The enchanted island of Yew : whereon Prince Marvel encountered the High Ki of Twi and other surprising people /

A beautiful fairy is transformed into a human prince for one year. He and his friends have many adventures.

The land of Oz; a sequel to The wizard of Oz,

Mode of access: Internet.

The magic of Oz; a faithful record of the remarkable adventures of Dorothy and Trot and the Wizard of Oz, together with the Cowardly Lion, the Hungry Tiger and Cap'n Bill, in their successful search for a magical and beautiful birthday present for Princess Ozma of Oz,

A young citizen of Oz who learns an important magic word falls prey to the wickedness of the Nomes' ex-king who wants to destroy Dorothy, the Wizard, and Princess Ozma.

The patchwork girl of Oz,

A boy, a patchwork girl, and a glass cat go on a mission to find the ingredients for a charm which will transform some people turned to marble.

Who's who in Oz /

Mode of access: Internet.

Ministère de la Guerre. Direction du Génie. Bureau du personnel. Instruction du 31 décembre 1919 pour l'admission à l'Ecole polytechnique en 1920 (concours normal). Additif du 31 janvier 1920 à l'instruction du 31 décembre 1919 pour l'admission à l'Ecole polytechnique en 1920 (concours normal). Instruction du 31 décembre 1919 pour l'admission à l'Ecole polytechnique en 1920 (concours spécial)

[Ecole polytechnique]

Fonts bibliogr??fiques per a l'estudi de l'educaci?? f??sica i l'esport a Catalunya (1856-1975)

Resumen basado en el de la publicaci??n

História da Literatura Infanto-Juvenil e a Influência Digital: da Criação da Infância ao Desenvolvimento do Livro Interativo

 A literatura infanto-juvenil surgiu com a criação da ideia de infância. Hoje, ela se apresenta a partir de adaptações de obras literárias em livros interativos fazendo-se valer de ferramentas e suportes tecnológicos atuais. Neste artigo, propomos uma retomada à história da literatura infanto-juvenil – a partir de autores como Zilberman (1985;1987) e Ariés (1985) –  e uma análise de seu diálogo contemporâneo com as novas mídias digitais – a partir de autores como Bolter & Grusin (2000). Para tanto, discorreremos desde a criação da infância até a criação do livro interativo, perpassando a questão da literatura como mídia e seu dialogo intermidiático com novas tecnologias.

Frank Duveneck,

Mode of access: Internet.

Home Is Where the Self Is: Monodrama, Journey-Play Structure, and the Modernist Fairy Tale

The first decade of the twentieth century witnessed the creation of two of the most beloved works of children’s literature ever produced. L. Frank Baum’s 1900 novel The Wizard of Oz and Maurice Maeterlinck’s 1908 play each gave rise to many adaptations, including, well beloved film versions, and both have become a deeply ingrained part of the cultural memory and construction of childhood in both Europe and the United States. And while these works are deeply original in content and detail, the structure of these works harkens back to the form of the journey play (traceable, on some level, back to the medieval morality play Everyman), a form that had undergone a considerable revival in the second half of the nineteenth century in the work of writers such as Henrik Ibsen and August Strindberg. This article explores the structural and conceptual links between Baum and Maeterlinck’s children’s classics, Ibsen’s Norwegian folk play Peer Gynt, and August Strindberg’s Lucky Per’s Journey and The Road to Damascus, Part I. In these works, the protagonists, disenchanted with their homes or current situations, set out on an epic journey in which they come upon characters and situations that act as commentary upon their situations before the journey. Ultimately, the characters return to where they started, with the journey seeming to have been a dream or merely a pointless excursion. But in these journeys of self-discovery, the protagonist that emerges at the end has undergone a significant transformation, a process at the heart of all of these works.

The organization and control of industrial corporations.

"Appendix by C.F. Taylor" (the most important national laws bearing on corporations): p.191-207.