821 resultados para Bourgeois Revolutions
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Este artículo trata de mostrar cómo algunas obras de arte permiten reflexionar y entender situaciones sociales, políticas y culturales del pasado a través del análisis tanto del producto artístico final, como del entorno vital de los creadores.
Resumo:
Este artículo trata de mostrar cómo algunas obras de arte permiten reflexionar y entender situaciones sociales, políticas y culturales del pasado a través del análisis tanto del producto artístico final, como del entorno vital de los creadores.
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This study aims to identify the horizon of emancipation in Human Rights Education, using the philosophy of praxis as a theoretical framework, basing on authors as Tonet, Losurdo, Marx, and Saviani and Duarte, taking as a privileged locus analysis of the Plan National Human Rights Education (PNEDH, 2007). The discussion about the historical development of the movement of the struggles for human rights was a starting point to indicate how, in general, these struggles have been developing since the context of bourgeois revolutions. From there we tried to discuss how the prospect of citizenship has been treated within the Rights Education, the latter being a reflection of social movements' struggles for rights from the year 1980. Situating this movement within a larger movement on the issue of education in Brazil in the twentieth century, we tried to discuss the flags such as citizenship, the strengthening of civil society and creating a culture of rights as a goal of emancipation. Seeking to differentiate between citizenship as political emancipation and human emancipation, was placed the imperative to take the citizenship as a mediator and not as an endpoint in order to equip a culture of struggle for a classless society without exploitation of man by man
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O trabalho denominado como autobiográfico é diverso na sua forma, podendo ser uma manifestação de cariz artístico, literário ou filosófico. A presente dissertação procura investigar as particularidades da forma autobiográfica, os objectivos do autor perante a sua obra e a sua recepção no campo público. Para tal, traz-se para análise: a obra escultórica de Louise Bourgeois para chegar a um entendimento sobre a forma artística da autobiografia; os Cadernos do Subterrâneo de Fiódor Dostoiévski que é exemplo controverso de uma obra autobiográfica literária; e as Confissões de Jean- Jacques Rousseau e Santo Agostinho que nos permitem experienciar uma obra autobiográfica com preocupações características de uma investigação filosófica. Pretende-se compreender a autobiografia na sua generalidade, tanto do ponto de vista do autor como do seu receptor.
Resumo:
This article proposes an investigation of the history and memory of the Carnation Revolution through the lens of contemporary art. Drawing upon the argument according to which history and memory are investigated by visual artists by means other, but no less relevant, than those of professional historians, this article will argue for the importance of attending to the visual, auditory, textual, object- and research-based ways in which artists from several generations and geographies have been unearthing the repressed histories and memories of the Carnation Revolution in Portugal and of anticolonial struggles, decolonization and post-independence nation-building in Mozambique, Guinea-Bissau and Angola. The discussion focuses on several works by Ângela Ferreira, but attention will also be paid to precursors in imaging the Revolution, such as Ana Hatherly, and to a younger generation of artists such as Filipa César, Kiluanji Kia Henda and Daniel Barroca.
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The aim of this contribution is to highlight the long-term evolution of family capitalism in Switzerland during the twentieth century. We focus on 22 large companies of the machine, electrotechnical and metallurgy (MEM) sector whose boards of directors and general managers have been identified in five benchmark years across the twentieth century, which allows us to distinguish between family-owned and family-controlled firms. Our results show that family firms prevailed until the 1980s and thus contradict the dominance of 'managerial capitalism'. Although we observe a decline of family capitalism during the last decade of the century, the significant remaining presence of family firms in 2000 allows us to relativise the advent of investor capitalism.
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Throughout the past decade, social media have come on the scene of various popular revolts. Their role as tools of information and coordination of social movements, from the Iranian Green Movement in 2009 to the Arab uprisings in 2011, has been widely debated. In most cases, online activism through blogs, Facebook, Twitter or other forms of social media has allowed citizens to be part of a social networking exercise and to engage in a public sphere that would have otherwise been unreachable to them due to severe repression. In Tunisia and Egypt, social media helped protests start and expand thanks to their ability to coordinate and disseminate information quickly. The new information and communication tools were an influential factor in accelerating the revolutionary processes across the Arab world, albeit they cannot be seen as neither the spur nor the drivers of any revolution.
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Référence bibliographique : Rol, 57999
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Référence bibliographique : Rol, 57656