara in Youngstown, New York. For many years, he became involved with historical archaeology in western New York. It was during this work that he became interested in the Upper Canada Rebellion of 1837-1838 and its aftermath. Dr. Scott and his wife, Patricia Kay Scott, would use Christmas breaks, summer vacations, and sabbatical years to travel. They were repeatedly lured back to the South Pacific, conducting research in New Zealand, Australia and many of the Micronesian and Polynesian islands. To tell the whole story of the Rebellion and the prison exiles, they traveled extensively in Canada, the United States, England and Tasmania to collect archival research and to experience the scenes of this remarkable narrative. In 2004, Dr. Scott published To the Outskirts of Habitable Creation: Americans and Canadians Transported to Tasmania in the 1840s, which told the story of the men captured, tried, convicted, and exiled as a result of the Rebellion, also called the Patriot War. Other contributions include: • A collaboration with Dr. Charles Cazeau on the book Exploring the Unknown, Great Mysteries Reexamined published by Plenum Press in 1979 • The Patriot Game: New Yorkers and the Canadian Rebellion of 1837-1838, which appeared in New York History, Vol. 68, No.3. 1987 • A Frontier Spirit: The Life of James Gemmell published in Australiasian Canadian Studies, Vol. 25, No. 2 2007 • To the Outskirts of Habitable Creation which appeared in the Friends of the National Archives, Vol. 20, No. 1 2009 • Numerous academic journal publications • Service on conference panels • Various research papers and proposals Before retiring in 1997 and while still a resident of Buffalo, N.Y., Dr. Scott spent considerable time with Brock University President Emeritus James A. Gibson and History Professor Colin Duquemin. The three shared a love of Rebellion history. It was largely because of this connection that Brock University was chosen as the recipient of Dr. Scott’s research materials.

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Comprend : Notice sur la vie et les oeuvres de Beaumarchais

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No romance O Idiota, Dostoiévski cria, por meio do príncipe Míchkin, uma personagem com as características do Cristo. Sabe-se que a Bíblia, principalmente o Novo Testamento, acompanhou o escritor desde sua infância até o momento de sua morte. O primeiro capítulo, dedicado ao referencial teórico da pesquisa, lida com o universo da linguagem. Tanto o texto literário quanto a literatura bíblica procedem do mito. Neste sen-tido, religião e literatura se tocam e se aproximam. O segundo capítulo foi escrito na intenção de mostrar como o Cristo e os Evangelhos são temas, motivos e imagens recorrentes na obra de Dostoiévski. A literatura bíblica está presente, com mais ou menos intensidade, em diversas das principais obras do escritor russo e não somente em O Idiota. A hipótese de que Dostoiévski cria um Cristo e um Evangelho por meio de O Idiota é demonstrada na análise do romance, no terceiro capítulo. A tese proposta é: Dostoiévski desenvolve um evangelho literário, por meio de Míchkin, misto de um Cristo russo, ao mesmo tempo divino e humano, mas também idiota e quixotesco. Na dinâmica intertextual entre os Evangelhos bíblicos e O Idiota, entre Cristo e Míchkin, a literatura e o sagrado se revelam, como uma presença divina. Nas cenas e na estruturação do enredo que compõe o romance, Cristo se manifesta nas ações de Míchkin, na luz, na beleza, mas também na tragicidade de uma trajetória deslocada e antinômica. O amor e a compaixão ganham forma e vida na presen-ça do príncipe, vazio de si, servo de todos.

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Editors: 1836, A. Pushkin; 1837, P. Vi͡azemskii, V. Zhukovskiĭ et al.; 1838-46, P. Pletnev; 1847-66, N. Nekrasov (with I. Panaev, 1847-62)

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Added t. p.: Pushkin; istoriko-literaturnye ėskizy.

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Text by the composer and K. S. Shilovsky, based on Pushkin's poem. cf. Loewenberg, Annals of opera.

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Includes index.

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Mode of access: Internet.

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Part of Rimsky-Korsakov's music to Pi︠e︡snʹ o vi︠e︡shchem Olegi︠e︡: p. [127-128].

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Stikhi -- Khudozhestvennai͡a proza -- Kriticheskai͡a proza -- Pisʹma i zapiski.

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t. 1. Liricheskīi͡a stikhotvorenīi͡a (1812-1817) -- t. 2. Liricheskīi͡a stikhotvorenīi͡a (1818-1820). Ruslan i Li͡udmila (1817-1820). Kavkazskīĭ Pli͡ennik (1820-1821) -- t. 3. Liricheskīi͡a stikhotvorenīi͡a (1821-1824). Bratʹi͡a razboĭniki (1821-1822). Otryvki iz poėmy (1822). Bakhchisaraĭskīĭ fontan (1822-1823). T͡Sygany (1823-1824).

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"Uchen. kom. Min. nar. prosv. vʺ 4-mʺ izdanīi dopushcheno vʺ bezplatnyi︠a︡ narodnyi︠a︡ chitalʹni i biblīoteki. (Zhurn. Min. narodn. prosv. 14 īi︠u︡li︠a︡ 1905 g. No 8268)."