903 resultados para audio-visual methods


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Desde la creación de la asignatura de "Bases de Inmunología" del Master Oficial Interuniversitario URV-UB en Nutrición y Metabolismo (curso 2007-2008), se están utilizando diversas metodologías docentes innovadoras que permiten trabajar competencias transversales y acerca el estudiante a tecnologías de la información y la comunicación (TIC) con las que se encontrará durante el desarrollo de su actividad profesional. El objetivo de la presente innovación consistió en la realización de se-siones formativas audiovisuales con tal de trabajar las habilidades comunicativas necesarias en el desarrollo del ejercicio profesional.

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Se presentan los resultados de una investigación desarrollada mediante la administración de un cuestionario sobre usos y evaluaciones que hacen chicos y chicas de diversos medios audiovisuales (televisión, ordenador, consola, CD-Roms educativos, Internet y juegos para ordenador y para consola). Los resultados nos muestran cómo los progenitores sobreestiman sistemáticamente las informaciones que sus hijos e hijas tienen acerca de cualquier medio audiovisual. En términos generales, los videojuegos son el medio con más concordancias negativas, el ordenador el que tiene más concordancias positivas y la televisión el que acumula más discrepancias entre generaciones.

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Social interactions are a very important component in people"s lives. Social network analysis has become a common technique used to model and quantify the properties of social interactions. In this paper, we propose an integrated framework to explore the characteristics of a social network extracted from multimodal dyadic interactions. For our study, we used a set of videos belonging to New York Times" Blogging Heads opinion blog. The Social Network is represented as an oriented graph, whose directed links are determined by the Influence Model. The links" weights are a measure of the"influence" a person has over the other. The states of the Influence Model encode automatically extracted audio/visual features from our videos using state-of-the art algorithms. Our results are reported in terms of accuracy of audio/visual data fusion for speaker segmentation and centrality measures used to characterize the extracted social network.

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La presentació del patrimoni en els museus i altres espais afins (exposicions, parcs arqueològics, centres d"interpretació patrimonial, etcètera) s"està beneficiant en els últims anys dels avenços a nivell didàctic que ofereixen les noves tecnologies. Però, sovint es fa palès que aquestes estratègies comunicatives no impliquen necessàriament una òptima assimilació del discurs històric i museogràfic per part del públic. La modernització dels espais patrimonials amb la incorporació d"audiovisuals i sistemes informàtics multimèdia no serveix de gran cosa si es planteja com un mer recurs passiu de delectació o com una concessió a la creixent implantació social de les noves tecnologies. És per això que es fa imprescindible plantejar des d"un punt de vista didàctic i comunicatiu com aquests recursos poden construir i/o enriquir el discurs a l"entorn del patrimoni (històric, arqueològic, artístic, etcètera) per a una museografia veritablement comprensiva i, més enllà dels objectes, educadora en valors.

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Euroopan unioni on tiukentanut teiden laitteiden ja tukirakenteiden törmäysturvallisuusvaatimuksia. Uuden standardoinnin tarkoituksena on lieventää ajoneuvon kuljettajan ja matkustajan vammojen vakavuutta ajoneuvon törmätessä tielaitteiden pysyviin rakenteisiin. Käytännössä rakenteiden tulee hidastaa ajoneuvon nopeutta hallitusti eri törmäysnopeuksilla, jolloin matkustajaan kohdistuvat kiihtyvyydet eivät aiheuta vakavaa loukkaantumisriskiä. Vuonna 2005 Mikkelin ammattikorkeakoulun YTI-tutkimuskeskus ja Tehomet Oy kehittivät ensimmäisen version törmäysystävällisestä valaisinpylväästä. Tässä diplomityössä tavoitteena oli kehittää aikaisemmin tehdystä versiosta helpommin valmistettava versio sekä parantaa pylvään törmäyskäyttäytymistä. Valmistusmenetelmistä valittiin pultruusio, kuitukelaus, alipaineinjektio ja RTM. Menetelmille suunniteltiin soveltuvat rakenteet ja laskettiin rakenteiden valmistuskustannukset. Pultruusiolla, alipaineinjektiolla ja RTM:11ä valmistettiin koe-erä esitörmäyskokeita varten. Esitörmäyskokeiden jälkeen valittiin valmistusmenetelmäksi RTM. TKK/Tielaboratorion virallisissa testeissä kehitetylle pylväälle myönnettiin HE2-turvaluokitus. Hanketta jatketaan kehittämällä valmistusprosessia tehokkaammaksi uudistamalla muottitekniikkaa sekä ottamalla käyttöön lujiteaihiot. Tavoitteena on käynnistää tuotanto keväällä 2008. Kehitetty pylväs esitellään kansainvälisillä "Sähkö, Tele, Valo- ja AV 2008"-messuilla Jyväskylän Paviljongissa 6.-8.2.2008.

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El patrimonio audiovisual de archivos, bibliotecas y museos se encuentra en peligro debido al deterioro de las grabaciones en soportes magnéticos. Se presentan las alteraciones que pueden sufrir las cintas de vídeo, así como las dificultades que representa la obsolescencia de los aparatos necesarios para su lectura. Se considera que la mejor vía de preservación de las cintas de vídeo es su digitalización. Este paso no es fácil dada la complejidad de los formatos de archivos de vídeo digital, incluyendo los contenedores multimedia y los estándares de compresión de vídeo y de audio. Por ello la elección técnica tiene que estar estrechamente ligada a las necesidades de cada servicio. Esta aproximación se ilustra con el caso de los fondos videográficos de las televisiones locales.

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El patrimonio fotográfico sobre soportes plásticos, tanto si se trata de acetatos como de nitratos está expuesto a un proceso de degradación por hidrólisis ácida que es autocatalítico. Aunque existe bibliografía extensa sobre los procedimientos de conservación y preservación de este tipo de material, no abunda aquella que analice la situación real y actual de las colecciones custodiadas por los centros documentales. El presente trabajo tiene por objetivo dar a conocer el estado de conservación de este tipo de patrimonio en Cataluña, así como las condiciones en las que se produce dicha conservación. De los resultados de infiere que los procedimientos adecuados de conservación solamente se han aplicado recientemente y que las instalaciones con control medioambiental están infrautilizadas. Aunque cerca de un 85 % del material todavía no ha alcanzado un estado de catálisis autoinducida deben tomarse medidas rápidas de preservación puesto que una tercera parte del material estudiado se encuntra cerca de ello.

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In many industrial applications, accurate and fast surface reconstruction is essential for quality control. Variation in surface finishing parameters, such as surface roughness, can reflect defects in a manufacturing process, non-optimal product operational efficiency, and reduced life expectancy of the product. This thesis considers reconstruction and analysis of high-frequency variation, that is roughness, on planar surfaces. Standard roughness measures in industry are calculated from surface topography. A fast and non-contact method to obtain surface topography is to apply photometric stereo in the estimation of surface gradients and to reconstruct the surface by integrating the gradient fields. Alternatively, visual methods, such as statistical measures, fractal dimension and distance transforms, can be used to characterize surface roughness directly from gray-scale images. In this thesis, the accuracy of distance transforms, statistical measures, and fractal dimension are evaluated in the estimation of surface roughness from gray-scale images and topographies. The results are contrasted to standard industry roughness measures. In distance transforms, the key idea is that distance values calculated along a highly varying surface are greater than distances calculated along a smoother surface. Statistical measures and fractal dimension are common surface roughness measures. In the experiments, skewness and variance of brightness distribution, fractal dimension, and distance transforms exhibited strong linear correlations to standard industry roughness measures. One of the key strengths of photometric stereo method is the acquisition of higher frequency variation of surfaces. In this thesis, the reconstruction of planar high-frequency varying surfaces is studied in the presence of imaging noise and blur. Two Wiener filterbased methods are proposed of which one is optimal in the sense of surface power spectral density given the spectral properties of the imaging noise and blur. Experiments show that the proposed methods preserve the inherent high-frequency variation in the reconstructed surfaces, whereas traditional reconstruction methods typically handle incorrect measurements by smoothing, which dampens the high-frequency variation.

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The teaching apprenticeship established by CAPES for post-graduation scholarship beholders has been discussed and the criterion adopted for the implementation in the post-graduation in Inorganic Chemistry Program presented. A teaching plan for the new subject is proposed, based on the experience gained through a first group. An instrument for evaluation of the student's performance has been developed and analyzed. Aspects like knowledge, clearness, enthusiasm, confidence, good manage on the audio-visual resources, class length are mentioned by degree of importance and the major difficulties faced and pointed out by the students.

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Este trabajo pretende identificar algunas de las habilidades que un traductor audiovisual debe desarrollar, desde un punto de vista práctico, para ejercer la profesión, haciendo hincapié en el dominio del software específico para subtituladores. Esta memoria describe el proceso de ensayo y error llevado a cabo durante la elaboración de los subtítulos de un documental e identifica algunas de las dificultades con las que podemos encontrarnos al realizar un encargo de este tipo si trabajamos con programas de licencia gratuita, además de intentar aportar las soluciones correspondientes.

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The results presented in this paper are from a research using a questionnaire about activities and evaluations of boys and girls in relation to different audio-visual media (television, computer, videoconsole, educative CD-Roms, Internet and computer and console games). Results show us that children information about any audio-visual media is systematically overestimated by parents. Generally, the media with more negative concordances is video-games, the one with more positive concordances is the computer and the one with more discrepancies between generations is TV

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David Smithin esitys Europeana työpajassa 20.11.2012 Helsingissä.

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Presentation at Open Repositories 2014, Helsinki, Finland, June 9-13, 2014

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My research permitted me to reexamine my recent evaluations of the Leaf Project given to the Foundation Year students during the fall semester of 1997. My personal description of the drawing curriculum formed part of the matrix of the Foundation Core Studies at the Ontario College of Art and Design. Research was based on the random selection of 1 8 students distributed over six of my teaching groups. The entire process included a representation of all grade levels. The intent of the research was to provide a pattern of alternative insights that could provide a more meaningful method of evaluation for visual learners in an art education setting. Visual methods of learning are indeed complex and involve the interplay of many sensory modalities of input. Using a qualitative method of research analysis, a series of queries were proposed into a structured matrix grid for seeking out possible and emerging patterns of learning. The grid provided for interrelated visual and linguistic analysis with emphasis in reflection and interconnectedness. Sensory-based modes of learning are currently being studied and discussed amongst educators as alternative approaches to learning. As patterns emerged from the research, it became apparent that a paradigm for evaluation would have to be a progressive profile of the learning that would take into account many of the different and evolving learning processes of the individual. A broader review of the student's entire development within the Foundation Year Program would have to have a shared evaluation through a cross section of representative faculty in the program. The results from the research were never intended to be conclusive. We realized from the start that sensory-based learning is a difficult process to evaluate from traditional standards used in education. The potential of such a process of inquiry permits the researcher to ask for a set of queries that might provide for a deeper form of evaluation unique to the students and their related learning environment. Only in this context can qualitative methods be used to profile their learning experiences in an expressive and meaningful manner.

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This paper explores the cognitive functions of the Reality Status Evaluation (RSE) system in our experiences of narrative mediated messages (NMM) (fictional, narrative, audio-visual one-way input and moving picture messages), such as fictional TV programs and films. We regard reality in mediated experiences as a special mental and emotional construction and a multi-dimensional concept. We argue that viewers' reality sense in NMM is influenced by many factors with "real - on" as the default value. Some of these factors function as primary mental processes, including the content realism factors of those messages such as Factuality (F), Social Realism (SR), Life Relevance (LR), and Perceptual Realism - involvement (PR), which would have direct impacts on reality evaluations. Other factors, such as Narrative Meaning (NM), Emotional Responses, and personality trait Absorption (AB), will influence the reality evaluations directly or through the mediations of these main dimensions. I designed a questionnaire to study this theoretical construction. I developed items to form scales and sub-scales measuring viewers' subjective experiences of reality evaluations and these factors. Pertinent statistical techniques, such as internal consistency and factorial analysis, were employed to make revisions and improve the quality of the questionnaire. In the formal experiment, after viewing two short films, which were selected as high or low narrative structure messages from previous experiments, participants were required to answer the questionnaire, Absorption questionnaire, and SAM (Self-Assessment Manikin, measuring immediate emotional responses). Results were analyzed using the EQS, structural equation modeling (SEM), and discussed in terms oflatent relations among these subjective factors in mediated experience. The present results supported most of my theoretical hypotheses. In NMM, three main jactors, or dimensions, could be extracted in viewers' subjective reality evaluations: Social Realism (combining with Factuality), Life Relevance and Perceptual Realism. I designed two ways to assess viewers' understanding of na"ative meanings in mediated messages, questionnaire (NM-Q) and rating (NM-R) measurement, and its significant influences on reality evaluations was supported in the final EQS models. Particularly in high story stnlcture messages, the effect of Narrative Meaning (NM) can rarely be explained by only these dimensions of reality evaluations. Also, Empathy seems to playa more important role in RSE of low story structure messages. Also, I focused on two other factors that were pertinent to RSE in NMM, the personality trait Absorption, and Emotional Responses (including two dimensions: Valence and Intensity). Final model results partly supported my theoretical hypotheses about the relationships among Absorption (AB), Social Realism (SR) and Life Relevance (LR); and the immediate impact of Emotional Responses on Perceptual Realism cPR).