Testa din inlärningsstil : En utredning om VAK i undervisning av det andra inhemska språket

This thesis is an investigation of the significance of VAK, i.e. the visual, auditory and kinaesthetic learning styles, for language education. The research part evaluates the predictive validity of a VAK test commonly used in Finnish education. The results of the test were compared, respectively, with the results of a visual, an auditory and a kinaesthetic word test. 62 dyslexic language leaners participated in the tests. There was no statistically significant link between the results of the VAK test and the word tests. On the grounds of a voluntary questionnaire, most of the students did however consider it important that they are taught according to their personal learning style: visual, auditory or kinaesthetic. One of the goals of the study was to investigate the theoretical background of VAK. VAK does not seem to have a consistent theoretical basis, but combines various elements such as NLP pedagogy and Dunn's and Prashnig's learning style models that have previously been sharply criticized by scholars. The study leaves it open whether individual learning styles do exist, and how they could be diagnosed.

Queens Bet Din Gittin / Rabbi Faber Records. 1947-1994 (bulk 1974-1992)

This is a collection of the records of Rabbi Salamon Faber, Chair of the Queens Bet Din or Rabbinic Court, concerning the gittin (plural of get, Jewish religious divorces) that the Queens Bet Din granted between 1947 and 1992. These records include Rabbi’s Faber’s personal notes about the gittin, correspondence with the husband and wife and with any other concerned parties, copies of civil and religious marriage and divorce documents, divorce contracts signed by the husband, and copies of conversion certificates.

Din, don, don: Mestre Paraná e o Grupo Folclórico de Capoeira São Bento Pequeno (1950-1960)

Este trabalho questiona a construção da memória e da história da capoeira no Rio de Janeiro na segunda metade do século XX. A capoeira como manifestação cultural é tema de um crescente número de trabalhos artísticos, desde peças de teatro, filmes para o cinema, bem como de ações do governo, com destaque para seu tombamento como "patrimônio imaterial da cultura brasileira". É praticada em mais de 150 países, onde se apresenta como mais uma das identidades dos brasileiros no exterior. No Rio de Janeiro, deixou marcas profundas na memória do século XIX, representada em documentos variados do Estado e nas letras dos intelectuais da época. História que tem sido pesquisada por autores que já assistem suas obras sendo consagradas pelo crescente número de interessados no tema. Em contrapartida, a história recente desta prática ainda é assunto raro na historiografia, bem como nas demais disciplinas das ciências humanas. Assim, através da pesquisa etnográfica com o Grupo Folclórico de Capoeira São Bento Pequeno, escola de capoeira de Mestre Paraná, questionamos esta lacuna no conhecimento acadêmico, bem como seu reflexo na formação das "tradições" da capoeira no Rio de Janeiro. O Grupo São Bento Pequeno esteve em atividade nas décadas de 1950 e 1960, período de retomada do crescimento da capoeira no Rio de Janeiro.

The strength of Islam / by al-Hajj Khwaja Kamal-ud-din.

http://www.archive.org/details/thestrengthofisl00kamauoft

Five pillars of Islam, by Kh. Kamal-ud-Din ... (From the Islamic review).

http://www.archive.org/details/fivepillarsofisl00kamauoft

Hell & heaven / by al-Hajj Khwaja Kamal-ud-din.

http://www.archive.org/details/hellandheaven00kamauoft

Ethics of war / by al-Hajj Khwaja Kamal-ud-din.

http://www.archive.org/details/ethicsofwarbyalh00kamauoft

Islam and other religions, by Al-Hajj Khwaja Kamal-ud-Din.

http://www.archive.org/details/islamandotherrel00kamauoft

The Aesthetics of Motion in Musics for the Mevlana Celal ed-Din Rumi

This dissertation investigates the concept of motion as a fundamental aesthetic element in the devotional music, dance, and rituals performed in honor of the celebrated thirteenth-century Persian mystic poet and saint, the Mevlana Celal ed-Din Muhammad Rumi. The main focus of the study is threefold. First, it investigates the prevalence of the notion of movement in Islamic music and culture, specifically within the Sufi communities of Turkey, in order to arrive at a broader understanding of the relationship between music, aesthetics, and worldview. Secondly, it explores how musical performance functions as a form of devotion or religious worship by focusing on the musical repertories performed in honor of a single holy figure, the Mevlana Rumi. Finally, it provides an ethnographic account of contemporary developments in Sufi musical culture in Turkey and across the world by describing the recent activities of the Mevlana's devotees, which includes members of the Mevlevi Order of Islamic mystics as well as adherents of other Sufi brotherhoods and followers of so-called New Religions or New Age. The primary research for this study involved two short one-month field trips to Turkey and India in 2002 and 2003, respectively, and a longer one year expedition to Turkey in 2004 and 2005, which also included shorter stays in Cyprus, Syria, and Egypt. Additionally, the dissertation draws directly from critical theories advanced in the fields of ethnomusicology, cultural anthropology, and ethnochoreology and focuses on the kinesthetic parameters of music, dance, trance, and ritual as well as on broader forms of socio-cultural movement including pilgrimage, cultural tourism, and globalization. These forms of movement are analyzed in four broad categories of music used in worship, including classical Mevlevi music, music of the zikr ceremony, popular musics, and non-Turkish musics.

Rescrit du prince ilkhanien Sultan Ahmed Djélair, rendu en faveur du sheikh séféwi Sadr el-Hakk wel-Millet wed-Din.

Daté de Tabriz, 22ème jour du mois de Zilka'da 773 (26 mai 1372). Emreinte à l'encre rouge du sceau carré des djéla£irides, en caractères coufiques, portant à ses quatre coins les noms des califes orthodoxes.

T??cnicas de din??micas de grupo en educaci??n infantil

Se presenta experiencia educativa que propone utilizar diferentes t??cnicas de din??micas de grupos como estrategia para contribuir a la educaci??n integral del alumnado. Se realiza en el EEI La Ermita en la Gabia la Grande, Granada. Los objetivos son: ayudar a la integraci??n del individuo a trav??s de la participaci??n; fomentar el trabajo individual y el grupal; ayudar al desarrollo de la personalidad, reforzando la autoestima y aceptando a los-las otros-as; organizar el entorno escolar; ense??ar a pensar, a escuchar, trabajar cooperativamente, adquirir autonom??a y responsabilidad.

Efectes de la competici?? sobre la for??a din??mica m??xima en el jugador de tennis d'elit : estudi d'un cas

Contiene tablas y gr??ficos de resultados de ejercicios y de entrenamientos. Resumen tomado del autor

Efecte de la inducci?? de la potenciaci?? posttet??nica muscular sobre els factors de rendiment en un gest din??mic del tren superior

Resumen tomado de la publicaci??n

Din??mica de rincones y talleres

Dise??o de un modelo global de Educaci??n Infantil, a trav??s de los centros de inter??s, cuyo objetivo es el establecimiento de unos objetivos, estructuras y formas de actuaci??n que respondan de manera coherente y global a las necesidades educativas de los ni??os hasta los seis a??os. Dirigido a 97 alumnos de Preescolar (4 y 5 a??os). El equipo de trabajo ha utilizado la observaci??n directa de los alumnos a lo largo del curso escolar. La experiencia se valora positivamente. La din??mica de rincones y talleres llevada a cabo resulta id??nea para la muestra utilizada. El m??todo global parece ser la forma natural de aprendizaje y dem??s experiencias. Dificultades a??adidas merman los resultados deseados sin que la experiencia deje de ser un ??xito y pueda llevarse a cabo. Se solicita pr??rroga.

Una introducci??n a la din??mica no lineal en ense??anza secundaria

Resumen basado en el de la publicaci??n