981 resultados para Frank Capra


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Nenhum outro realizador a trabalhar em Hollywood durante os anos 30 do século XX alcançou maior notoriedade do que Frank Capra. A sua biografia, tão parecida com as histórias de rags to riches, parece coexistir com as narrativas ilustradas em alguns dos seus filmes mais perenes. No entanto, apesar de todo este sucesso, a carreira de Frank Capra seria relativamente curta e, sobretudo, quase exclusivamente associada à década da Grande Depressão. A elaboração deste trabalho tem por objetivo articular a história pessoal de Frank Capra com as histórias da Grande Depressão, utilizando os filmes que dirigiu durante essa década e, neste processo, tornar aparentes alguns dos motivos para o sucesso do realizador durante os anos 30.

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Índice: - Glory (1989): una visión dramatizada sobre el origen de los Buffalo Soldiers (Óscar Álvarez Gila). - Los violentos años veinte: gánsters, prohibición y cambios socio-políticos en el primer tercio del siglo xx en Estados Unidos (Aurora Bosch). - La crisis de la democracia en América: Caballero sin espada (Frank Capra, 1939) (José-Vidal Pelaz López). - El manantial, una apología del individualismo norteamericano (José Luis Sánchez Noriega). - Cine y elecciones: El candidato como paradigma del género (Carlos Flores Juberías). - La diplomacia atómica en la Guerra Fría y Estados Unidos: ¿Teléfono rojo? Volamos hacia Moscú (Coro Rubio Pobes). - My Family (Mi familia) (Mario P. Díaz Barrado). - Lars von Trier y Bailar en la oscuridad: ¿lo hemos visto todo ya en el cine? (Iratxe Fresneda). - Estados Unidos: un recorrido por su historia a través del cine de ficción (Coro Rubio Pobes).

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La tesi analitza set pel·lícules documentals de propoganda que sota el títol genèric de "Why We Fight" va produir el director Frank Capra per a l'exèrcit nord-americà, durant la Segona Guerra Mundial. La seva anàlisi permet d'establir quins són els trets ideològics bàsics dels Estats Units i fer un recorregut per la producció cinematogràfica nord-americana de finals dels anys 30 i principis del quaranta.

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The screenplay, “Perfect Blood” (Frank and Stein), is the first two-hour episode of a two-part television miniseries Frank and Stein. This creative work is a science fiction story that speculates on the future of Western nations in a world where petroleum is scarce. A major theme that has been explored in the miniseries is the tension between the advantages and dangers of scientific progress without regard to human consequences. “Perfect Blood” (Frank and Stein) was written as part of my personal creative journey, which has been the transformation from research scientist to creative writer. In the exegetical component of this thesis, I propose that a key challenge for any scientist writing science fiction is the shift from conducting empirical research in a laboratory-based situation to engaging in creative practice research. During my personal creative journey, I found that a predominant difficulty in conducting research within a creative practice-led paradigm was unleashing my creativity and personal viewpoint, practices that are frowned upon in scientific research. The aim of the exegesis is to demonstrate that the transformative process from science to art is not neat and well-structured. My personal creative journey was fraught with many ‘wrong’ turns. However, after reflecting on the experience, I realise that every varied piece of research that I undertook allowed me to progress to the next stage, the next draft of Frank and Stein. And via the disorder of the creative process, a screenplay finally emerged that was both structured and creative, which are equally essential elements in screenwriting.

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Mock circulation loops (MCLs) are used to evaluate cardiovascular devices prior to in-vivo trials; however they lack the vital autoregulatory responses that occur in humans. This study aimed to develop and implement a left and right ventricular Frank-Starling response in a MCL. A proportional controller based on ventricular end diastolic volume was used to control the driving pressure of the MCL’s pneumatically operated ventricles. Ventricular pressure-volume loops and end systolic pressure-volume relationships were produced for a variety of healthy and pathological conditions and compared with human data to validate the simulated Frank-Starling response. The non-linear Frank-Starling response produced in this study successfully altered left and right ventricular contractility with changing preload and was validated with previously reported data. This improvement to an already detailed MCL has resulted in a test rig capable of further refining cardiovascular devices and reducing the number of in-vivo trials.

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A physiological control system was developed for a rotary left ventricular assist device (LVAD) in which the target pump flow rate (LVADQ) was set as a function of left atrial pressure (LAP), mimicking the Frank-Starling mechanism. The control strategy was implemented using linear PID control and was evaluated in a pulsatile mock circulation loop using a prototyped centrifugal pump by varying pulmonary vascular resistance to alter venous return. The control strategy automatically varied pump speed (2460 to 1740 to 2700 RPM) in response to a decrease and subsequent increase in venous return. In contrast, a fixed-speed pump caused a simulated ventricular suction event during low venous return and higher ventricular volumes during high venous return. The preload sensitivity was increased from 0.011 L/min/mmHg in fixed speed mode to 0.47L/min/mmHg, a value similar to that of the native healthy heart. The sensitivity varied automatically to maintain the LAP and LVADQ within a predefined zone. This control strategy requires the implantation of a pressure sensor in the left atrium and a flow sensor around the outflow cannula of the LVAD. However, appropriate pressure sensor technology is not yet commercially available and so an alternative measure of preload such as pulsatility of pump signals should be investigated.

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Left to Right: Ernest Goldschmidt, Ilse Goldschmidt born Molling, and Frank Goldschmidt. The picture was taken on the occasion of Ilse's 80th birthday party 22 Dec 1989 Laguna Hills, CA.

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Left to Right: Ernest Goldschmidt, Ilse Goldschmidt born Molling, and Frank Goldschmidt. The picture was taken on the occasion of Ilse's 80th birthday party 22 Dec 1989 Laguna Hills, CA.

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Handwritten caption: Wir tragen nur Bemberg-Seidenstruempfe! (We wear only Bemberg silk stockings!)

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Left to Right: Ernest Goldschmidt, Ilse Goldschmidt born Molling, and Frank Goldschmidt. The picture was taken on the occasion of Ilse's 80th birthday party 22 Dec 1989 Laguna Hills, CA.

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Left to Right: Ernest Goldschmidt, Ilse Goldschmidt born Molling, and Frank Goldschmidt. The picture was taken on the occasion of Ilse's 80th birthday party 22 Dec 1989 Laguna Hills, CA.

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Page 57 of the "American Jewish Cavalcade" scrapbook of Leo Baeck in New York found in ROS 10 Folder 3