A poem to the memory of William Congreve,

With reproduction of original title-page.

The works of Mr. Congreve in two volumes.

T. 1: The old bachelor ; The double dealer ; Love for love. -- T. 2: The mourning bride ; The way of the world ; The judgment of Paris ; Semele ; Poems on several occasions.

The works of the English poets /

Mode of access: Internet.

Prefaces biographical and critical, to the works of the english poets /

Mode of access: Internet.

The complete works /

v. 1. Prefatory note. Note as to the text. Introduction. Love in a wood. The gentleman dancing-master.--v. 2. The country wife. The plain dealer. Letters. Epistles in verse.--v. 3. Miscellany poems.--v. 4. Miscellany poems concluded. Miscellaneous poems published from more correct copies. Hero and Leander in burlesque. The posthumous works.

The way of the world, a comedy.

Mode of access: Internet.

Ovid.

On cover: Stereotype ed.

The mourning bride; a tragedy.

Mode of access: Internet.

Ovid.

Mode of access: Internet.

Ovid /

Mode of access: Internet.

Works.

Title from spine.

Reply to William B. Grant

THE UVI working group acknowledges the contribution of Vitamin D to bone health as stated in our paper. However, we concluded that an optimal level of Vitamin D for humans has not yet been established with any certainty...

Cungellela by William ‘Dura Danje’ Leisha and Shem ‘Curan Danje’ Leisha

Research background: Cungelela is an intercultural music project undertaken in collaboration with William ‘Dura Danje’ Leisha and Shem ‘Curan Danje’ Leisha. The project contributes to cultural maintenance for Australian First Nations peoples, and is informed by prior work in this area by scholars including Peter Dunbar-Hall, Chris Gibson and Karl Neuenfeldt. These existing studies have discussed the complexities of intercultural collaboration, and the types of cultural politics that are involved when Indigenous and non-Indigenous musicians and scholars work together on projects of cultural significance. Critical race theory has also informed the creative work, as a means of interpreting the implicit and explicit discourses of race that arise through intercultural creative practice. The project asked the research question, in what ways can collaborative music making contribute to intercultural understanding and support cultural maintenance for Australian First Nations people affected by the Stolen Generations? Research contribution: This project has identified that collaborative production of recorded popular music can produce shared affective, embodied and transformative forms of knowledge about the impact of the Stolen Generations on Australian First Nations peoples. Research significance: The compact disc was presented by Aunty Anne Leisha as part of an invited presentation at the World Indigenous Nations Higher Education Consortium in New Mexico, 2013. The work also formed part of a refereed conference presentation at the 2013 conference of the International Association for the Study of Popular Music held at the University of Oviedo, Gijon, Spain.