Libellus musicus

Kirjanen on Michael Michaeliksen, Naantalin kappalaisen, Mikael Agricolan aikalaisen ja oppilaan käsikirjoitus, joka voidaan ajoittaa 1500-luvun lopulle. Kyseessä on ns. sekakirjanen, joka sisältää eri kirkkolaulujen traditioista syntyneitä sävelmiä erikielisine sanoituksineen. Kirjaseen kuuluu mm. luterilainen graduale, ruotsalainen kyriale, latinalainen hymnikokoelma, Te Deum käännöksineen ja muutamia muita kappaleita, joita joko seurakunta tai kuoro lauloivat kirkoissa.

A liturgical miscellany, consisting of a tonarium, parts of a graduale (including a kyriale), sequentiarium and a hymnarium, produced by one scribe, probably for his own use, in the last quarter of the sixteenth century. Complete critical and codicological description of the book and its contents available in the Codices Fennici -database.

Contents: Fols. 1r–8v, 9r–v, tonarium (defect); Fols. 10r–14v, sequentiarium in Latin (defect); Fols. 15r–24r, Te Deum in Latin (defect), O Jumala sinua me kijtämme (Te Deum in Finnish), O Gudh wij lofwe tig och bekenne tig (Te Deum in Swedish), O Gudh wij lofwe tig, o Gudh wij tacke tig (rhymed Te Deum in Swedish) and O Jumal sinua kijtäm (rhymed Te Deum in Finnish); Fols. 24r–32r, Kyriale in Swedish; Fols. 32r–40v, sequentiarium in Latin; Fols. 41r–42v, 43br–v, 43r–v, 44r–56v, hymnarium in Latin; Fol. [b]. "| co | side [verso] |orum | signifi |"; Fols. [c–k], fragments without legible text.

Breviarium Fratrum Praedicatorum (MS C.IV.10)

Two probably originally distinct but roughly contemporary books (I-II, copied by three scribes, A-C): A psalter and a Dominican breviary. Complete critical and codicological description of the book and its contents available in the Codices Fennici -database.

Contents: I: Psalter: Fols. 7r–76va, Psalter, with additional hymns, concluding with Te Deum; Fols. 76vb–77vb, the Athanasian Creed; Fols. 77vb–80v, litany and other prayers. II: Dominican breviary: Fols. 1r–6v, English Dominican calendar (Jan.–Dec.); Fols. 81r–242v, 276r–312r, proprium de tempore (defect), from the First Advent to the First Sunday after Trinity, and from septuagesima in mensis Augusti to the 25th Sunday after Trinity; Fols. 313ra–318v, Office for the dedication of a church; Fols. 243r–275v, 319r–334v, 353r–v, 335r–352v, 354r–371r, proprium de sanctis (defect), from the beginning up to the office of Mary Magdalene, with a misplaced leaf, fol. 353, at translatio B. Dominici, and, after several missing gatherings, the end of commune sanctorum; Fol. 371v, originally empty, with office for St Ursula added in a saec. XIV hand.

Antiphonarium (MS A.ö.II.29, Ilmajoen antifonarium)

Complete critical and codicological description of the book and its contents available in the Codices Fennici -database.

Graduale (MS A.ö.II.55, Ilmajoen graduale)

A graduale (defect) from Ilmajoki. Written in three parts, part I (fols. 1-134) dating probably from the 1540's, part II (fols. 135-140) probably from the 1550's and part III (fols. 141-194) from the 1530's.

Missale (C.ö.IV.9, Oripään missale II)

A (mainly votive) missal consisting of seven distinct parts. Put together in several stages, somewhat haphazardly. Parts II and III are probably the oldest parts. The final stage in the composition of the book is probably the addition of part VII. Part II belongs in the same liturgical tradition as C.ö.IV.7 (Oripään Missale I), probably that of Diocese of Linköping. Part III, a votive missal, is an informal copy of a book that would most probably have been used close to a Swedish cathedral (Linköping?). How the present book found its way to Oripää chapel is not known.

Renclus de Moiliens et Miracles de Notre-Dame.

Contient : Chronique universelle abrégée, en français, depuis Adam jusqu'à Artaxerxès ; précédée des Quinze signes du jugement ; « Miserere » et « Carités » du Rendus de Moiliens. — Voir l'édition de M. Van Hamel (1885), t. I, p. x ; Prière à la Vierge, en vers : « O bele dame, trespieue empereis... » Cf. Bulletin des anciens textes (1894), p. 54 ; Miracles de Notre-Dame, en vers. « Li tres grans misericorde et li grans douceurs que li douce Mere Diu fist pour le povre femme, et comment Nostre Sires prist trop cruel venjance del userier. Tout li Miracle Nostre Dame... » ; « Du clerc malade que Nostre Dame gari mervilleusement. Pour pluseurs cuers plus enflammer... » ; « Des Juis qui batirent le crucefis, et li .I. le feri el costé, s'en sali sans et iyauye. Des boins ist si biens par nature... » ; « Comment on se doit maintenir selonc les heures du jour qui sont contenues en la pasaiou Jhesucrist. Li sages dist : En l'amour de Nostre Signeur Jhesucrist, très chiers freres... » ; « Li Quinse signe qui avenront devan le jugement... Or escoutés communalment... » (En vers) ; « La vie et la conversations le Magdelaine... Haute cose est d'oïr et de retenir... » (En vers) ; « Li Sermons de le douce virge Marie, comment ele fu vestue u chiel, que maistres Guillames d'Auvergne, evesques de Paris, et maistres Philipes li canceliers disent, et fu fais par miracle. A l'emprendre de dire de le vierge Marie... » ; Miracles de Notre-Dame, en vers. « D'un hermite que li dyables cunchia, du coch et de le gheline. Ci après cont d'un autre hermite... » ; « Du frere l'Empereour qui ama sa serouge. Fols est qui aeroit souz ses piaus... » ; « De le roine qui tua son senescal et fist ardoir se cousine. Qui sens et raison a ensamble... » ; « Du chevalier qui vist Nostre Dame u pralet. Uns chevaliers jadis estoit. ; « D'un hermite qui s'acompaignaà l'angle. Un S. Pere en Egypte avoit... »

La pr??ctica reflexiva : una modalitat de formaci?? del professorat.'La pr??ctica reflexiva : una modalidad de formaci??n del profesorado'

Resumen de la publicaci??n

Podem repensar i recrear l'escola? : el projecte educatiu Epiqueia

Resumen basado en el de la publicaci??n

Entre histoire et fiction: la représentation du règne d'Arthur dans le manuscrit enluminé du Brut en prose, Londres, Lambeth Palace 6 (c. 1480)

The manuscript London, Lambeth Palace 6, contains the Middle English prose Brut, a text which benefited from a great popularity throughout the fifteenth century. It was copied by an English scribe and richly illuminated by the Master of Edward IV and his assistants at Bruges around 1480. This article studies the representation and integration of the reign of Arthur in the historical framework of the Brut or Chronicles of England, including its fictional aspects: Arthur emerges as a historical character but also as a chivalric and mythical figure. The analysis covers the miniatures ranging from the plot leading to the conception of Arthur to the end of his reign (fols. 36-66). The textual and iconographic choices of the prose Bruts are highlighted by comparisons with Geoffrey of Monmouth’s Historia Regum Britanniae, Wace’s Brut, and later prose rewritings in the Lancelot-Grail romance cycle, especially Merlin and its Vulgate Sequel. They show the continuous interest raised by Arthur in the aristocratic and royal circles of late fifteenth century England and the relationship be¬tween continental and insular historiographical, literary and artistic traditions.

Questiones Joannis Buridani super decem libros Ethicoru[m] Aristotelis ad Nicomachum.

Moreau,

Pittori faentini del secolo XVI [e XV] : ricordi /

Title pages have handwritten annotations: Arts: Atti e memorie della Regia Deputazione di Storia Patria per le provincie di Romagna. Anno...

Homiliarium veronense /

"This edition presents a collection of eleven homiletic pieces found in a single manuscript which probably dates from the early ninth century, Cod. LXVII (64) of the Biblioteca Capitolare of Verona. The homiletic collection, on fols. 33r-81v ... The Verona Homily Collection is made up of eleven pieces which concern only the portion of the liturgical year from Christmas to Pentecost"--P. [vii].

Fadrique Álvarez de Toledo, II Duque de Alba y su inventario de libros (1531): Una biblioteca patrimonial

Fadrique Álvarez de Toledo, que nació hacia 1460 y murió en 1531, lidera en Castilla el linaje de la casa de Alba en el tránsito de la Edad Media al Renacimiento. Primo carnal de Fernando el Católico, y colaborador íntimo de los Reyes, desarrolla una amplia labor de mecenazgo artístico y literario, de la cual son ejemplos relevantes los apoyos a poetas como Juan del Encina, Juan Boscán o Garcilaso de la Vega. A pesar de esta actividad, la crítica no se ha ocupado con detalle de este personaje por haberle eclipsado un tanto su nieto, el Gran Duque de Alba. Este artículo reproduce el inventario de la biblioteca de Don Fadrique (formado por los libros que fueron catalogados a su muerte), inédito hasta ahora y que nos muestra una rica biblioteca patrimonial de ciento ochenta y seis obras. Entre los libros religiosos encontramos biblias, tratados de oración y libros de horas; se hallan también algunos títulos indispensables de las tradiciones franciscana y dominica, que nos muestran a un personaje interesado en las nuevas corrientes devocionales de finales del siglo XV, en el escolasticismo y en las mujeres santas y visionarias del Medievo.

El poema "De Iulio aucupe" de Juan de Verzosa

Presento aquí un poema del humanista hispano-latino Juan de Verzosa. El texto fue enviado por el autor en 1555, junto con una carta, a Jerónimo Zurita, y se conserva actualmente en la Biblioteca de la Real Academia de la Historia de Madrid (Ms.9/112, fols.535-536). Aparentemente trata de un amigo del autor llamado Julio aficionado a la caza de aves. Pero la lectura del poema a la luz de las Epístolas de Verzosa permite entrever la intención última del autor e incluso quién fue el ‘cazador’ Julio aludido.