984 resultados para Arthurian romances.


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Based on Additional mss. 10292-4 in the British Museum.

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Based on Additional mss. 10292-4 in the British Museum.

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"Reprinted from the Publications of the Modern Language Association of America, vol. XIII, no.3."

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The anturs of Arthur at the Tarnewathelan.--Sir Amadace.--The avowynge of King Arthur, Sir Gawan, Sir Kaye, and Sir Bawdewyn of Bretan.

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This article aims to reassess F. Scott Fitzgerald’s classic The Great Gatsby (1925), taking into consideration the myth-critical hypotheses of philosopher René Girard. Specifically, this essay will analyse the concepts of mimetic desire, resentment and reprisal violence as emotional components of myth, paying close attention to how the reinterpreted mythical pattern of the novel influences the depiction of such emotions as social traits of corruption. Finally, this article will challenge interpretations that have regarded Gatsby as a successful scapegoat-figure, examining instead how the mythical meanings and structures of the text stage an emotional crisis of frustrated desire and antagonism that ultimately offers no hope of communal restoration.

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Thèse réalisée en cotutelle avec l'université Michel de Montaigne Bordeaux 3, sous la co-direction de Danièle James-Raoul.

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BnF fr. 95 is a late 13th century manuscript containing Arthurian romances and other fictional and didactic texts. The Estoire del saint Graal and Merlin section is the most highly illuminated, with a rich marginal iconography, an unusual feature in the illustration of lay works and in these texts’ manuscript tradition. This article shows how in Merlin and its Vulgate Sequel marginal scenes overlap with widespread subjects in courtly and chivalric vernacular romances, in contrast with Latin and religious works. The reuse of similar patterns in principal and marginal miniatures, examined in the episode of the Battle of Danablaise, where King Arthur fights the Saxon King Rion, highlights the need for a comprehensive reading of text and images, taking into account the mise en page and the different levels of illustration in the manuscript.

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Tirada de 50 ejemplares."--Cat. gen. de la librería española e hispanoamericana.

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Originally published, 1865.

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"Edition": p. 99.

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"Edition": p. 83.

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A portion of a Perceval romance known only in this metrical version which forms part of the so-called Dutch Lancelot.

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Mode of access: Internet.