Product functions: interfaces with ergonomic design

In addition to technical quality, increasing emphasis is being placed on the importance of elements such as the appearance and meaning of products. To be successful, therefore, attention must be paid to the aesthetic and symbolic functions of objects as well as to reliability and physical quality. Study of the interfaces of these functions may provide a theoretical basis for the ergonomic design of products. The objective of this review is to attempt to establish the nature of these interfaces.

Os neologismos de Sagarana e sua tradução para a língua inglesa

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Conhecimento e opinião da população sobre o transplante e a doação dos tecidos da face

Pós-graduação em Bases Gerais da Cirurgia - FMB

O uso da modelagem aplicada à ergonomia no desenvolvimento de produtos

Pós-graduação em Design - FAAC

Diagnóstico da qualidade ambiental nas áreas verdes públicas em Presidente Prudente (SP)

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Intersecção de arte e design: a mediação pela artesania

The language in the contemporaneous, for treating from essential factor to the communication and artistic expression, mainly starting from the intense expansion of the industrial techniques, it’s makes way for a considerable reflection: the stylistic relationship among the industrial object, the craft and the properly artistic work (DORFLES, 1988). The aesthetics, as inherent factor and mediator the all these subjects, is capable to establish similarities between the design concept and the contemporary art. Starting from this panorama an interpretative analysis is delineated on the function aesthetics/poetics (JAKOBSON, R. 1995; MUKAROVSKY, J. 1993) in the language of the design, under the optical of the contemporary thought in order to provide a contribution of updating of the present delimitation context between the art and the design in the extent of the aesthetics.

Função estética dos signos artísticos para promover processos discursivos em sala de aula

The study investigated the use of an artistic work as mediator to trigger and sustain discursive participation of high school students in the classroom. Since the discursive dimension is an essential factor in constructivist teaching orientation, the general idea behind the work seeks to make use of the aesthetic function of signs to enhance the participation of learners discourse. With this goal in mind, the artistic sign painting Water Fall of the artist Maurits Cornelis Escher is employed for teaching physics concept of conservation of mechanical energy. The study compares two methods of a teacher who tries to promote students interactivity discursive. One methodology is guided only by formulating questions and other uses also an artistic sign along with the questions. The work shows that the teacher gets more successfully discursive participation of their students using the second methodology.

El muro como referencia arquitectónica

Esta investigación parte del interés particular por la manifestación arquitectónica, paisajística o urbanística de aquellos muros construidos que se han erigido para limitar, planteando un enfoque del muro en una vertiente conceptual. Se propone la formulación de distintas interpretaciones para un mismo elemento físico, logrando una propuesta arquitectónica de identificación para diferentes casos de estudio que consideramos paradigmáticos en su concepto. La hipótesis plantea la posibilidad de identificar un muro con la autonomía o identidad conceptual que le hace capaz de condicionar o dirigir la conformación de una obra de arquitectura, sirviendo como instrumento arquitectónico para las acciones de articulación, implantación, referenciación o conformación. El desarrollo de la investigación muestra la aptitud de individualizar el muro como elemento excepcional en el cumplimiento de la síntesis de distintas variables de proyecto. Se elaboran cinco conceptos diferentes del elemento en la función que cumple en el espacio que se basan en una definición compuesta de dos propiedades determinantes que se identifican con la categoría de la “justificación conceptual” combinando, además, valores de las categorías “Relación con el lugar”, “Función estética”, “Función de programa” y “Generación”. Se propone la identificación del muro que presenta las cualidades que lo hacen actuar de forma articuladora en el espacio y que, al cumplir esa función, condiciona y determina parte de la obra de arquitectura en que se encuentra. El muro articulador se entiende como un elemento que soluciona formal y espacialmente distintas situaciones de programa; no responde a un esquema formal predeterminado, sino que lo crea, en la unión coherente entre opuestos: ámbitos opuestos, esquemas formales opuestos, etc. Proponemos la identificación del muro que presenta determinadas cualidades que lo hacen actuar de forma implantadora en el espacio y que, al cumplir esa función, condiciona y determina parte de la obra en que se encuentra. Se considera el muro implantador como el punto de partida del proyecto en que se ha utilizado y como el elemento elegido para hacer la síntesis entre las variables del proyecto - sitio, función constructiva y estructural, estableciendo una regla formal y espacial coherente. Proponemos la identificación del muro referenciador, elemento que se destaca en la edificación como entidad elegida para hacer la síntesis entre las distintas variables del proyecto: significado, función estética y sitio. El muro referenciador se percibe como una entidad autónoma, particular al carácter o programa de la obra y al sitio en que se erige. Se considera el muro-recinto como el punto de partida del proyecto en que se ha utilizado, así como un elemento fundamental que se destaca en el conjunto de la obra - sea por su vertiente constructiva o de tratamiento estético – como entidad elegida para hacer la síntesis entre las variables del proyecto: forma y programa. Al utilizar un esquema formal predeterminado, permite generar espacio coherente con las demandas de un programa específico, entendiéndose como un elemento arquitectónico particular a la obra. Proponemos la identificación del muro habitable como el elemento que presenta las cualidades que lo hacen pasible de generar espacio en su interior, siendo un instrumento útil para cumplir con la variable del proyecto del programa. El concepto de muro habitable, como contrapunto a los otros cuatro tipos, se manifiesta como una entidad más elemental que traduce un instrumento de trabajo todavía más manejable que los restantes muros estudiados. De hecho, su utilización es incluso posible en aquellos muros que ya presentan el concepto de muro articulador, implantador, referenciador o muro-recinto. ABSTRACT This research is based on a particular interest in the architectural, landscape or urban manifestations of those walls that have been erected to limit, considering a conceptual approach. It suggests the formulation of diverse interpretations for the same physical element to achieve an architectural proposal of identification for different case studies that we consider paradigmatic in its concept. The hypothesis considers the possibility to identify a wall with the autonomy or conceptual identity that makes it able to influence or direct the form of an architecture work, serving as an instrument for the actions of articulation, emplacement, referencing or conformation. The development of the research shows the ability to individualize the wall as an outstanding element in the synthesis of different variables of architectural design. It elaborates five different concepts of the wall function in space, based on a definition with two determinant properties which combine values of the categories "Relation with the context", "Aesthetic function", "Program function" and "Generation". We propose the identification of the wall that has the qualities that make it act in an articulating way in space, conditioning and determining part of the architectural work. The “articulating wall” is understood as an element that formally and spatially solves different situations of functional program; it does not respond to a previous formal scheme, it creates it instead, through the coherent combination between opposites: opposing fields, opposing formal schemes, etc. We identify as well the wall that has the qualities that make it able to emplace on site, conditioning and determining part of the architecture work. The “wall that emplaces” is considered the starting point of the architectural design and the chosen element to make the synthesis between the architectural design variables - site, constructive function and structural function - establishing a formal and spatial coherent rule. We propose the identification of the “referencing wall”, element that stands out in the building as an entity chosen to make the synthesis between the project variables: meaning, aesthetic function and site. The referencing wall is perceived as an autonomous entity, particular to the character or the functional program and the site on which it sits. We consider the “precinct wall” as the departure point of the architectural design where it is used as well as a fundamental element that stands out in the whole of the architecture work - either by its constructive aspect or esthetic treatment - as the chosen entity to synthetize form and pro-gram. Since it uses a predetermined formal scheme it will allow to generate consistent space with-in the demands of a specific program, being understood as an element particular to the architectural work. As a fifth concept we identify the “inhabitable wall” as the element that has the qualities that make it predisposed to generate space inside its nucleus, being a useful instrument to comply with the variable of program in the architectural design. The concept of inhabitable wall, as a counterpoint to the other four types, manifests itself as a more elemental entity that translates itself as a more manageable working tool. In fact, its use is even possible in those walls that al-ready present the concept of articulating wall, emplacing wall, referencing wall or precinct wall.

A importância da impressão funcional - técnica modelo modificado em prótese parcial removível de extremo livre

A Prótese Parcial Removível esquelética na reabilitação de pacientes edêntulos parciais tem sido uma opção acessível, rápida e viável de restabelecer a função estética e fonética dos dentes perdidos, porém a grande problemática em torno deste tipo de reabilitação está nos casos de extremos livres uni e bilaterais que dependem do rebordo residual para sustentação, devido à falta de pilar posterior que pode comprometer a retenção e principalmente a estabilidade da prótese que estará sujeita a deslocamentos constantes durante a dinâmica dos movimentos funcionais. Na literatura é relatado que todos os conhecimentos devem ser observados a quando da confecção deste tipo de prótese, as explicações e orientações como se comporta este tipo de prótese e os cuidados que o paciente tem que ter, e principalmente as condições biológicas dos tecidos de suporte são da responsabilidade do Médico Dentista o qual ao ter em conta e transmitir estes conhecimentos no momento do planeamento consegue assim minimizar os riscos de fracasso. A impressão funcional é de extrema importância para o sucesso da reabilitação com este tipo de prótese, mais especificamente a técnica do modelo modificado, que o objeto deste trabalho é realçar a sua utilização. Sendo de especial interesse para a Medicina Dentária pela necessidade e demanda do tratamento clínico, quanto para o ensino nas universidades. Dessa forma este trabalho visa mostrar a importância da impressão funcional na Prótese Parcial Removível esquelética de extremo livre, em especial o modelo modificado, pois ela visa obter melhor estabilidade, suporte e retenção para conseguir um melhor conforto para o paciente, mantendo a integridade do periodonto e dos dentes de apoio, obtendo assim um bom prognóstico e sucesso no procedimento realizado, como forma de fazer com que este procedimento responda tanto a expectativa do paciente como da equipe que a confecciona.

The Gospel of Something or Other / Critical mass

This thesis is comprised of two components: a creative work of fiction and a critical analysis of the fiction through a discussion of craft and creative influence. The creative section, the novel The Gospel of Something or Other, is a formally experimental work that explores authenticity - of both narrative and voice - authorial identity, the performativity of grief and sincerity, and the aesthetic function of narratalogical failure. The critical section of the thesis, Critical Mass, analyses the work of David Foster Wallace and James Wood in relation to the aforementioned fiction, discussing aspects of craft most relevant to the novel: the function of comedy and the function of manipulation. The critical piece investigates the extent to which influence can be identified in the creative process and the unstable relationship between critical interpretation and authorial intent.

Color degradation of acrylic resin denture teeth as a function of liquid diet: ultraviolet-visible reflection analysis

The effect of different beverages on acrylic resin denture teeth color degradation is evaluated. Ten acrylic resin denture teeth brands were evaluated: Art Plus (AP), Biolux (BX), Biotone IPN (BI), Magister (MG), Mondial 6 (MD), Premium 6 (PR), SR Vivodent PE (SR), Trilux (TR), Trubyte Biotone (TB), and Vipi Dent Plus (VP). Teeth were immersed in staining solutions (coffee, cola, and orange juice) or artificial saliva (control) (n = 6) for 1, 7, 15, or 30 days. Specimen colors were evaluated spectrophotometrically based on the Commission Internationale d'Eclairage L*a*b* system. Color differences (Delta E) were calculated between the baseline and post-staining results. Data were evaluated by analysis of variance and Tukey test (alpha = 0.05). BI (1.82 +/- 0.95) and TR (1.78 +/- 0.72) teeth exhibited the greatest Delta E values, while BX (0.88 +/- 0.43) and MD (1.09 +/- 0.44) teeth were the lowest, regardless of solution and measurement period, and were different from BI and TR teeth (P < 0.05). Cola and coffee promoted higher denture teeth color alterations than orange juice and saliva (P < 0.05). Saliva generated the lowest denture teeth color alterations. Greater immersion times caused higher denture teeth color changes. The lifespan of removable dentures and the aesthetic satisfaction of several edentulous patients may be increased with the use of stain-resistant artificial denture teeth. (C) The Authors.

Aesthetic rehabilitation of oligodontia in primary dentition with adhesive partial denture

The primary teeth are essential for bone development and establishment of the arches on occlusion. Thus, the congenitally absence of teeth may trigger a shift in the balance of the occlusion, promoting disharmony in the structures of the maxilla-mandibular system. However, some interventions are possible to be performed in these cases even in pediatric patients, to redirect growth, preventing growth deviations and reestablishing the aesthetic. The aim of this paper is to report the treatment of a 4-year-old child presenting congenitally absence of mandibular central and lateral incisors and maxilla lateral incisors, which consequently compromises aesthetics, occlusal function, and the development and the functional growth of the bones. The oral rehabilitation was performed with an adhesive partial denture, which was able to restore the aesthetic and the occlusal function, therefore being a viable alternative in the treatment of this patient of little age.

In-Office dental bleaching efficacy assessment in function of the light exposure regime by digital colometric reflectance spectroscopy

In-office dental bleaching has been subject of several studies. Generally those studies quantify through visual analysis, the shade reduction of the teeth submitted to different bleaching protocols (light sources, bleaching agent concentrations and irradiation time). The objective of this work is the determination of the influence of four irradiation protocols on the obtainment of better aesthetic results using a colorimetric spectrophotometer that quantifies color changes in each situation imposed. Forty bovine incisors were selected in function of similar anatomic characteristics; a concentrated coffee solution was used to stain the teeth. A commercial spectrophotometer was used to measure the color changes during evolution of the experiment (stain and bleaching phases) and the obtained data was analyzed by the ANOVA test. The obtained data showed the evolution of teeth color during the staining period, as well as, the color reduction that each bleaching protocol achieved. Based on our findings it is possible to conclude that bleaching protocols with larger irradiation periods did not showed significant differences when compared with shorter irradiation protocols, in that way the use of protocols with 30 min or more of consecutive irradiation are not clinically justified and also can cause several side effects.

Cinematic and Aesthetic Cartographies of Subjective Mutation

This article examines the use of cinema as a mapping of subjective mutation in the work of Deleuze, Gauttari and Berardi. Drawing on Deleuze's distinction between the reduction of the art-work to the symptom and the idea of art as symptomatology, the article focuses on Berardi's use of cinematic examples, posing the question in each case of to what extent they function as symptomatologies or mere symptoms of cultural and subjective mutations in examples ranging from Bergman's Persona to Van Sant's Elephant to finish on speculations about Fincher's The Social Network as a critical engagement with subjective mutation in the 21st Century.

An approximate method for the solution of an influence function foil rolling model

Fleck and Johnson (Int. J. Mech. Sci. 29 (1987) 507) and Fleck et al. (Proc. Inst. Mech. Eng. 206 (1992) 119) have developed foil rolling models which allow for large deformations in the roll profile, including the possibility that the rolls flatten completely. However, these models require computationally expensive iterative solution techniques. A new approach to the approximate solution of the Fleck et al. (1992) Influence Function Model has been developed using both analytic and approximation techniques. The numerical difficulties arising from solving an integral equation in the flattened region have been reduced by applying an Inverse Hilbert Transform to get an analytic expression for the pressure. The method described in this paper is applicable to cases where there is or there is not a flat region.