1000 resultados para HISTORY DIDACTICS
Resumo:
This paper aims to define history didactics along the lines of the current German literature, which conceives it to be closer to history than to education. Associated to the word Geschichtsdidaktik, this definition is opposed to the concepts of history didactics as the art of teaching - Lehrkunst - history or as a collection of methods used both in the teaching of history and in the teaching of other school subjects - Unterrichtsmethoden. In opposition to these two definitions, this paper discusses German, French and Brazilian literatures to propose a conception of history didactics as a subarea of history, once it does not encompass only history teaching, but all history elaborations without a scientific form - nicht- wissenschaftsformigen Geschichtsverarbeitungen.
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This thesis by publication contains an introductory summary chapter and three papers. The first paper presents a study of how the concept of historical consciousness has been defined, applied, and justified in Swedish history didactical research. It finds that there is consensus regarding the definition of what a historical consciousness is, but that there is variation in how the concept is applied. It is suggested that this variation makes historical consciousness a complex and vague concept. The second paper uses the results presented in the first paper as a point of departure and from thence argues for a broadened understanding of the concept of historical consciousness that incorporates its definition, application, development, and significance. The study includes research about historical consciousness primarily from Sweden, the UK, the USA and Canada. The paper presents a typology of historical consciousness and argues that level of contextualisation is what distinguishes different types of historical consciousnesses and that an ability to contextualise is also what makes historical consciousness an important concept for identity constitution and morality. The third paper proposes a methodological framework of historical consciousness based on the theory of historical consciosusness presented in the second paper. It presents arguments for why the framework of historical consciousness proposed can be useful for the analysis of historical media and it discusses how aspects of the framework can be applied in analysis. It then presents a textbook analysis that has been performed according to the stipulated framework and discusses its results regarding how textbooks can be used to analyse historical consciousness and its development.
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This compilation thesis contains an introductory chapter and four original articles. The studies comprising this thesis all concern aspects of how historical culture is constituted in historical media and history teachers’ narratives and teaching. It is argued that the teaching of history is a complex matter due to an internal tension resulting from the fact that history is both a product and a process at the same time. While historical facts, and knowledge thereof, are an important aspect of history, history is also a product of careful interpretation and reconstruction. This study analyses and discusses how history is constituted in history textbooks and popular history magazines, i.e. two common historical media, and in teachers’ narratives and teaching of history. The study finds that the historical media studied generally tend to present history as void of perspective, interpretation and representation, suggesting this to be the culturally warranted form of historical exposition. Moreover, the teachers studied also tend to approach history as if it were not contingent on interpretation and reconstruction. These results indicate that the history disseminated in historical media and history classrooms presents history in a factual way and disregards the procedural aspects of history. Applying the history didactical concepts of historical consciousness, historical culture and uses of history, this thesis argues that an essential aspect of historical understanding is an appreciation of the contextual contingency that characterises history. All history is conceived within a particular context that is pertinent to why and how a certain version of history is constructed. Furthermore, all history is also received within a particular context by people with particular preconceptions of history that are contextually contingent, in the sense that they are situated in a certain historical culture. Readers of historical media are members of societies and are thus affected by how history is perceived and discussed in these contexts. This thesis argues that an awareness of these aspects of history is an important factor for furthering a complex understanding of history that encompasses the tension highlighted above.
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RESUMO: Analisando o actual contexto do Ensino Básico na perspectiva da docência da História, o presente trabalho problematiza a contribuição da disciplina para a formação dos cidadãos. Estruturado a partir da análise das sintonias existentes entre a Educação, a História e a Museologia, relativamente a conceitos-chave como o Património Cultural e as suas formas de abordagem, a investigação propõe uma perspectiva museológica sobre o actual currículo da disciplina de História. Aplicando metodologias e conceitos desenvolvidos na Museologia, a proposta curricular estrutura-se a partir das componentes locais e regionais do currículo (na óptica da História) da região específica de Alcobaça. Centrado na aplicação da relação entre o Ensino da História por competências e o desenvolvimento da Consciência Histórica, num espaço concreto, este trabalho constrói uma proposta visando contribuir para os debates existentes e necessários no contexto da relação entre os saberes da escolaridade e as práticas de Cidadania, designadamente a contribuição activa dos indivíduos para o desenvolvimento da(s) comunidade(s). ABSTRACT: This research arises the problem of Compulsory Highschool from the perspective of teaching History, that matters the contribution to the Education of Citizenship. Structured from the analyses of the agreements between Education, History and Museology, concerning concepts like Cultural Heritage and its forms of communication, this research makes a proposition based on a museological perspective applied to History curriculum. This curricular approach is anchored in local and regional components of curriculum (from the historical view point) to Alcobaça and its region. Focused on the exercise of a relationship between Teaching History by skills development and the bringing up of an Historical Consciousness in a specific territory, this research builds a curricular proposition aiming to contributing to the discussions (current and necessaries) in the context of the connections between school acknowledgments and citizenship practices, specially the individual’s active engagement in communities development.
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La indumentaria es un objeto de incuestionable valor para la didáctica de la historia y de otras ciencias sociales, ya que posee todas las cualidades de la didáctica del objeto con un atractivo añadido muy vinculado a su aspecto y funcionalidad estética y a su reclamo visual; es fácil vincular períodos históricos con su indumentaria característica, puesto que nuestro imaginario cultural está lleno de películas, pinturas e incluso disfraces que proporcionan datos al respecto. Lo que resulta complicado es dilucidar qué imágenes son las más fidedignas, y esta cuestión no es otra que la relacionada con la veracidad y rigor de las fuentes de la indumentaria. El presente artículo analiza dicha problemática, además de la relacionada con la polisemia de su nomenclatura, con la necesidad de conocer su contexto estético o con la naturaleza de sus cambios y continuidades.
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This paper presents a theoretical analysis of the concept of historical consciousness. It argues that a focus on the epistemological problems of the concept can be a way of constructing a theory of the concept that both incorporates the diverse perspectives that exist in research about the concept and specifies how a historical consciousness can be developed in an individual.
Resumo:
The overall aim of this study is to analyse history teachers’ understanding of the school subject history. The aim have also been to uncover what factors the history teachers say have affected their understanding of the school subject. Based on survey and interview methods, the question that this study deals with is: in the light of which general understanding of the school subject history, do the teachers make didactic choices on a daily basis? The first theme is biographical. The teachers’ life-history is taken into consideration and several factors in the teachers’ background and the school environment have been identified. It also seems as if the teachers’ understanding of the school subject goes from an elementary and searching approach to one that is more complex and convinced. The second theme is a more structural approach. The results shows three major orientations among the teachers’ general understanding namely, educational (bildung) orientation, critical orientation and identity orientation. Even though a main orientation can be seen among the teachers, an important result is also that the orientation is overall complex. At the most general level some patterns can be seen. First the connection between the teachers’ biography and their general understanding of the school subject. In the understanding of the school subject, it is also notable that teachers relate in different ways to history as science, history as identity and history from an ideological viewpoint. It is also possible to note some signs of change in the school subject history that follows a lager historiographical context.
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This thesis focuses on four different aspects of history teachers’ comprehensiveunderstanding of the school subject history. More specifically, the aim is tostudy the comprehension of the subject as perceived by individual historyteachers. Special emphasis is placed on identifying the concepts of the field ofhistory that are central to the teachers’ understanding of the school subject history.The first aspect studied is the teachers’ biographical changes. In a life historyperspective it seems as if the teachers’ subject conception changes from anunproblematic and tentative approach to a more complex and confident understandingof the subject. The second aspect treated is the rationale behind theirgrasp of the purpose and content of the subject. Three major positions areidentified, namely educational (bildung) orientation, critical orientation, andidentity orientation.The third aspect studied is the teachers’ interpretation of a curriculumnew to them. The teachers placed the curriculum in the field of tension betweenan education policy position, emphasizing more precise knowledge, onthe one hand, and a history science position, emphasizing concepts of historicalconsciousness. The fourth aspect studied is five different conceptual tools displayedin the teachers’ remarks on having completed the teaching of a newcourse. These are termed ‘history as narrative’, ‘history as time-space’, ‘historyas explanation’, ‘history as perspective taking’, and ‘history as skills’At the general level the study shows not only that subject conception is ofimportance to the teachers’ understanding of their obligation as teachers of historybut also how it is formed and constantly transformed by many differentfactors. In this process it is clear that the concepts used by the teachers, althoughvariously defined, can be seen as specific to the school subject historyand essential to the construction of history as a school subject.
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This article presents a study of how contemporary Swedish lower secondary school textbooks present the emergence of the Cold War and how 10 active lower secondary school history teachers interpreted a quotation that was ambiguous in relation to the general narrative in the studied Swedish textbooks, seeking to analyse textbooks both from the perspectives of content and reception. Applying a theoretical framework of uses of history, the study finds that the narratives presented in the studied textbooks are what could be called traditional in the sense that they do not acknowledge perspective and representation in history. While the interviewed teachers generally acknowledged that textbook narratives are representations of history and contingent on perspective, few teachers extended this to include how their own views affect their interpretations, suggesting an intermediary appreciation of the contextual contingency of historical narratives.
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Images are used in history education for a variety of reasons, not least to generate interest through a better understanding of historical events and people. The aim of this study was to investigate how historical pictures, either illustrated or documentary/photographic, can be used as a resource for activating and improving pupils' historical empathy, in the way described by Stéphane Lévasque. I conducted a reception study on five different focus groups consisting of pupils from different upper secondary schools in Sweden. The pupils varied with regard to number of credits for admission to upper secondary school. A sixth group of pupils was interviewed as a contrasting control group in order to add perspective to the results. The discussions were based on the pupils' interpretations of 34 selected pictures, all of which were taken from the most common history textbooks. Each pupil was asked to choose the picture he/she felt was the most representative historical image. On the basis of the strategies used by the pupils when interpreting the pictures and discussing them, the material was analysed in accordance with Lévesque's categories: imagination, historical contextualisation and morals. The last category, morals, was further divided into three sub-categories: sense of justice, sympathy and progression. The reflections of the pupils and the degree of contextualisation varied. It appeared that the pupils were less inclined to discuss assumptions about the persons in the pictures; instead they chose to discuss the historical context in question. The pictures in this study did not seem to trigger the pupils to fabricate anachronistic reasoning about history; when they did produce lengthy reasoning, it was contextual, structural and metahistorical. In this context, the pupils who belonged to the group with the highest average of credits showed some signs of reflection on the basis of historical context and some criticism about the historical sources. On no occasion did any of the pupils choose a picture as a concrete expression of injustice. One of the questions this study aimed to explore was whether a lack of historical context affects how pictures trigger emotions and reasoning on the basis of moral aspects. Some of the pupils displayed moral standpoints, primarily the degree of morals concerning injustice. One possible interpretation could be that the feeling of being unfairly treated and subjected to insulting behaviour and social injustice was something the pupils could relate to. The group of pupils who had not yet studied history at upper secondary school, the control group, generally made reflections using this sort of reasoning when they discussed the historical aspects of the pictures.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Este artículo discute las concepciones de jóvenes brasileños, argentinos y uruguayos sobre los sujetos en la historia, en función de su aprendizaje histórico escolar y extra-escolar. Los datos fueron obtenidos a partir de la encuesta internacional " Jóvenes frente a la historia " . Los cuestionarios estuvieron dirigidos a estudiantes de 15 años y sus profesores, y se utilizó mayormente la escala Likert. Teóricamente, la investigación se sustenta en los conceptos de conciencia histórica y cultura histórica, formulados por la Didáctica de la historia alemana, pero también en el concepto de cultura política. Los resultados apuntan que, dentro del universo estudiado, las llamadas " personalidades importantes " típicas de la enseñanza escolar de la historia son reconocidas en lo que se refiere a los "padres fundadores" de las naciones, pero no en cuanto sujetos que hicieron la historia nacional. De la misma manera ocurre en el caso de los personajes femeninos. Ciencia, tecnología e invenciones son vistos como un factor de cambio más importante que las "personas importantes" y estos, a su vez, han sido superados por la importancia reconocida a los movimientos colectivos
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En el 2004, el Frente Amplio (coalición de izquierda) venció las elecciones en Uruguay. Uno de los cambios fue una revisión del período de la dictadura militar, especialmente en el aspecto educativo: la enseñanza escolar sobre la dictadura entró en el orden del día, con ventajas y problemas de la enseñanza de la historia reciente. Desde la incorporación de la enseñanza de la historia reciente en Uruguay, se discute la noción de laicidad -de largo uso en el debate público- como uno de los condicionantes más fuertes de la didáctica de la historia. Fueron analizados dos grupos de sujetos envueltos en ese debate: los políticos de los partidos tradicionales y los profesores de historia. Se permite proponer una revisión de la noción de laicidad, al mantener su papel de definición de un espacio público, pero garantizando criterios que también sean públicos, construidos intersubjetivamente
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El currículum de historia escolar y los libros de texto no han evolucionado al ritmo de la investigación histórica. Así puede comprobarse analizando quiénes son los seleccionados para protagonizar los hechos y los procesos históricos. Ni en el currículum ni en los manuales de didáctica de la historia ni en los libros de texto se concede la importancia que se debería a las mujeres, los niños y niñas, a los miembros de cualquier minoría, a los pobres, a los homosexuales, a aquellas personas y grupos que no pertenecen a la elite y a la minoría dirigente. En este trabajo presentamos algunas reflexiones sobre los protagonistas, sobre los actores, de la historia desde la historiografía y desde la didáctica de la historia y analizamos su tratamiento en libros de texto de historia de la educación primaria chilena
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En los manuales españoles de 1ro de Bachillerato, los pueblos indígenas quedan relegados a lugares marginales en la enseñanza de la Historia, no se presentan o se ocultan los procesos de usurpación territorial y agresión sufridos a manos principalmente de los occidentales. Tanto los libros como los alumnos aceptan además la arcaica doctrina de la terra nullius, despreocupándose por los derechos de propiedad de las sociedades más débiles. El alumnado no se interesa en general por los pueblos indígenas excepto como curiosidades, fuentes de ridículo o víctimas, aunque simultáneamente maneja una visión romantizada como pueblos felices y pacíficos a los que hay que conservar, defendiendo la ayuda humanitaria y el respeto a las otras culturas. Desconoce mayoritariamente la historia precolonial y especialmente aquella de las sociedades no industrializadas y conceptos básicos de antropología, estando más interesado por las grandes potencias y la historia nacional. El desinterés consiguió evitarse mediante material audiovisual emotivo, visualmente impactante y crítico con consumidores que la ignoraban. Los resultados incitan a un replanteamiento de la didáctica de las ciencias sociales que la libere de prejuicios etnocéntricos a través de paradigmas como el de la world history, y del recurso a actividades centradas en las necesidades e intereses del alumnado