Invisible cities: the table of contents and the labyrinths of reality

In Invisible Cities (1972), Italo Calvino contrasts a rigid outline structure with a flexible textual content. The tension comprised by the numerical structure proposed in the table of contents stands out against the set of polissemic texts which make up the subject matter of the book. The opposition between form and content point to a fruitful dichotomy in the conception of the novel linked to the theories of the open and closed work. This essay will investigate the structural construction of Invisible Cities by looking at its table of contents, seeking to discuss some models of formalistic representation proposed by the criticism and the specific contribution they may, or may not, provide. The objective is to analyse the pertinence of such theories in the light of historical and cultural approaches. Aiming to uncover possible meanings which arise from the debate, this essay will question to what extent structural complexities can be considered literary if they are not ultimately related to the culture in which a text is found.

Navigating labyrinths of expression

Kirjallisuusarvostelu

Sonic Labyrinths - 3 upon a ground (dance mix)

Electronic music based on an algorithm, but with a good deal of human influence. See other items with keywords 'sonic labyrinths' for details.

Sonic Labyrinths

A web page describing how the music was composed, including a diagram of the labyrinth that forms its basis.

Sonic Labyrinths - 3 upon a ground (minimal mix)

Electronic music based on an algorithm, but with a good deal of human influence. See other items with keywords 'sonic labyrinths' for details.

Cortical hot spots and labyrinths: why cortical neuromodulation for episodic migraine with aura should be personalized

Stimulation protocols for medical devices should be rationally designed. For episodic migraine with aura we outline model-based design strategies toward preventive and acute therapies using stereotactic cortical neuromodulation. To this end, we regard a localized spreading depression (SD) wave segment as a central element in migraine pathophysiology. To describe nucleation and propagation features of the SD wave segment, we define the new concepts of cortical hot spots and labyrinths, respectively. In particular, we firstly focus exclusively on curvature-induced dynamical properties by studying a generic reaction-diffusion model of SD on the folded cortical surface. This surface is described with increasing level of details, including finally personalized simulations using patient's magnetic resonance imaging (MRI) scanner readings. At this stage, the only relevant factor that can modulate nucleation and propagation paths is the Gaussian curvature, which has the advantage of being rather readily accessible by MRI. We conclude with discussing further anatomical factors, such as areal, laminar, and cellular heterogeneity, that in addition to and in relation to Gaussian curvature determine the generalized concept of cortical hot spots and labyrinths as target structures for neuromodulation. Our numerical simulations suggest that these target structures are like fingerprints, they are individual features of each migraine sufferer. The goal in the future will be to provide individualized neural tissue simulations. These simulations should predict the clinical data and therefore can also serve as a test bed for exploring stereotactic cortical neuromodulation.

Order and disorder in fiction labyrinths: the librarians` representations in some contemporary cultural productions

This paper, first result of a larger research, proposes a query about some aspects of social representation of libraries and librarians, as they appear in literary and cinematographic productions. Little by little, this query, which arose from purposes of organizing catalogues, revealed elements that established different series, in which the narrative genre (literary or cinematographic) has no relevance to either libraries or librarians` representations. The presence of these elements seems to show some expectations and utopias in relation to the common knowledge, independently from narratives being located in the past, in the present or in the future, stimulating reflection on some medieval and baroque traditions about the library universe and its main characters, the librarians. The cinematographic material selected for research was The time machine, Farenheit 451, The day after tomorrow, Star Wars - episode II and the novels Martin Eden, The man without qualities, The time machine and La sombra del viento.

Modos de resolução de labirintos por alunos da escola fundamental

Saber planejar expressa uma forma de antecipação com pré-correção de erros e uso de inferências. Esta questão foi aqui analisada em 60 matrizes de labirintos (20 A, 20 B e 20 C), resolvidas por 20 alunos da Escola Fundamental, entre 7 e 11 anos. Deste total, 31 matrizes foram resolvidas com um único traçado. As 29 restantes foram analisadas, considerando-se, dentre outros, procedimentos indicadores de planejamento: (1) começar do final, (2) aproveitar o traçado anterior e (3) interromper o traçado. O procedimento (1) foi utilizado pelos sujeitos em 7 matrizes; o procedimento (2) em 9; e o procedimento (3) em 5. Na discussão, apoiada em estudos comparáveis realizados por Piaget, destacaram-se três níveis de resolução das matrizes utilizadas. E, nas considerações finais, foram descritas algumas formas de intervenção, visando favorecer, em um contexto educacional, o desenvolvimento da habilidade de antecipação em crianças.

Les nouveaux médias, ou, L’ère du labyrinthe intermédial

Avec l’émergence des nouveaux médias, une nouvelle façon de raconter les histoires s’impose. Les structures connues de l’esthétisme classique semblent désuètes par rapport aux dispositions des nouvelles plateformes de diffusion. Mieux encore, ces plateformes propulsent le récit, lui permettent de sortir de la rigidité de la ligne narrative : elles intègrent la technique au logos. L’intermédialité devient omniprésente; la diversité des types médiatiques employés dans une œuvre sont rendus visibles et sont articulés par la mise en récit. Méchoulan dira que dans l’« être-entre », dans l’espace reliant chacune des unités sémantiques, que l’événement de la pensée advient; pour Rodowick c’est le « figural ». Une figure particulière s’impose : le labyrinthe. Multipliant les possibilités narratives spécifiques aux nouveaux médias, le labyrinthe fait converger les composantes intermédiales. Bleeding Through : Layers of Los Angeles 1920-1986, une œuvre dirigée par Norman Klein, pose le labyrinthe comme élément structurel en y tissant un réseau où s’inscrit une pratique intermédiale. On y adresse le temps comme une opération fragmentaire, qui se sectionne, se réorganise en rompant avec la linéarité classique. Il nous faudra alors voir comment le labyrinthe réfléchit dans l’étude du temps certains éléments de la mythologie grecque. Les réflexions de Gervais sur le labyrinthe permettront d’étayer pareille hypothèse. Nous analyserons Bleeding Through à la lumière de ces théories pour ainsi dégager l’essence de cette figure qui a infiltrée la narration contemporaine. En somme, le labyrinthe se présente dans l’écologie médiatique actuelle comme une figure inhérente à la mise en récit.

Nas sombras da família coelho: a dinâmica de uma dominação política

As one of the most important cities in the state of Pernambuco, Petrolina is settled in the Pernabucanian backwoods, a place that still holds its own traditions and manners. Petrolina s economy is mainly based on primary activities. It s politics is run by Family groups which preserve themselves and remain in power, using the clientelism, which could be said as a give and get practice. That means that the suffrage is a currency to exchange benefits. The present study analyses facts occurred in the political history of the Coelho s Family, which still dominates the local Politics. They persist as heirs of the old system of Coronelism that is maintaining their power structuring a political machine, which is able to make them unbeatable for over fifty years. Despite of a family internal division, it benefits all of them, directly or indirectly. Based on empirical observation, we set a brief historical of the Coelho s family facts, in order to demonstrate the range of their power through the ancestry, which is to say we ve described the local political labyrinths. Our metodological choices were driven by the comprehensive sociology, through the Weberian ideal types, in order to find the answers for the historical, social and political conformation of the facts, in consonance with the reality. According to that, we ve studied the Coelho s political trajectory from 1968 to 2012, considering the election periods. Commonplace: where a new generation becomes active subjects on a new apprenticeship, moral and intellectual. After all, they are all family heirs

Olhar tecer des: (cor)pos forças fluxos

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Análise de parâmetros adimensionais num escoamento em meio poroso visando a deformação de elementos cerâmicos

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Laberintos verbales de autoficción y metaficción en Borges y Cortázar

Este artículo investiga las relaciones que existen entre autoficción y metaficción en la literatura contemporánea, sobre todo en el marco de la posmodernidad. Si bien la bibliografía refiere estos conceptos, en general, al campo de la novela, aquí se analizan en dos cuentos de escritores argentinos paradigmáticos: Borges y Cortázar. Se intenta demostrar que estos procedimientos se generan en tramas complejas, que contienen una fábula fantástica y permiten inferir, además, algunos aspectos de las poéticas implícitas de sus autores. Esta propuesta, netamente híbrida, produce en el lector el extrañamiento de la reunión de pactos antitéticos y su actitud es compleja en relación con la verosimilitud. Su contrato de lectura oscila desde la certeza de lo autobiográfico hasta la ficción más descarnada. El lector decidirá acompañar o no a los autores en estos laberintos verbales aunque estará avisado de los procedimientos más evidentes: ficcionalidad, intertextualidad, autoconciencia, autorreflexividad, mise en abyme, entre otros.

Labyrinte de Versailles : suivant la copie à Paris, de l'Imprimerie royale, MDCXCIII.

Full page engravings after S. Le Clerc, of the fountains in the Labyrinth (which represented Aesop's fables) with prose epitomes of the fables and descriptive text by Ch. Perrault, and metrical versions of the fables by I. de Benserade. On plate 12 the attribution "L. Scherm fe." can be discerned.

Grotte, labyrinthe, fontaines et bassins de Versailles.

This volume has been designated "sixième volume" in the Catalogue, for a collection known under the title of the repository, Cabinet du roi. The engravings were prepared between 1672 and 1689 by various engravers: Le Pautre, Le Clerc, Chauveau, Edelinck, Picart, Baudet, Silvestre, Simonneau and Chatillon. They were issued individually at the outset, collected, and in this instance issued in uniform format. The plates of the Labyrinthe, 15 x 8.5 cm., have been printed on 4 leaves of 9 and 1 leaf of 5.