Meu tio Atahualpa de Paulo de Carvalho Neto: o enigma mulher no universo feminino do romance malandro

Pós-graduação em Letras - FCLAS

Atahualpa, drama histórico nacional en tres actos y cuatro cuadros ...

Without music.

Francisco Pizarro y el tesoro de Atahualpa.

Mode of access: Internet.

The implications of microsurgical anatomy for surgical approaches to the sellar region

The knowledge of the normal anatomy and variations regarding the management of tumors of the sellar region is paramount to perform safe surgical procedures. The sellar region is located in the center of the middle cranial fossa; it contains complex anatomical structures, and is the site of various pathological processes: tumor, vascular, developmental, and neuroendocrine. We review the microsurgical anatomy (microscopic and endoscopic) of this region and discuss the surgical nuances regarding this topic, based on anatomical concepts.

Música y derechos humanos.

Parte de un monográfico de música y derechos humanos

The implications of microsurgical anatomy for surgical approaches to the sellar region

The knowledge of the normal anatomy and variations regarding the management of tumors of the sellar region is paramount to perform safe surgical procedures. The sellar region is located in the center of the middle cranial fossa; it contains complex anatomical structures, and is the site of various pathological processes: tumor, vascular, developmental, and neuroendocrine. We review the microsurgical anatomy (microscopic and endoscopic) of this region and discuss the surgical nuances regarding this topic, based on anatomical concepts.

Myths and facts in the chronicles of the conquest of Ancient Peru

The chronicles of historical sources are difficult because they are a mix of myths and facts experienced by their authors. Starting from this premise, this study analyzes some of the Spanish and indigenous sources on the conquest of the Inca people and the description of this world and people who were so different. Among the chroniclers chosen, the article highlights the reports by Jose de Acosta on the Mundus Novus and by Cieza de Leon and Garcilaso de la Vega on the myths of the first Inca chief; finally, Francisco de Xerez, Juan de Betanzos, among others, on the event of the imprisonment and murder of Atahualpa, which resulted in the conquest of the "Tahuantinsuyu" by the Spanish.

Entre a espada, a cruz e a pena: impressões sobre o Tawantinsuyu nos primeiros relatos da conquista

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Las culturas nativas de Mendoza

Con el fin de conocer las últimas interpretaciones acerca de nuestro pasado regional, los videos de la serie "Mendoza, crónica de nuestra identidad", pretenden llevar adelante la tarea constante de construir y reconstruir una identidad que se mantenga abierta a los valores del pasado, pero también a la inevitable reformulación crítica de los mismos principios. La propuesta es generar un proceso de actualización y perfeccionamiento en el campo de la historia regional. En el video CULTURAS NATIVAS DE MENDOZA, se describe como la provincia formó su identidad a partir del trabajo de sus primeros habitantes, los huarpes, hasta la composición de su economía. El desierto mendocino, ha impuesto su hostilidad natural, condicionando al hombre y haciendo necesaria una cultura de lucha contra la adversidad de vastas tierras secas y calientes, por lo cual la creatividad, el sacrificio y la afición al trabajo han sido imprescindibles para desarrollar diversas tecnologías, como los sistemas de riego, las acequias, que transformaron el desierto en un lugar apto para vivir: la Mendoza actual. Los 3 bloques del documental, abordan los siguientes temas: - Los antiguos habitantes del continente. - Los cazadores y recolectores. - Los primeros agricultores. - La influencia del imperio incaico en la región. - Las diferentes culturas de la región.

Cuadros épicos /

Poems.

Lives of celebrated American Indians;

Master negative available (Box 617:1)

“Animanazo”. Song and memories. Cultural expressions and movements in the reconstruction of the past inside a north Argentinian town

This article analyses the context of production and local situations of appropriation and resignification related to the folk song “Fire on Animaná” as well as the request and mobilization (“The animanazo”) provoked by this song in order to examine different mechanisms and foundations by which a population connect with an event from its community past, identifying with this and taking it in a specific way. In this article we combine discourse analysis of the song and of interviews to participants in this event with the reconstruction —through ethnographic observation— of how to use this song.