903 resultados para Punch and Judy


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Mode of access: Internet.

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Description based on: 1976; title from cover.

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Title on cover reads: A bowl of "Punch", with upwards of seventy illustrations by Cruikshank, Leech, etc.

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Mode of access: Internet.

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A selection of the author's contributions to Punch.

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Caption in Michigan Alumnus: These three comely coeds are now known as "tradition topplers" on the Michigan campus. They are the first to study naval architecture, a course for years taken only by males. Left to right are: Darien Pinney, Judy Robinson, and Susan Ott.

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--I. 1841-1857.--II. 1857-1874.--III. 1874-1892.--IV. 1892-1914.

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Richard Strauss’ opera “Salome” is a musical discourse of the uneven power dynamics between male and female with the idea of the gaze as its central narrative. Under the patriarchal premise of the male gaze, the men emerge as the gazers, while the women are relegated to the role of submissive objectification. This paper examines the way Salome manipulates this patriarchal notion of the gaze for her own gain, voluntarily offering herself as the object of the male gaze. I further postulated that Salome strategically oscillates between the stereotypical image of femme fatale and femme fragile, intentionally succumbing to the masculine-constructed demonization and idealization of female power. Consequently, this paper traces how Strauss’ music realizes those gender portrayals and Salome’s resistance against the male order, reflecting the use of musical analyses as a tool in understanding gender roles and power in operas.