Coronis ad collationem Hagiensem : qua argumenta pastorum Hollandiae adversus remonstrantium quinque articulos de divinâ praedestinatione, & capitibus ei adnexis, producta, ab horum exceptionibus vindicantur /

STC (2nd ed.)

The substance of Christian religion; or, A plain and easie draught of the Christian catechisme, in LII.

Wing A3003.

A fresh suit against human ceremonies in God's worship.

In three parts, with t.-p. for part 1 only.

Bellarminus enervatus, à Guilielmo Amesio s.s. theologiae doctore in Academia Franekerana.

Imperfect: v. 3-4 wanting.

Veritas secundum pietatem de lusu aleæ : a clarisssimo theologo Gulielmo Amesio, Lib. 2 Medullæ cap. 11 solide defensa et nunc ab impugnationibus Thomæ Gattakeri vindicata /

Running title: De lusu aleæ.

Letter from Fisher Ames to Deborah Ames Shuttleworth, 1805 August 27

One folded sheet containing a two-page letter from Fisher Ames in Dedham, Mass. to his sister "Debby" in Windsor, Vermont. Ames provides updates on the health of his children and individuals in the community, and discusses the summer heat, including mention of the likelihood of dysentery, and his attendance at "Mr. Montagu's Church," referring to the Dedham Episcopal Church presided over by Reverend William Montague.

Papers of William Merchant Richardson, 1797-1806

The collection contains a four-page handwritten poem titled "Invention" composed by graduate William Richardson for the 1797 Harvard College Commencement, and an 1806 letter of introduction written by Richardson. The rhyming poem begins, “Long had creations anthem peal been rung…” and contains classical references, and mentions scientists and philosophers including Voltaire, Franklin and Newton. The poem is accompanied by a one-page handwritten letter of introduction for lawyer Benjamin Ames (Harvard AB 1803) written by William M. Richardson to Reverend William Jenks (Harvard AB 1797). The letter is dated November 10, 1806.

Narratives of early Maryland, 1633-1684,

Series title also at head of t.-p.

Reply to William B. Grant

THE UVI working group acknowledges the contribution of Vitamin D to bone health as stated in our paper. However, we concluded that an optimal level of Vitamin D for humans has not yet been established with any certainty...

Cungellela by William ‘Dura Danje’ Leisha and Shem ‘Curan Danje’ Leisha

Research background: Cungelela is an intercultural music project undertaken in collaboration with William ‘Dura Danje’ Leisha and Shem ‘Curan Danje’ Leisha. The project contributes to cultural maintenance for Australian First Nations peoples, and is informed by prior work in this area by scholars including Peter Dunbar-Hall, Chris Gibson and Karl Neuenfeldt. These existing studies have discussed the complexities of intercultural collaboration, and the types of cultural politics that are involved when Indigenous and non-Indigenous musicians and scholars work together on projects of cultural significance. Critical race theory has also informed the creative work, as a means of interpreting the implicit and explicit discourses of race that arise through intercultural creative practice. The project asked the research question, in what ways can collaborative music making contribute to intercultural understanding and support cultural maintenance for Australian First Nations people affected by the Stolen Generations? Research contribution: This project has identified that collaborative production of recorded popular music can produce shared affective, embodied and transformative forms of knowledge about the impact of the Stolen Generations on Australian First Nations peoples. Research significance: The compact disc was presented by Aunty Anne Leisha as part of an invited presentation at the World Indigenous Nations Higher Education Consortium in New Mexico, 2013. The work also formed part of a refereed conference presentation at the 2013 conference of the International Association for the Study of Popular Music held at the University of Oviedo, Gijon, Spain.

William James, Sciences of Mind, and Anti-imperial Discourse

In the past few decades, the humanities and social sciences have developed new methods of reorienting their conceptual frameworks in a “world without frontiers.” In this book, Bernadette M. Baker offers an innovative approach to rethinking sciences of mind as they formed at the turn of the twentieth century, via the concerns that have emerged at the turn of the twenty-first. The less-visited texts of Harvard philosopher and psychologist William James provide a window into contemporary debates over principles of toleration, anti-imperial discourse, and the nature of ethics. Baker revisits Jamesian approaches to the formation of scientific objects including the child mind, exceptional mental states, and the ghost to explore the possibilities and limits of social scientific thought dedicated to mind development and discipline formation around the construct of the West.

Group portrait at the farewell banquet for Dr. William Antopol from the laboratory staff of Mount Sinai Hospital; Ken's Chop House, New York city Portraits Groups

Digital Image