979 resultados para JACQUES ELLUL
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Este breve estudio tiene dos objetivos: realizar una presentación del pensador francés Jacques Ellul y analizar su noción de ambivalencia enmarcándola dentro de las características que Ellul le otorga al fenómeno técnico.
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The author, based on the work Change of Revolution, analyzes what Jacques Ellul understand as structural and existential in a Marxist revolution. Analyzing the main experiences of this type, the French thinker finds its by technification of the society. However, it also notes the validity of Marx’s objectives of overcoming the proletariat and the alienation. Thus, a revolutionary and libertarian socialism would be possible under certain conditions. On an existential level, Ellul questions in each one of us the permanence of efficiency values, of power and the pursuit of money as the main purpose of life, offering an authentic and radical transformation before the seizure of power. Thus, the author develops the Ellulian concept of God’s revelation in Jesus Christ as a lever and fulcrum of Revolution.
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Pós-graduação em Direito - FCHS
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Pós-graduação em Direito - FCHS
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Esta coletânea de artigos foi desenvolvida a partir de reflexões produzidas em diferentes edições do Seminário Brasileiro sobre o Pensamento de Jacques Ellul, filósofo e sociólogo francês que discutiu, em mais de 50 livros e centenas de artigos, a condição e o destino do homem na sociedade técnica, termo por ele utilizado para referir-se à sociedade contemporânea. Foram reunidos artigos produzidos por pesquisadores do Brasil, Canadá, França e Inglaterra, com a maior parte dos textos oriundos da pesquisa e das reflexões de alunos, pesquisadores e professores do Programa de Mestrado em Direito da Unesp, campus de Franca. Os artigos foram divididos em duas partes, com a primeira tratando principalmente da ênfase de Ellul na técnica e na tecnologia como os verdadeiros fundamentos do poder na sociedade moderna. Para Ellul, o progresso técnico já teria engendrado um fenômeno de proletarização generalizada, que abrange toda a humanidade e todos os aspectos da vida humana, superando a dimensão puramente econômica. Na segunda parte, os estudos transpassam as questões políticas e desembocam na análise das técnicas de dominação dos corpos e das mentes, buscando aprofundar a perspectiva elluliana diante do Direito e da Bioética, além dos muitos e tortuosos significados da imagem na sociedade atual
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Pós-graduação em Direito - FCHS
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Jacques Ranciere's work on aesthetics has received a great deal of attention recently. Given his work has enormous range – taking in art and literature, political theory, historiography, pedagogy and worker's history – Andrew McNamara and Toni Ross (UNSW) seek to explore his wider project in this interview, while showing how it leads to his alternative insights into aesthetics. Rancière sets aside the core suppositions linking the medium to aesthetic judgment, which has informed many definitions of modernism. Rancière is emphatic in freeing aesthetic judgment from issues of medium-specificity. He argues that the idea of autonomy associated with medium-specificity – or 'truth to the medium' – was 'a very late one' in modernism, and that post-medium trends were already evident in early modernism. While not stressing a simple continuity between early modernism and contemporary art, Ranciere nonetheless emphasizes the ethical and political ramifications of maintaining an a-disciplinary stance.
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Jacques Rancière's work on aesthetics has received a great deal of attention in recent years. Given his work has enormous range – covering art and literature, political theory, historiography, pedagogy and worker's history – Andrew McNamara and Toni Ross (UNSW) explore his wider critical ambitions in this interview, while showing how it leads to alternative insights into aesthetics. Rancière sets aside the core suppositions linking the medium to aesthetic judgment, which has informed many definitions of modernism. Rancière is emphatic in freeing aesthetic judgment from issues of medium-specificity. He argues that the idea of autonomy associated with medium-specificity – or 'truth to the medium' – was 'a very late one' in modernism, and that post-medium trends were already evident in early modernism. While not stressing a simple continuity between early modernism and contemporary art, Ranciere nonetheless emphasizes the on-going ethical and political ramifications of maintaining an a-disciplinary stance.
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The question can no longer just be whether “art and social practice” or creative forms of activism are part of larger neo liberal agenda nor if they are potentially radical in their conception, delivery or consumption. The question also becomes: what are the effects of social practice art and design for the artists, institutions, and the publics they elicit in public and private spaces; that is, how can we consider such artworks differently? I argue the dilution of social practices’ potentially radical interventions into cultural processes and their absorption into larger neo liberal agendas limits how, as Jacques Rancière might argue, they can intervene in the “distribution of the sensible.” I will use a case study example from The Center for Tactical Magic, an artist group from the San Francisco Bay Area.
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