1000 resultados para Commercial Fair


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En el periodo actual, la expansión del consumo en el territorio se materializa en las ciudades evidenciándose el avance y la instalación de diferentes espacios de consumo. Por un lado, espacios de consumo de grandes capitales del circuito superior como son los shopping center, supermercados e hipermercados y por otro lado, espacios de consumo populares como las ferias comerciales de indumentaria y accesorios, denominadas muchas veces shopping populares, con características distintivas del circuito inferior de la economía urbana (Santos, 1979). En este sentido, se observa que cada vez más las variables distintivas del período como son la técnica, la información, la publicidad, las finanzas, el crédito, entre otras, se hacen presentes en este tipo de actividades.Proponemos en este artículo reflexionar sobre la importancia de estas variables haciendo énfasis en el consumo y en los diversos espacios comerciales. Se presentan brevemente las características del periodo actual y la centralidad del consumo. Luego, se profundiza sobre los espacios de consumo populares como son las ferias comerciales de indumentaria en Argentina para finalmente explicar sintéticamente el caso de la mega- feria "La Salada".

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En el periodo actual, la expansión del consumo en el territorio se materializa en las ciudades evidenciándose el avance y la instalación de diferentes espacios de consumo. Por un lado, espacios de consumo de grandes capitales del circuito superior como son los shopping center, supermercados e hipermercados y por otro lado, espacios de consumo populares como las ferias comerciales de indumentaria y accesorios, denominadas muchas veces shopping populares, con características distintivas del circuito inferior de la economía urbana (Santos, 1979). En este sentido, se observa que cada vez más las variables distintivas del período como son la técnica, la información, la publicidad, las finanzas, el crédito, entre otras, se hacen presentes en este tipo de actividades.Proponemos en este artículo reflexionar sobre la importancia de estas variables haciendo énfasis en el consumo y en los diversos espacios comerciales. Se presentan brevemente las características del periodo actual y la centralidad del consumo. Luego, se profundiza sobre los espacios de consumo populares como son las ferias comerciales de indumentaria en Argentina para finalmente explicar sintéticamente el caso de la mega- feria "La Salada".

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En el periodo actual, la expansión del consumo en el territorio se materializa en las ciudades evidenciándose el avance y la instalación de diferentes espacios de consumo. Por un lado, espacios de consumo de grandes capitales del circuito superior como son los shopping center, supermercados e hipermercados y por otro lado, espacios de consumo populares como las ferias comerciales de indumentaria y accesorios, denominadas muchas veces shopping populares, con características distintivas del circuito inferior de la economía urbana (Santos, 1979). En este sentido, se observa que cada vez más las variables distintivas del período como son la técnica, la información, la publicidad, las finanzas, el crédito, entre otras, se hacen presentes en este tipo de actividades.Proponemos en este artículo reflexionar sobre la importancia de estas variables haciendo énfasis en el consumo y en los diversos espacios comerciales. Se presentan brevemente las características del periodo actual y la centralidad del consumo. Luego, se profundiza sobre los espacios de consumo populares como son las ferias comerciales de indumentaria en Argentina para finalmente explicar sintéticamente el caso de la mega- feria "La Salada".

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Este trabalho tem por objetivo discutir as ambigüidades identitárias vivenciadas pelos atores sociais, representantes de organizações familiares que se agrupam na “Feira Hippie” de Belo Horizonte (Minas Gerais/Brasil). O embasamento teórico da discussão está ancorado na abordagem de identidade e nos processos de identificação social, enquanto que o material empírico provém de uma investigação em organizações familiares. O método de pesquisa adotado foi o qualitativo, baseado na Análise do Discurso e na história de vida dos gestores familiares ao longo dos seus 36 anos de atuação na Feira. A análise evidenciou os processos de construção e desconstrução de determinadas identificações por parte dos gestores familiares em relação à Feira em determinados contextos ao longo de sua história. Além disso, foi possível perceber que tais processos de identificação mantiveram uma estreita relação com a dinâmica dos grupos sociais na ocupação de um dado espaço físico e simbólico – onde os dois elementos: os grupos e o espaço – desempenharam papel ativo na construção dessas identificações sociais e organizacionais, no início como feira de artesanato e depois como feira de variedades.

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In this paper we advocate for the continued need for consumer protection and fair trading regulation, even in competitive markets. For the purposes of this paper a ‘competitive market’ is defined as one that has low barriers to entry and exit, with homogenous products and services and numerous suppliers. Whilst competition is an important tool for providing consumer benefits, it will not be sufficient to protect at least some consumers, particularly vulnerable, low income consumers. For this reason, we argue, setting competition as the ‘end goal’ and assuming that consumer protection and consumer benefits will always follow, is a flawed regulatory approach. The ‘end goal’ should surely be consumer protection and fair markets, and a combination of competition law and consumer protection law should be applied in order to achieve those goals.

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The dissertation presents a functional model for analysis of song translation. The model is developed on the basis of an examination of theatrical songs and a comparison of three translations: the songs of the Broadway musical My Fair Lady (Lerner and Loewe, 1956), made for the premiere productions (1959–1960) in Swedish, Danish, and Norwegian. The analysis explores the three challenges of a song translator: the fitting of a text to existing music, the consideration of a prospective sung performance, and the verbal approximation of the content of the source lyric. The theoretical foundation is based on a functional approach to translation studies (Christiane Nord) and a structuralist/semiotic analysis of a theatrical message (Ivo Osolsobě, building on Roman Jakobson). Thus, three functional levels in the fitting of a text to music are explored: first, a prosodic/phonetic format; secondly, a poetic/rhetoric format; and thirdly, semantic/reflexive values (verbalizing musical expression). Similarly, three functional levels in the textual connections to a prospective performance are explored: first, a presentational goal; secondly, the theatrical potential; and thirdly, dramaturgic values (for example dramatic information and linguistic register). The functionality of Broadway musical theatre songs is analyzed, and the song score of My Fair Lady, source and target lyrics, is studied, with an in-depth analysis of seven of the songs. The three translations were all considered very well-made and are used in productions of the musical to this day. The study finds that the song translators appear to have worked from an understanding of the presentational goal, designed their target texts on the prosodic and poetic shape of the music, and pursued the theatrical functionality of the song, not by copying, but by recreating connections to relevant contexts, partly independently of the source lyrics, using the resources of the target languages. Besides metaphrases (closest possible transfer), paraphrases and additions seem normally to be expected in song translation, but song translators may also follow highly individual strategies – for example, the Norwegian translator is consistently more verbally faithful than the Danish and Swedish translators. As a conclusion, it is suggested that although linguistic and cultural difference play a significant role, a translator’s solution must nevertheless be arrived at, and assessed, in relation to the song as a multimedial piece of material. As far as a song can be considered a theatrical message – singers representing the voice, person, and situation of the song – the descriptive model presented in the study is also applicable to the translation of other types of song.

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Cette recherche aborde un sujet complexe, qui est en plein débat doctrinal en droit de l'arbitrage international: L'arbitrage commercial international et les garanties procédurales. Au fait, l'arbitrage commercial international revêt le mode traditionnel des règlements de litiges du commerce international et des relations économiques internationales. À cause de l'hybridité de sa nature (contractuelle et juridictionnelle), il est le plus souvent préféré par les parties aux tribunaux étatiques. Cette faveur vis-à-vis de ce mode de règlements de litiges internationaux s'explique par le développement de l'économie internationale, par la globalisation du marché, par la conclusion de nombreuses conventions internationales en la matière, par la création des centres d'arbitrage, enfin par la modernisation des lois et règlements nationaux. En revanche, il est constaté que l'arbitrage souffre d'un déficit de prévisibilité et de certitudes pour les acteurs du commerce international. Que l'on songe seulement à la multiplication des rattachements législatifs et des contrôles judiciaires: conflits de lois, conflits entre les règles de conflits, etc. Nous avons démontré que la solution aux difficultés de la méthode conflictualiste serait l'harmonisation de la procédure arbitrale internationale et que ce mode de règlement de différends débouche de plus en plus sur le rapprochement entre traditions juridiques différentes (Common Law et droit civil).Toutefois, ce mouvement de convergence est loin d'être achevé. Beaucoup d'autres pratiques arbitrales continuent de garder l'empreinte de la diversité des procédures étatiques et celle des grands systèmes juridiques mondiaux.

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This paper draws from a wider research programme in the UK undertaken for the Investment Property Forum examining liquidity in commercial property. One aspect of liquidity is the process by which transactions occur including both how properties are selected for sale and the time taken to transact. The paper analyses data from three organisations; a property company, a major financial institution and an asset management company, formally a major public sector pension fund. The data covers three market states and includes sales completed in 1995, 2000 and 2002 in the UK. The research interviewed key individuals within the three organisations to identify any common patterns of activity within the sale process and also identified the timing of 187 actual transactions from inception of the sale to completion. The research developed a taxonomy of the transaction process. Interviews with vendors indicated that decisions to sell were a product of a combination of portfolio, specific property and market based issues. Properties were generally not kept in a “readiness for sale” state. The average time from first decision to sell the actual property to completion had a mean time of 298 days and a median of 190 days. It is concluded that this study may underestimate the true length of the time to transact for two reasons. Firstly, the pre-marketing period is rarely recorded in transaction files. Secondly, and more fundamentally, studies of sold properties may contain selection bias. The research indicated that vendors tended to sell properties which it was perceived could be sold at a ‘fair’ price in a reasonable period of time.

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Changes to Queensland's unfair terms in consumer contracts expected - nature of the changes outlined - protections given to consumers, with respect to unfair contracts, in Victoria and the United Kingdom.

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