Le cri poétique : "Howl" d’Allen Ginsberg dans le contexte de la révolution Beat

Ce mémoire s’intéresse aux transformations littéraires et poétiques mises en œuvre par le mouvement de la Beat Generation au milieu du vingtième siècle en Amérique du Nord. En me penchant sur le recueil de poésie « Howl and Other Poems » du poète Allen Ginsberg, le texte emblématique de cette révolution littéraire, je montre comment le mouvement des Beats représente une transformation dans la tradition littéraire et poétique américaine, occidentale, en ce qui concerne à la fois la forme, les sujets abordés et la pratique d’écriture. Dans un premier temps, j’étudie l’histoire de ces changements en examinant la réception de « Howl », qui a bouleversé les attentes du milieu littéraire de l’époque à cause de son approche inclusive qui accueille tout dans la représentation. Mon deuxième chapitre se penche sur la vision du poète, la vision poétique. Je montre comment la perspective du poète face au monde change chez Ginsberg et les Beats. Au lieu de concevoir la transcendance, l’universel, comme quelque chose d’éloigné du particulier, comme le véhicule la tradition poétique occidentale, les Beats voient l’universel partout, dans tout. Enfin, je m’intéresse à la place du langage dans l’expression de cette nouvelle vision. J’observe comment Ginsberg et les Beats, en s’inspirant de la poésie de Walt Whitman, développent un langage spontané ne relevant plus de la maîtrise de soi.

Interrupting the courtroom organism: screaming bodies, material affects and the theatre of cruelty

This article offers a method of reading the courtroom which produces an alternative mapping of the space. My method combines a reading of Antonin Artaud’s Theatre of Cruelty with a Deleuzian theoretical analysis. I suggest that this is a useful method since it allows examination of the spatial praxes of the courtroom which pulsate with a power to organize, terrorize and to judge. This method is also able to conceptualize the presence of ‘‘screaming’’ bodies and living matter which are appropriated to build, as well as feed the presence and functioning of the courtroom space, or organism. By using a method that articulates the cry of these bodies in the shadow of the organism, it becomes clear that this cry is both unwelcome and suppressed by the courtroom. The howl of anxious bodies enduring the process and space of the law can be materialized through interruptions to the courtroom, such as when bodies stand when they should not and when they speak when they should be silent. These vociferous actualizations of the scream serve only to feed the organism they seek to disturb, yet if the scream is listened to before it disrupts, the interruption becomes-imperceptible to the courtroom. Through my Artaudian/Deleuzian reading, I give a voice to the corporeal gasp that lingers before the cry, which is embedded within the embodied multiplicity from which it is possible to draw a creative line of flight. The creative momentum of this line of flight produces a sustainable interruption to the courtroom process, which instead of being consumed by the system, has the potential to produce new courtroom alignments. My text therefore offers an alternative reading of the courtroom, and in doing so also offers a refined understanding of how to productively ‘‘interrupt’’ the courtroom process.

Análisis del Ejército Zapatista de Liberación Nacional como modelo de guerrilla estética, a la luz de la teoría de la resistencia planteada por Jacques Rancière

Justo ahora, cuando parece haberse agotado el entendimiento del zapatismo como movimiento revolucionario tradicional, esta monografía propone dar un doble salto mortal para destruir las barreras obsoletas de las teorías revolucionarias y aterrizar en lo que Rancière llama la Resistencia de los Sin Parte. El alarido bestial se transforma en palabra para sacudir las estructuras más íntimas del orden y actualizar la pésima partición de los lugares y las funciones comunes en la comunidad. Las partes mal contadas acceden a la palabra para reclamar una partición justa de lo común, e inscribir así las libertades como axiomas para el todo comunitario. Lo descolorido toma color, lo oculto es visto, lo incontado entra en el conteo de las partes, lo que no tiene rostro ni voz es ahora escuchado, las sombras adquieren cuerpos y los cuerpos adquieren vida. La resistencia por la incorporación cambió para siempre la política tradicional mexicana, al punto de que ésta ha dejado de llamarse como tal para quien escribió esta investigación. La palabra común, la imagen del líder Marcos, y los símbolos como el pasamontañas, hacen que la rebelión zapatista sea una rebelión desde y para los sin parte, una voz para incorporar a los sin voz: el rostro indefinido de una máscara que defiende con enjundia a los olvidados y los devuelve a la arena de los vistos. Chiapas habla, los fantasmas resucitan, las partes mal contadas reclaman una justa partición de lo visible en la comunidad. Marcos y los suyo se han salido con la suya.

Wolf presence in the ranch of origin: Impacts on temperament and physiological responses of beef cattle following a simulated wolf encounter

This experiment evaluated temperament, vaginal temperature, and plasma cortisol in beef cows from wolf-naive and wolf-experienced origins that were subjected to a simulated wolf encounter. Multiparous, pregnant, nonlactating Angus-crossbreed cows from the Eastern Oregon Agricultural Research Center located near Burns, OR (CON; n = 50), and from a commercial operation near Council, ID (WLF; n = 50), were used. To date, grey wolves are not present around Burns, OR, and thus CON were naive to wolves. Conversely, wolves are present around Council, ID, and WLF cows were selected from a herd that had experienced multiple confirmed wolf-predation episodes from 2008 to 2012. Following a 50-d commingling and adaptation period, CON and WLF cows were ranked by temperament, BW, and BCS and allocated to 5 groups (d 0; 10 CON and 10 WLF cows/group). Groups were individually subjected to the experimental procedures on d 2 (n = 3) and d 3 (n = 2). Before the simulated wolf encounter, cow temperament was assessed and blood samples and vaginal temperatures (using intravaginal data loggers) were collected (presimulation assessments). Cows were then sorted by origin, moved to 2 adjacent drylot pens (10 WLF and 10 CON cows/pen), and subjected to a simulated wolf encounter event for 20 min, which consisted of 1) cotton plugs saturated with wolf urine attached to the drylot fence, 2) continuous reproduction of wolf howls, and 3) 3 leashed dogs that were walked along the fence perimeter. Thereafter, WLF and CON cows were commingled and returned to the handling facility for postsimulation assessments, which were conducted immediately after exposure to wolf-urine-saturated cotton plugs, wolf howl reproduction, and 20-s exposure to the 3 dogs while being restrained in a squeeze chute. Chute score, temperament score, and plasma cortisol concentration increased (P <= 0.01) from pre- to postsimulation assessment in WLF but did not change in CON cows (P >= 0.19). Exit velocity decreased (P = 0.01) from pre-to postsimulation assessment in CON but did not change (P = 0.79) in WLF cows. In addition, WLF cows had a greater (P = 0.03) increase in temperature from pre-to postsimulation assessments compared with CON cows. In conclusion, the simulated wolf encounter increased excitability and fear-related physiological stress responses in cows that originated from a wolf-experienced herd but not in cows that originated from a wolf-naive herd.

Estudio de los sonidos emitidos por las crías de tortuga boba, Caretta caretta, en el momento de la eclosión

Las crías Caretta caretta durante la eclosión y antes de salir del nido, emiten sonidos asociados a crujido y raspado del corion, así como chillidos, silbidos y tos, en un rango de frecuencia entre los 300 y 2600 Hz. No obstante, los silbidos y chillidos, que pueden ser asociables a un sistema de vocalización, se emiten a una frecuencia (1500-2600 Hz) mucho mayor al rango de sensibilidad descrito para esta especie (250-1000 Hz) y por tanto imperceptibles para ellas. Sin embargo, los sonidos producidos como consecuencia de ejercicios de respiración y expulsión de arena de las vías respiratorias, acompañados de tos (300-1200 Hz), por parte de las crías recién eclosionadas, son los únicos sonidos que podrían servir de señal y estimulación a la eclosión del resto de crías en el nido. ABSTRACT The hatchlings Caretta caretta, during the eclosion and before the abandon of their nest, produce sounds associated to creakling and scrape of the eggshell, and howl, whistle and cough, in a frequency range between 300 and 2600 Hz. Nevertheless, the howls and whistles, that could be associated to a vocalization apparatus, were emitted at a higher frequency (1500-2600 Hz) than the auditory range describe for this species (250-1000 Hz), and therefore probably inaudible for them. However, sounds generated as a consequence of breathing exercises and sand expulsion from the airways through coughs (300- 1200 Hz), by the recently hatched turtles, could be used as signal or stimulus for the hatch of the reminder eggs in the nest.

Godzilla trifft Poelzig

Die Verwendung europäischer Architektursettings in japanischen "Trick"-Filmen (anime) ist mehr als die bloße Adaption einer – aus asiatischer Perspektive – exotischen Kulisse. Populäre Medien vertreten keine kritische Positionen; sie sind bemüht, an Vorstellungswelten und Seherfahrungen ihrer Betrachter anzuknüpfen. Auf diese Weise gelesen, sagen Kopien und bewusste (Re-)Kombinationen europäischer Motive im japanischen Film eine Menge über die Assoziationen, die asiatische Betrachter mit bestimmten Phasen europäischer Geschichte verbinden. Doch auch Eigengesetzlichkeiten des "Trick"-Films als Medium dürfen nicht vernachlässigt werden. Wenig bekannte Motive aus der expressionistischen Architektur können beispielsweise dazu eingesetzt werden, einen bloßen Verfremdungseffekt zu erzielen. In subtileren Beispielen kann der Umweg über europäische Kulissen aber auch dazu dienen, Spannungen der jüngeren Geschichte Japans in einem verfremdeten Gewand zu verarbeiten.