952 resultados para Acesso ao patrimônio gené-tico


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The Amazon region has a large sociobiodiversity, where lives people with traditional knowledge about the uses of its natural resources. The Convention on Biological Diversity (CBD) in 1992 recognized the autonomy of each nation over its genetic resources and the rights of traditional populations about the knowledge of the use of these natural resources. In 2001 it was published the law M.P. 2.186-16/2001 which created the Conselho Nacional de Gestão do Patrimônio Genético (CGEN) and the first rules about access to genetic resources and associated traditional knowledge in Brazil. Since his creation, the actions of CGEN have received criticism from various sectors, both private and public, and, unlike its initial proposal, has become one of the main obstacles of ethnobotanical studies, the bureaucracy, the long process analysis and communication difficulties with this organ.

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A questão do patrimônio vem ganhando destaque nos últimos anos, sendo relacionada a temas e universos sociais variados e bastantes distintos. Este trabalho discute um dos aspectos mais recentes das políticas de patrimônio no Brasil, a política de inventário, registro e salvaguarda, instituída pelo Decreto 3.551. A tônica desta pesquisa foi refletir sobre a dinâmica do processo de transformação de determinadas expressões e práticas culturais em "bens patrimoniais", processo caracterizado aqui como a patrimonialização da cultura. O trabalho discute os impasses decorrentes da aplicação e operacionalização da política do patrimônio imaterial tendo como suporte o estudo do processo de inventário, registro e salvaguarda do jongo no Sudeste, realizado pelas equipes de pesquisa do Centro Nacional de Folclore e Cultura Popular CNFCP como parte do Projeto Celebrações e Saberes da Cultura Popular.

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Este trabalho analisa as políticas públicas referentes ao patrimônio Cultural, Artístico e Histórico no Brasil, tendo como estudo de caso a Comunidade de Pescadores Tradicionais de Itaipu, bairro da cidade de Niterói, e duas ações específicas de proteção ao patrimônio nela existentes: o tombamento das Ruínas do Recolhimento de Santa Teresa e a criação do Museu de Arqueologia de Itaipu. O objetivo central desta dissertação é estudar a relação entre a comunidade de Pescadores Tradicionais em Itaipu e as ações apontadas. O presente texto aborda atuações de busca pela preservação das tradições e da memória local em Itaipu pelos moradores locais. Afirma, assim que, estas articulações em prol da vida tradicional ligada ao mundo da pesca configuram políticas de identidade. Reflete, portanto como os processos de proteção ao patrimônio citados se relacionam com tais políticas de identidade. Pode-se dizer assim que o trabalho busca entender o eixo entre políticas de proteção ao patrimônio em um nível macro, as ações de patrimonialização em nível local e os discursos da comunidade tradicional em relação a estas.

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This research analyzes the actual Historic-Architectural Heritage of Assú City which is located in Rio Grande do Norte State, Brazil, the study is based on both Assú s residents perception and technician s viewpoint. It looks forward to expose this community s relationship with the existing number of historic buildings, the scale of people s identity to the place and the association of this perception toward the preservation and conservation s scale of the historic settlement. Since the contextualization of the degradation s process of central areas, the study draw nea initially the conceptual aspects, focusing on the debate about heritage and the preservationist practice. The work complements the discussion through an approach on people-environment relationship and environmental perception, considering relevant factors for planning process. The obtained and presented data had diagnosed the condition of the architectural pile and also allowed this work to formulate recommendations for the studied area and architectural set in order to contribute for future urban politics implementation that consider the building, which are not only important to the considered population, but to the Rio Grande do Norte s History, as well

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This work aims to understand how the installation of sugar culture along the river Ceará-Mirim defined the spatial organization of the Valley, and thus setting the landscape. This space has begun to be defined only in the second half of the nineteenth century, when the sugarcane growth had atarted on land located on the banks of the river Ceará-Mirim. The passage of this period of great prosperity can be seen through the heritage material which is still presented in the region. Walking through the Valley, we found a considerable number of architectural buildings, many in ruins, linked to this historical moment. This perception, caused by these buildings, will take us on a trip to the past, back to a time characterized by great-houses, mills, sugarcane plantations, planters, slaves, etc. The references that lead us to consider the sugar mills located along the valley of Ceará Mirim as a patrimony, which carry an entire historical baggage, guide us to the first half of the twentieth century. During this period, the role of intellectuals from the Rio - Sao Paulo through the modernist movement will be decisive in the formation of a national identity. The heritage material identified along the valley of Ceará Mirim defined its current spatial organization, setting the landscape. But we must conceive this landscape into two ways: first, as a material representation of social practices carried out in this space, where social, cultural, economic and environmental aspects have interacted to their training; as well as a landscape that carries a whole historical baggage which was built throughout the twentieth century

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The incursion into the historical area from Fortaleza´s downtown presents reminiscences of a heritage collection that can be recognized as city built heritage, in architectural and urban aspects. The neighborhood has in its urban tracing a synthesis of the various phases from the Brazilian architecture materialized in its tracing and built goods. This composition mainly covers the eclectic production, passing the time of art déco, including the period of modern production. This paper aims to identify the existing heritage collection. This study aims to identify the existing net assets, the temporality and spatiality that allow to recreate the neighborhood´s form urbain history. Based on the theoretical and methodological support of the urban morphology urban of authors such as Aldo Rossi (1966), Gordon Cullen (1971), José Lamas (1990), Kevin Lynch (1960), and Philippe Panerai (1999) was allowed on a predefined route, to build part of urban memory of Fortaleza. The historical and morphological study runs through a sequenced analysis developed on the articulated subsets, formed by the network neighborhood squares: Praça José de Alencar, Praça Capistrano de Abreu (Lagoinha), Praça Clóvis Beviláquia, Praça do Carmo, Praça Murilo Borges (BNB), Praça Coração de Jesus, Parque das Crianças, Praça do Riacho Pajeú, Praça dos Voluntários (Polícia), Praça do Ferreira, Praça Waldemar Falcão (Correios), Praça General Tibúrcio (Leões), Praça Figueira de Melo, Bosque Dom Delgado (Pajeú), Praça Cristo Redentor, Praça Caio Prado (Sé), Praça dos Mártires (Passeio Público), e Praça Castro Carreira (Estação). Separated the neighborhood based on this square system because it is perceived that there is in these public spaces a path which includes a portion of the urban history of Fortaleza. In addition to this there is a higher concentration of goods in its area in relation to others sectors of the neighborhood, where the loss of the characterization is an imperative of the urban set. In order to find this network of public spaces contained in the study area were proposed two routes based on the city limits of 1875 established by Adolfo Herbster (Fortaleza´s city plan).The path starts by known boulevards (Imperador, Duque de Caxias and Dom Manuel avenues) and the seafront. The study is grounded in the literature review, document and empirical theme, consisting of an overlay of maps, drawings and photographic collection that ratify this net assets as both architectural urban nowadays. Among the results, it was observed that before a current context of loss of locus of the concept of historical-cultural agglomerated, the squares express the strongholds of equity ambience that perhaps stand in urban morphology of the capital from Ceará.

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The study proposes to present a discussion about the value of cachaça as a cultural heritage and its relation with the touristic activities in the State of Rio Grande do Norte. Based on a discussion originated from historic studies related to the touristic sector, especially when it comes to gastronomy, cachaça is defined not only as an important instrument to the construction of identities, but, also, as an element able to weave social, political and economic relations. Therefore, a touristic product that can provide new destinations. The research was made through five alembics located on the East and Seridó regions of Rio Grande do Norte. To define the focus, it is necessary to refine this selection, especially when dealing with historical facts and memories from these establishment owners. Thus, it becomes necessary to consider the alembic trajectory, periods of larger productions and insertion in the touristic market. Through documental data collection and observations made in field tours, the research has a qualitative approach with descriptive and exploratory goal, methodology that allows us to approach issues around articulations among heritage, identity and tourism. "It was concluded that the state of Rio Grande do Norte has many tourist routes where handmade cachaça produced in the State can be inserted in any of these routes due to its potential searched in the research, as well as, it is possible to work in other perspective when it comes to ways of protecting this patrimony and strategies of incentive of the activity for the development and appreciation of local economy.

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In a globalized society, the relations between heritage and tourism are reflected in an ambiguous reality, shaped between the interests of preservation and the aspirations for economic benefits. On the one hand, the cities as a main generating cultural offerings needs to contemplate its heritage as a development axis, finding in the cultural tourism promotion a strategy to support the high cost of recovery and maintenance of its historical center and its expressions cultural. On the other, adds to the new requirements of demand, causing the tourism projects to turn to the cultural factor in the formation of their products, which allows municipalities to attract the growing cultural tourism segment. In this perspective, this study develops into a focused cross-cut in the analysis of Natal’s Historical City Center, in order to understand how this cultural heritage fallen has been used by the municipal administration for tourism. By understanding the heritage as a reference to identity and memory, as well as a cultural symbol of Natal society, characterized as an element surrounded by complex and strictly private situations, it identified the need for a qualitative approach to his deep understanding. The in-depth case study developed in two stages, first the realization of bibliographical and documentary research; and thereafter the interpretation of data collected through semi-structured interviews with municipal administrators and local residents. The survey results show that the official representatives of heritage are concerned about the preservation of the material dimension of the architectural heritage of the city, however, still can not reach and sensitize the local population, which seems to be part of a process that should be democratic and strengthening the sense of belonging of these people. Finally, it indicates an absence of revitalization strategies by the current municipal public administration for Natal’s Historical City Center, revealing a speech covered by a positivist interpretation of tourism, which deals with the use of assets by the scope of the marketing empiricism.

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This research analyzes the actual Historic-Architectural Heritage of Assú City which is located in Rio Grande do Norte State, Brazil, the study is based on both Assú s residents perception and technician s viewpoint. It looks forward to expose this community s relationship with the existing number of historic buildings, the scale of people s identity to the place and the association of this perception toward the preservation and conservation s scale of the historic settlement. Since the contextualization of the degradation s process of central areas, the study draw nea initially the conceptual aspects, focusing on the debate about heritage and the preservationist practice. The work complements the discussion through an approach on people-environment relationship and environmental perception, considering relevant factors for planning process. The obtained and presented data had diagnosed the condition of the architectural pile and also allowed this work to formulate recommendations for the studied area and architectural set in order to contribute for future urban politics implementation that consider the building, which are not only important to the considered population, but to the Rio Grande do Norte s History, as well

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This research analyzes the actual Historic-Architectural Heritage of Assú City which is located in Rio Grande do Norte State, Brazil, the study is based on both Assú s residents perception and technician s viewpoint. It looks forward to expose this community s relationship with the existing number of historic buildings, the scale of people s identity to the place and the association of this perception toward the preservation and conservation s scale of the historic settlement. Since the contextualization of the degradation s process of central areas, the study draw nea initially the conceptual aspects, focusing on the debate about heritage and the preservationist practice. The work complements the discussion through an approach on people-environment relationship and environmental perception, considering relevant factors for planning process. The obtained and presented data had diagnosed the condition of the architectural pile and also allowed this work to formulate recommendations for the studied area and architectural set in order to contribute for future urban politics implementation that consider the building, which are not only important to the considered population, but to the Rio Grande do Norte s History, as well

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A obra pretende discutir quais são os fundamentos científicos e os valores que sustentam as normas de proteção da flora e da fauna; apresentar um panorama da biodiversidade brasileira; mostrar como a biodiversidade está inserida na Constituição Federal; apontar as leis que tratam de proteção da biodiversidade; mostrar como foi o processo histórico de construção das normas nacionais e internacionais sobre a matéria; discutir como se dividem as competências relativas à gestão do patrimônio biológico, entre a União, os estados e os municípios; apresentar os instrumentos de proteção da flora e da fauna, dos recursos pesqueiros, de acesso ao patrimônio genético e aos conhecimentos tradicionais associados; e, por fim, expor a situação atual das unidades de conservação, dos instrumentos de gestão integrada da biodiversidade e das políticas de controle do desmatamento.

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O objetivo do presente trabalho é analisar o arquivo pessoal de Arthur Ramos, intelectual que teve uma destacada participação nos debates sobre a democracia racial e na institucionalização das Ciências Sociais no Brasil nas décadas de 1930 e 1940. Através de seu acervo, custodiado pela Divisão de Manuscritos da Fundação Biblioteca Nacional, procurou-se perceber quais processos sociológicos que podem incidir sobre a formação do patrimônio documental, além das estratégias de construção e re-elaboração desta memória. Foram debatidas as teorias e práticas da arquivista para mapear diferentes formas de deslocamentos, ressignificação e reclassificação dos arquivos em geral e desse caso particular. Para isto, foram analisados o processo de compra do fundo Arthur Ramos, os relatórios de atividades, o inventário analítico do fundo, além de entrevistas informais.

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O presente trabalho resultou de um estudo antropológico sobre o Museu Severina Paraíso da Silva, dedicado à história e às tradições do grupo de candomblé da nação Xambá, cujo diferencial é estar instalado dentro de uma casa de culto afro brasileiro, o Terreiro de Santa Bárbara Ylê Axé Oyá Meguê, em Olinda, Pernambuco, Brasil. Este é um exemplo de Museu que representa a memória de um grupo social minoritário, criado por seus membros, com o objetivo de preservar seu patrimônio étnico-cultural, o qual é utilizado como categoria política para obtenção de reconhecimento perante a sociedade. Foram analisadas, neste estudo, as inter-relações em torno do Museu, observando-se aspectos como sua criação pelos próprios membros; coleta e utilização dos objetos; público-alvo; espaço físico e objetos, em especial os que não perderam seu poder simbólico, embora expostos no Museu e, principalmente, as mensagens transmitidas para a sociedade. Tais aspectos são importantes fios condutores para entender a postura dos membros do grupo em relação à sociedade e à formação de suas autoconsciências individuais e coletivas, ou seja, como eles elaboram e interpretam a identidade como grupo através do Museu; e entender também a importância do Museu na construção da memória e preservação da identidade étnica do grupo Xambá e da cultura negra em Pernambuco. A questão principal, porém, foi verificar se o Memorial e o Museu, como espaços de preservação, criam em seus membros um sentimento de pertencimento. Para a pesquisa foram coletados dados bibliográficos, documentais, no site do terreiro, na cartilha do grupo, em vídeos, plantas, em entrevistas formais com os criadores do museu e informais com outros membros do grupo, mas principalmente através da observação participante nas visitas dirigidas ao Museu e nos toques. Durante a pesquisa verificou-se que uma parte do grupo se destaca pela busca de sua visibilidade como estratégia de reivindicação de direitos sociais. Busca esta que procura legitimar a tradição usando categorias como autenticidade e pureza e pela presença de pesquisadores e pessoas ilustres, além da afirmação da importância do Museu para a construção do patrimônio cultural do negro no Estado. Um ganho substancial nesta busca pela visibilidade foi a concessão do título de Quilombo Urbano, alguns anos após a criação do Museu, sugerindo que este contribuiu para o reconhecimento do local como espaço de preservação de práticas culturais de descendentes de africanos. Há outros elementos que representam vitórias, na luta pelo reconhecimento, ou seja, um empoderamento para o grupo, como o nome de Xambá, dado ao Terminal Integrado de Passageiros construído próximo ao terreiro dentro do perímetro do Quilombo. Além da visibilidade para o grupo, o Museu trouxe outros ganhos, ele cria uma coesão entre seus membros, que passam a se ver como um grupo, como uma nação.