975 resultados para All My Sons


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Despite knowing a familiar individual (such as a daughter) well, anecdotal evidence suggests that naming errors can occur among very familiar individuals. Here, we investigate the conditions surrounding these types of errors, or misnamings, in which a person (the misnamer) incorrectly calls a familiar individual (the misnamed) by someone else's name (the named). Across 5 studies including over 1,700 participants, we investigated the prevalence of the phenomenon of misnaming, identified factors underlying why it may occur, and tested potential mechanisms. We included undergraduates and MTurk workers and asked questions of both the misnamed and the misnamer. We find that familiar individuals are often misnamed with the name of another member of the same semantic category; family members are misnamed with another family member's name and friends are misnamed with another friend's name. Phonetic similarity between names also leads to misnamings; however, the size of this effect was smaller than that of the semantic category effect. Overall, the misnaming of familiar individuals is driven by the relationship between the misnamer, misnamed, and named; phonetic similarity between the incorrect name used by the misnamer and the correct name also plays a role in misnaming.

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The extent to which cognitive models of development and maintenance of depression apply to adolescents is largely untested, despite the widespread application of Cognitive Behavior Therapy (CBT) for depressed adolescents. Cognitive models suggest that negative cognitions, including interpretation bias, play a role in etiology and maintenance of depression. Given that cognitive development is incomplete by the teenage years and that CBT is not superior to non-cognitive treatments in the treatment of adolescent depression, it is important to test the underlying model. The primary aim of this study was to test the hypothesis that interpretation biases are exhibited by depressed adolescents. Four groups of adolescents were recruited: clinically-referred depressed (n = 27), clinically-referred non-depressed (n = 24), community with elevated depression symptoms (n = 42) and healthy community (n = 150). Participants completed a 20 item ambiguous scenarios questionnaire. Clinically-referred depressed adolescents made significantly more negative interpretations and rated scenarios as less pleasant than all other groups. The results suggest that this element of the cognitive model of depression is applicable to adolescents. Other aspects of the model should be tested so that cognitive treatment can be modified or adapted if necessary.

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Mode of access: Internet.

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Following the overview of his life, I will discuss in depth various theme that Miller presents in his writing by closely analyzing four of Miller's plays. I will give you a brief setting into which Miller wrote the various plots.

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Printed in Great Britain.

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"List of my books and of nearly all my sheet-music compositions": p. 223-227.

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The openness and compassion implicit in the social transaction of recent philosophies of cosmopolitanism is reflected in the aims of the body of interpersonal, process-driven artworks commonly referred to as relational art. In attempting to bring art into life, specifically as a point of intervention in the lives of its spectators, the affective power required to realize the communal and participatory aims of many of these artworks is central. Relational art practices invite the individualising distinctiveness of the spectator yet ultimately seek the collective affect of the artwork’s formulated community. Like cosmopolitanism, this is a felt community where the obligatory affective investment is imagined as open and empathic built on mutual exchange and generosity. They suggest that it doesn’t matter so much what we feel about art but what and how we feel through art. The artworld’s public spheres have become increasingly affective worlds, where the artwork’s coerced and managed human relations are conceived as interstices for a more open exchange with art and each other. With reference to Sydney Biennale’s recent All My Relations exhibition, this paper will interrogate how worldly feelings are made material by the requisite emotional and aesthetic labour of feeling for and with others in relational art.

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On arriving at the University of Queensland, I walked from where the taxi dropped me off towards the Great Court. As I walked I could see the carvings in the sandstone on the façade of the building in front of me. The carvings depict images of land, flora, fauna, settlers, and us. In the corner of my right sight of vision, I could see Mayne Hall. My mind flicked back in what was an instant to a time 30 plus years ago. I remember putting on some of my best clothes when my family would travel form the suburb of Inala to the Alumni book fair held in the Hall. We needed to act ‘discrete’ and like we were ‘meant to be there’. Members of my family would work hard to save money to buy the books that had far more substance than the books at our local community or school library. This was my first interaction with the University of Queensland. On the first day of Courting Blakness, I walked towards and then into the Great Court. I began to explore and engage with the artworks and allow them to engage with me. I was conscious of being in the University of Queensland as I had been on all my past visits. I was conscious of the public and the private aspects of the artworks along with the public observance and surveillance of the viewers of the artworks. The contradictions and struggles that Aboriginal and Torres Strait Islander people experience are everywhere when moving in spaces and places, including universities. They contain prevailing social, political and economic values in the same way that other places do. The symbols of place and space within universities are never neutral, and they can work to either marginalise and oppress Aboriginal and Torres Strait Islander people, or demonstrate that they are included and engaged. The artworks in the Great Court were involved in this matrix of mixed messages and the weaves of time contained the borders of the Court and within the minds of those present.

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Esta dissertação é o resultado do meu verouvirsentir e busca evidenciar que, nas relações desenvolvidas no processo do ensino da matemática, as histórias em quadrinhos podem-se revelar um instrumento eficaz para a aplicação de uma metodologia alternativa dotada de uma potência extraordinária na interlocução entre a criança e o conteúdo matemático. Nesse contexto, um dos maiores argumentos que encontro, ao final desta jornada, é que fica a percepção de que o livro didático adotado (referência para o conteúdo teoricoprático), em quase sua totalidade, não favorece que os alunos estabeleçam uma relação com a matemática pautada na atenção, curiosidade, alegria e outros fatores/elementos que permitam o crescimento cognitivo desses alunos na referida disciplina. A pesquisa é realizadasentida em uma escola particular de ensino fundamental e médio situada em Realengo em três turmas de 6 ano. Esses alunos variam entre 10 e 13 anos de idade e aproximadamente 90% deles são oriundos de famílias de classe média. Para realizarsentir esta pesquisa, percebo que, fundamentalmente, faço uso de duas metodologias que se revelam a priori: pesquisa-ação e o mergulho (ALVES, 2008). Realizo alguns diálogos que se consolidam como aporte teórico e que norteiam toda a minha escrita. Esses diálogos podem ou não aparecer nas citações que faço. Os diálogos invisibilizados pela minha escrita de modo algum foram menos importantes e tampouco são considerados menos relevantes, na verdade, conduzem minha escrita, misturando-se em minhas próprias palavras a ponto de se tornarem indissociáveis. Nesses diálogos, encontro-me com Michel de Certeau, Paulo Sgarbi, Nilda Alves, Humberto Maturana, Inês Barbosa, Von Foerster, Michel Focault, Edgard Morin, Will Eisner, Ginsburg, entre outros. Como resultados, ficou evidenciado que, ao oferecer a possibilidade de reescrita da teoria matemática através das histórias em quadrinhos, os alunos (na sua maioria) desenvolveram uma capacidade maior de concentração, atenção aos detalhes da própria teoria e a diminuição significativa da resistência ao conteúdo matemático. Uma velhanova linguagem? Em um velhonovo meio? Seja qual for a conclusão, a aventura do desafio na busca da construção de uma nova relação entre a criança e a matemática, por si só, permite a exposição de tensões e oportuniza o crescimento de todos. Nessa jornada, de ação em ação, busco fazer algo significativo.

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Almost 90% of all adult sons and daughters with disabilities live at home with their parents. Consequently, they have life experiences that are atypical for most of their adult peers and their aging caregivers are under stress due to failing health, financial pressures, bereavement, and worry about the future.

Adults with intellectual disabilities and aging parents took part in focus groups and interviews. results show a loving and caring home environment but evidence a lack of effective life skills development and futures planning. the paper draws attention to the inevitable crisis that occurs when aging caregivers are no longer able to care. The urgent need for skill development and timely futures planning is outlined.

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Relatório de estágio de mestrado, Ciências da Educação (Área de especialidade em Educação Intercultural), Universidade de Lisboa, Instituto de Educação, 2015