951 resultados para Henner, Jean-Jacques, 1829-1905
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SCOPUS: ch.b
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The present randomized, placebo-controlled double-blind multicenter study included a population of 36 subjects with frequent recurrences (at least once a month) of herpes labialis. Most of the patients had failed to respond adequately to previous treatment with other therapeutic tools, including acyclovir. Either 50 mg of thymopentin or of placebo was administered 3 times a week, by the subcutaneous route, for 6 weeks. Subsequently, the patients were observed for nearly 6 months on the average. The results achieved with thymopentin for the individual parameters were significantly superior to those obtained with placebo; thus significant improvement was seen in patients on thymopentin in the duration of the longest symptomfree period (prolonged from 2.1 weeks to 20.9 weeks, p = 0.000), in the number of relapses (reduced from 1.6 to 0.4 episodes/month, p = 0.001), and in the total duration of herpes symptoms per month (shortened from 2.0 to 0.3 weeks, p = 0.000). Placebo treatment also resulted in considerable improvement (p < 0.05 or 0.01), but was significantly inferior to the improvement obtained with thymopentin. The longest symptomfree period in the placebo group was prolonged from 2.4 to 11.2 weeks. The number of relapses per month was reduced from 1.4 to 0.8, and the total duration of herpes symptoms per month from 2 to 0.9 weeks. The results of intergroup analyses, in which the observed parameters and the improvement achieved in either group were compared, significantly favored thymopentin treatment. The effect of thymopentin was in all but one parameters superior to that of placebo and highly significant (p < 0.01). © 1985 Humana Press Inc.
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En 2005, centenario de la muerte de Franz Reuleaux, parece un momento adecuado para recordar a tan singular personaje. Franz Reuleaux (1829-1905) es un nombre engañoso pues el apellido Reuleaux induce a pensar en un perfume de París o en alguien indiscutiblemente francés. En realidad fue un inteligente ingeniero mecánico alemán. Profesor y especialista en cinemática, supo combinar durante toda su vida su interés docente con sus ideas investigadoras para diseñar y describir máquinas. Su maravillosa colección llegó a tener hasta 800 mecanismos que usó para enseñar, para sugerir nuevos avances técnicos (y para enriquecer el pabellón alemán en la Expo de Filadelfia de su época).
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Aus Anlass der 250. Wiederkehr der Erstauflage von Rousseaus Werk "Émile oder über die Erziehung" widmet sich der Text der Analyse seiner Illustrationen. Die französischen Ausgaben des 18. Jahrhunderts wurden mit Kupferstichen von unterschiedlichen Künstlern gestaltet. Dabei war das Bildprogramm der Erstausgabe des Jahres 1762 noch von Rousseau autorisiert, während die posthumen Auflagen dies nicht mehr waren und einen vollständigen Wechsel des Bildprogramms vollziehen. Diese beiden unterschiedlichen Bildprogramme werden analysiert und in den Kontext ihrer Druckgeschichte gestellt. Dabei zeigt sich, auf welche Art das pädagogische Hauptwerk Rousseaus bildlich illustriert wird. (DIPF/Orig.)
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Taking into account the huge repercussion and influence that J.J. Rousseau has had on modern pedagogy, the recent tercentenary of his birth is a good opportunity to think about his outstanding relevance nowadays. This paper is a theoretical and educative research developed with an analytic and comparative hermeneutical method. The main objective is to show how some concepts of his philosophy of education have a great similarity with certain changes that the present competency based teaching is demanding, so it could be considered its methodological background. In order to achieve this objective this exposure has been divided in three parts. The first part is an analysis of Rousseau's educational theory as developed in the first three books of the Emilio, in which one of the main themes is self experience-based learning, fostering self-sufficiency, curiosity and the motivation for learning. Rousseau proposed as a method the negative education, which requires, among other conditions, a constant monitoring of the learner by the tutor. In the second part, a brief summary of the most relevant changes and characteristics of competency-based teaching is developed, as well as its purpose. The student’s participation and activity are highlighted within their own learning process through the carrying out of tasks. The new educational model involves a radical change in the curriculum, in which it is highlighted the transformation of the methodology used in the classroom as well as the role of the teacher. Finally, the aim of the third part is to offer a comparative synthesis of both proposals grouping the parallelisms found in 4 topics: origin of the two models, its aims, methodology, and change in the teaching roles.
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Large regions of recurrent genomic loss are common in cancers; however, with a few well-characterized exceptions, how they contribute to tumor pathogenesis remains largely obscure. Here we identified primate-restricted imprinting of a gene cluster on chromosome 20 in the region commonly deleted in chronic myeloid malignancies. We showed that a single heterozygous 20q deletion consistently resulted in the complete loss of expression of the imprinted genes L3MBTL1 and SGK2, indicative of a pathogenetic role for loss of the active paternally inherited locus. Concomitant loss of both L3MBTL1 and SGK2 dysregulated erythropoiesis and megakaryopoiesis, 2 lineages commonly affected in chronic myeloid malignancies, with distinct consequences in each lineage. We demonstrated that L3MBTL1 and SGK2 collaborated in the transcriptional regulation of MYC by influencing different aspects of chromatin structure. L3MBTL1 is known to regulate nucleosomal compaction, and we here showed that SGK2 inactivated BRG1, a key ATP-dependent helicase within the SWI/SNF complex that regulates nucleosomal positioning. These results demonstrate a link between an imprinted gene cluster and malignancy, reveal a new pathogenetic mechanism associated with acquired regions of genomic loss, and underline the complex molecular and cellular consequences of "simple" cancer-associated chromosome deletions.
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Standardized response criteria to interpret and compare clinical trials are needed for approval of new therapeutic agents by regulatory agencies. The European LeukemiaNet (ELN) response criteria for essential thrombocythemia (ET) and polycythemia vera (PV) issued in 2009 have been widely adopted as end points in a number of recent clinical trials. However, evidence exists that they do not predict response or provide clinically relevant measures of benefit for the patients. This article presents revised recommendations for assessing response in ET and PV provided by a working group established by ELN and International Working Group-Myeloproliferative Neoplasms Research and Treatment. New definitions of complete and partial remission incorporate clinical, hematological, and histological response assessments that include a standardized symptom assessment form and consider absence of disease progression and vascular events. We anticipate that these criteria will be adopted widely to facilitate the development of new and more effective therapies for ET and PV.
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BACKGROUND: Anemia is considered a negative prognostic risk factor for survival in patients with myelofibrosis. Most patients with myelofibrosis are anemic, and 35-54 % present with anemia at diagnosis. Ruxolitinib, a potent inhibitor of Janus kinase (JAK) 1 and JAK2, was associated with an overall survival benefit and improvements in splenomegaly and patient-reported outcomes in patients with myelofibrosis in the two phase 3 COMFORT studies. Consistent with the ruxolitinib mechanism of action, anemia was a frequently reported adverse event. In clinical practice, anemia is sometimes managed with erythropoiesis-stimulating agents (ESAs). This post hoc analysis evaluated the safety and efficacy of concomitant ruxolitinib and ESA administration in patients enrolled in COMFORT-II, an open-label, phase 3 study comparing the efficacy and safety of ruxolitinib with best available therapy for treatment of myelofibrosis. Patients were randomized (2:1) to receive ruxolitinib 15 or 20 mg twice daily or best available therapy. Spleen volume was assessed by magnetic resonance imaging or computed tomography scan.
RESULTS: Thirteen of 146 ruxolitinib-treated patients had concomitant ESA administration (+ESA). The median exposure to ruxolitinib was 114 weeks in the +ESA group and 111 weeks in the overall ruxolitinib arm; the median ruxolitinib dose intensity was 33 mg/day for each group. Six weeks before the first ESA administration, 10 of the 13 patients had grade 3/4 hemoglobin abnormalities. These had improved to grade 2 in 7 of the 13 patients by 6 weeks after the first ESA administration. The rate of packed red blood cell transfusions per month within 12 weeks before and after first ESA administration remained the same in 1 patient, decreased in 2 patients, and increased in 3 patients; 7 patients remained transfusion independent. Reductions in splenomegaly were observed in 69 % of evaluable patients (9/13) following first ESA administration.
CONCLUSIONS: Concomitant use of an ESA with ruxolitinib was well tolerated and did not affect the efficacy of ruxolitinib. Further investigations evaluating the effects of ESAs to alleviate anemia in ruxolitinib-treated patients are warranted (ClinicalTrials.gov identifier, NCT00934544; July 6, 2009).
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Pour montrer comment s'articulent les mécanismes de l'interprétation dans la chanson populaire, nous nous sommes inspirée [inspirés] de travaux de sociologues qui se sont penchés sur la chanson depuis une vingtaine d'années (Authelain, Buxton, Calvet, Giroux, Hennion, Frith, Middleton) ou sur le marché des biens symboliques (Bourdieu), ainsi que de la sémiologie musicale de Jean-Jacques Nattiez. Comme lui, nous avons identifié un processus poïétique, un niveau neutre et un processus esthésique dans la pratique de la chanson, processus qui se dédoublent dans la chanson populaire selon le point d'ancrage de l'analyse: la partition (la trace, constituant un premier"niveau neutre") puis la chanson interprétée (ou résultat musical, qui constitue un second"niveau neutre"). Nous avons par la suite identifié les différents lieux où entre en jeu l'interprétation: chez les exécutants (musiciens et interprètes) qui actualisent la partition, produisant ainsi la chanson interprétée; dans le processus de production/promotion, où s'élaborent l'image de marque de l'artiste et les discours promotionnels; chez le public où l'interprétation apparaît aussi sous ses deux facettes, c'est-à-dire l'exécution possible par les auditeurs/spectateurs, mais surtout la lecture que propose le discours critique. Un exemple précis, l'album D'instinct (1995) de l'auteur/compositeur/interprète Richard Séguin, nous a permis de mettre à l'épreuve ce modèle ainsi qu'une méthode d'analyse qui permet à la fois de se pencher sur une chanson et sur la chanson. Dans un premier temps, nous avons analysé une chanson à partir de la partition puis de la chanson interprétée (sous forme de chanson, d'album, de vidéoclip et de spectacle), sans tenir compte des discours que l'on tient sur cette chanson. Dans un deuxième temps, notre attention s'est portée sur la chanson, analysant l'objet"chanson" transformé par les discours, puis les discours eux-mêmes. Ces analyses nous ont permis de nous pencher sur l'interprétation, d'abord comme exécution (de la partition), et surtout comme lecture, puis de schématiser le réseau des discours, promotionnels et critiques, qui circulent entre l'artiste (et sa musique) et l'auditeur/spectateur. Notre recherche s'intéresse ainsi de façon nouvelle à la chanson populaire et la méthode d'analyse que nous proposons permet de tenir compte de la spécificité de son objet: une approche multidisciplinaire s'imposait pour étudier un phénomène pluridimensionnel comme la chanson. Aussi, les résultats de nos analyses confirment que le modèle et la méthode sont opératoires, mais surtout, ils laissent entrevoir de nombreuses possibilités d'analyses nouvelles d'une/de la chanson, analyses qui permettraient d'en saisir le caractère stylistique, les qualités esthétiques, etc. et même, il nous semble qu'ils pourraient s'avérer tout aussi opératoires appliqués à d'autres corpus."--Résumé abrégé par UMI
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O trabalho denominado como autobiográfico é diverso na sua forma, podendo ser uma manifestação de cariz artístico, literário ou filosófico. A presente dissertação procura investigar as particularidades da forma autobiográfica, os objectivos do autor perante a sua obra e a sua recepção no campo público. Para tal, traz-se para análise: a obra escultórica de Louise Bourgeois para chegar a um entendimento sobre a forma artística da autobiografia; os Cadernos do Subterrâneo de Fiódor Dostoiévski que é exemplo controverso de uma obra autobiográfica literária; e as Confissões de Jean- Jacques Rousseau e Santo Agostinho que nos permitem experienciar uma obra autobiográfica com preocupações características de uma investigação filosófica. Pretende-se compreender a autobiografia na sua generalidade, tanto do ponto de vista do autor como do seu receptor.