999 resultados para BLACK SANDS


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The study of natural magnetic sands is instrumental to investigate the geological aspects of their formation and of the origin of their territory. In particular, Mössbauer spectroscopy provides unique information on their iron content and on the oxidation state of iron in their mineral composition. The Italian coast on the Mediterranean Sea near Rome is known for the presence of highly magnetic black sands of volcanic origin. A study of the room temperature Mössbauer spec- trum, powder X-ray diffraction, energy dispersive X-ray spectroscopy, and magnetic measurements of a sample of black magnetic sand collected on the seashore of the town of Ladispoli is performed. This study reveals magnetite as main constituent with iron in both tetrahedral and octahedral sites. Minor constituents are the iron minerals hematite and ilmenite, the iron containing minerals diopsite, gossular, and allanite, as well as ubiquitous sanidine, quartz, and calcite.

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O presente estudo tem como proposta, identificar o modo como o mineral monazita se encontra no concentrado final de ilmenita. Este concentrado é o produto resultante do beneficiamento do minério extraído de depósitos do tipo pláceres, conhecidos como depósitos de areias pretas. Estes depósitos são formados por dunas litorâneas pertencentes à jazida do Guaju, no município de Mataraca-PB. Todo o processo de lavra e beneficiamento deste minério ocorre na Mina do Guaju, a qual é operada pela empresa Millennium Inorganic Chemicals do Brasil S/A, pertencente a Lyondell Chemical Company. A ilmenita é um mineral composto por óxido de ferro e titânio, FeTiO3. Quase toda a ilmenita produzida na mina é transferida para o processo de fabricação de pigmento. A exigência para o uso na fabricação de pigmento é de que o concentrado final de ilmenita tenha um teor mínimo de 53% de TiO2 e um teor máximo de 0,1% de P2O5, entre outras substâncias. A monazita é o principal mineral fonte de óxido de tório, que é radioativo. No processo de fabricação de pigmento, a monazita é um contaminante indesejado. De acordo com a proposta de trabalho, foi feito um estudo de caracterização mineralógica de amostras do concentrado final de ilmenita fornecidas pela empresa. Inicialmente foram feitas análises em lupa, onde muitos grãos de leucoxeno foram identificados. O leucoxeno é uma alteração da ilmenita que permanece com as mesmas características magnéticas e eletrostáticas, tornando impossível, assim, a sua separação no processo de concentração. Também foi verificada a existência de grãos de monazita liberados em pequenas quantidades neste concentrado, indicando uma provável ineficiência no processo de separação. Numa segunda etapa foram realizadas análises dos grãos de ilmenita com o uso de um Microscópio Eletrônico de Varredura (MEV) acoplado a um Espectrômetro de Dispersão de Energia (EDS), para permitir a determinação de elementos químicos na amostra. Esta análise teve como objetivo verificar a existência de inclusões de monazita nos grãos de ilmenita. Porém, o que se observou foi a existência de algumas inclusões de quartzo e de alguns vazios deixados, provavelmente, por inclusões arrancadas durante o processo de preparação das amostras. Alguns destes vazios apresentaram formas semelhantes a de cristais de monazita, indicando a possibilidade da existência de inclusões deste mineral. Entretanto, a quantidade de grãos com possíveis inclusões de monazita é muito pequena, sendo insignificante como contaminante do concentrado final. Embora alguns vazios se assemelhem à forma da monazita, nenhum dos resultados do EDS identificou vestígios de sua presença. Ao final deste estudo ficou evidente que a principal fonte de contaminação do concentrado final de ilmenita corresponde à monazita, a qual se encontra liberada neste concentrado. Desta forma, há a necessidade de se melhorar o processo de separação dos minerais, de modo que a quantidade de monazita no concentrado final seja a menor possível, não prejudicando o rendimento da recuperação de ilmenita.

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Recent analyses of sediment samples from "black mat" sites in South America and Europe support previous interpretations of an ET impact event that reversed the Late Glacial demise of LGM ice during the Bølling Allerød warming, resulting in a resurgence of ice termed the Younger Dryas (YD) cooling episode. The breakup or impact of a cosmic vehicle at the YD boundary coincides with the onset of a 1-kyr long interval of glacial resurgence, one of the most studied events of the Late Pleistocene. New analytical databases reveal a corpus of data indicating that the cosmic impact was a real event, most possibly a cosmic airburst from Earth's encounter with the Taurid Complex comet or unknown asteroid, an event that led to cosmic fragments exploding interhemispherically over widely dispersed areas, including the northern Andes of Venezuela and the Alps on the Italian/French frontier. While the databases in the two areas differ somewhat, the overall interpretation is that microtextural evidence in weathering rinds and in sands of associated paleosols and glaciofluvial deposits carry undeniable attributes of melted glassy carbon and Fe spherules, planar deformation features, shock-melted and contorted quartz, occasional transition and platinum metals, and brecciated and impacted minerals of diverse lithologies. In concert with other black mat localities in the Western USA, the Netherlands, coastal France, Syria, Central Asia, Peru, Argentina and Mexico, it appears that a widespread cosmic impact by an asteroid or comet is responsible for deposition of the black mat at the onset of the YD glacial event. Whether or not the impact caused a 1-kyr interval of glacial climate depends upon whether or not the Earth had multiple centuries-long episodic encounters with the Taurid Complex or asteroid remnants; impact-related changes in microclimates sustained climatic forcing sufficient to maintain positive mass balances in the reformed ice; and/or inertia in the Atlantic thermohaline circulation system persisted for 1kyr. 

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Sandy beaches of the Anapa Bay Bar are a unique natural resource, but they are gradually being degrade under both natural and anthropogenic factors. Emissions of sand and shelly ground from the adjacent sea bottom partly compensate for this process. Concentration of carbonates may reach up to 50% in beach sands, and most of these carbonates are of mollusk origin. The major deposit formation role belongs to the key bivalve species: Chamelea gallina (Linnaeus, 1758). Average biomass of this mollusk species reaches up to 450 g/m**2 at depths 5-10 m. The other two subdominating mollusk species, bivalve Donax trunculus (Linnaeus, 1758) and gastropod Rapana venosa (Valenciennes, 1846), may impact as 16 g/m**2 and 6 g/m**2, respectively. Annually, 350 kg of shelly ground per running meter are newly deposited on the Anapa beach.

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Modal compositions of volcaniclastic sands recovered on Leg 126 of the Ocean Drilling Project (Izu-Bonin island arc and Sumisu Rift) are similar to those from other intraoceanic island arcs and associated marginal basins. These sands are dominantly composed of volcanic-lithic and plagioclase-feldspar grains derived from the Izu-Bonin magmatic arc and intrarift volcanoes. The glass color of volcanic fragments ranges from black (tachylite) to brown to colorless; individual samples usually contain a mixture of glass colors. Two of the forearc sites (792 and 793) are more heterogeneous with respect to glass color than the backarc/Sumisu Rift sites (788, 790, and 791). Site 787 forearc sands are dominantly composed of tachylite grains; their unique composition may be attributed either to winnowing by submarine-canyon currents or to a volcanic island source. There is an increase in the proportions of pumice/colorless glass, felsitic grains, and quartz within sediments of the incipient backarc basin (Sumisu Rift), as compared with the forearc-basin sites.

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The black rat (Rattus rattus) has been shown to be the primary species responsible for causing significant crop losses within the Australian macadamia industry. This species success within macadamia orchards is directly related to the flexibility expressed in its foraging behaviour. In this paper a conceptual foraging model is presented which proposes that the utilisation of resources by rodents within various components of the system is related not only to their relative abundance, but also to predator avoidance behaviour. Nut removal from high predation risk habitats during periods of low resource abundance in low risk compartments of the system is considered an essential behaviour that allows high rodent densities to be maintained throughout the year.

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The ‘black is beautiful’ movement began in the United States in the early sixties, and changed mainstream attitudes towards the body, fashion and personal aesthetics, gaining African American people a new sense of pride in being – and being called – ‘black’. In Australia the movement also had implications for changing the political meanings of ‘black’ in white society. However, it is not until the last decade, through the global influence of Afro-American music, that a distinctly Indigenous sense of black sexiness has captured the attention of mainstream audiences. The article examines such recent developments, and suggests that, through the appropriation of Afro-American aesthetics and styles, Indigenous producers and performers have developed new forms of Indigenous public agency, demonstrating that black is beautiful, and Indigenous.

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Art is most often at the margins of community life, seen as a distraction or entertainment only; an individual’s whim. It is generally seen as without a useful role to play in that community. This is a perception of grown-ups; children seem readily to accept an engagement with art making. Our research has shown that when an individual is drawn into a crafted art project where they have an actual involvement with the direction and production of the art work, then they become deeply engaged on multiple levels. This is true of all age groups. Artists skilled in community collaboration are able to produce art of value that transcends the usual judgements of worth. It gives people a licence to unfetter their imagination and then cooperatively be drawn back to a reachable visual solution. If you engage with children in a community, you engage the extended family at some point. The primary methodology was to produce a series of educationally valid projects at the Cherbourg State School that had a resonance into that community, then revisit and refine them where necessary and develop a new series that extended all of the positive aspects of them. This was done over a period of five years. The art made during this time is excellent. The children know it, as do their families, staff at the school, members of the local community and the others who have viewed it in exhibitions in far places like Brisbane and Melbourne. This art and the way it has been made has been acknowledged as useful by the children, teachers and the community, in educational and social terms. The school is a better place to be. This has been acknowledged by the children, teachers and the community The art making of the last five years has become an integral part of the way the school now operates and the influence of that has begun to seep into other parts of the community. Art needs to be taken from the margins and put to work at the centre.

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This paper examines the role of powerful entities and coalitions in shaping international accounting standards. Specifically, the focus is on the process by which the International Accounting Standards Board (IASB) developed IFRS 6, Exploration for and Evaluation of Mineral Resources. In its Issues Paper, the IASB recommended that the successful efforts method be mandated for pre-production costs, eliminating the choice previously available between full cost and successful efforts methods. In spite of the endorsement of this view by a majority of the constituents who responded to the Issues Paper, the final outcome changed nothing, with choice being retained. A compelling explanation of this disparity between the visible inputs and outputs of the standard setting process is the existence of a “black box”, in which powerful extractive industries entities and coalitions covertly influenced the IASB to secure their own ends and ensure that the status quo was maintained