897 resultados para Art criticism|Literature|Architecture
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Neue Leitbilder bedeuten nicht automatisch neue Qualitäten. Diesem Phänomen geht die vorliegende Arbeit anhand städtebaulicher Leitbilder und daraus erfolgten Siedlungsentwürfen seit den 1920er Jahren nach. Die Begriffe 'Hausen' und 'Wohnen' werden genutzt, unterschiedliche Beurteilungsstränge der Arbeit darzulegen. Die Hartnäckigkeit, mit der 'Wohnen' immer wieder neu in Szene gesetzt wird, wird ersichtlich in der Beschreibung verschiedener städtebaulicher Leitbilder. Egal ob modern, organisch, autogerecht, urban, nachhaltig oder frauengerecht - deutlich wird, dass mit dem 'Wohnen' zugleich monolithische und spezialisierte Siedlungsorganisationen beabsichtigt und gebaut werden. Anhand wesentlicher Prinzipien von Erschließung, Parzellierung und Bebauung wird ausgeführt, welche Formen Voraussetzungen dafür bieten, dass viele verschiedene ökonomische und soziale Lebensweisen darin eingerichtet werden können. In einem theoretischen Anhang werden einzelne Themenschwerpunkte vertieft. Vorgestellt wird darin auch, wie Gender und Diversity sinnvoll für die Freiraumplanung nutzbar gemacht werden kann.
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Nachhaltige Konversion bei der Herrichtung frei gewordener militärischer Liegenschaften, insbesondere zu Hochschuleinrichtungen, ist mit großen Herausforderungen verbunden. Abgestimmte Raumbedarfe, nutzungsgerecht und wirtschaftlich vertretbar, in der Struktur einer ehemaligen Kaserne umzusetzen, erfordert ein kompetentes Projektmanagement mit allen erforderlichen Fachplanern. Maximale Ausnutzung der vorhandenen Raumstrukturen und weitestgehende Weiterverwendung der bestehenden Bausubstanz der Kasernengebäude haben Priorität und erhöhen u. a. den Wert der Nachhaltigkeit. Bei erforderlichen Neubauten auf ehemals militärisch genutzten Arealen sind unter Beachtung der wirtschaftlichen Vertretbarkeit das Erzielen der höchsten Energieeffizienz, die intelligente Umsetzung der Nutzerbelange und die weitreichende Schonung der Ressourcen unerlässlich. Das Buch mit seinen Nachhaltigkeitsanalysen dient als Arbeitshilfe für Baufachleute zur Umsetzung von Nachhaltigkeitszielen bei der Planung und der Realisierung ihrer Konversions-Bauvorhaben.
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Ciertos videojuegos hoy en día, a parte de ser objetos culturales reconocidos en la cultura digital, brindan una experiencia estética que desde la filosofía del arte debe ser analizada. El presente texto investiga a fondo sobre la naturaleza y un posible status artístico de algunos videojuegos "candidatos", siguiendo las teorías de reconocimiento según criterios de los objetos del arte planteada por Dutton y Gaut.
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This volume provides a new perspective on the emergence of the modern study of antiquity, Altertumswissenschaft, in eighteenth-century Germany through an exploration of debates that arose over the work of the art historian Johann Joachim Winckelmann between his death in 1768 and the end of the century. This period has long been recognised as particularly formative for the development of modern classical studies, and over the past few decades has received increased attention from historians of scholarship and of ideas. Winckelmann's eloquent articulation of the cultural and aesthetic value of studying the ancient Greeks, his adumbration of a new method for studying ancient artworks, and his provision of a model of cultural-historical development in terms of a succession of period styles, influenced both the public and intra-disciplinary self-image of classics long into the twentieth century. Yet this area of Winckelmann's Nachleben has received relatively little attention compared with the proliferation of studies concerning his importance for late eighteenth-century German art and literature, for historians of sexuality, and his traditional status as a 'founder figure' within the academic disciplines of classical archaeology and the history of art. Harloe restores the figure of Winckelmann to classicists' understanding of the history of their own discipline and uses debates between important figures, such as Christian Gottlob Heyne, Friedrich August Wolf, and Johann Gottfried Herder, to cast fresh light upon the emergence of the modern paradigm of classics as Altertumswissenschaft: the multi-disciplinary, comprehensive, and historicizing study of the ancient world.
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Q&A: Tashia Bradley on Kentucky, Tortola, The Pugh Center mission, and the mild winter she brought with her to Maine Weather Report: Senior speaks at meteorological meeting, challenges historians' take on the history of forecasting Finding Community: Projects for Peace documentary explores a different, and for many, more rewarding way of life Literary Peaks: At Whitefish Review, Colby trio (plus one) gives art and literature a mountain home Sadoff Invites Us To Love Life Despite Hardship and Injustice (Review) Marketing Experts Say Plain Talk Beats Social Media Considering Life's Stepping Stones: For Debra Spark's characters, it's the journey, not the destination (Review) Finding Home Amid Myth and Mystery (Review) Recent Releases Concussion Impact: Colby-based project helps Maine schools reduce sports injuries Quiet Powerhouse: Rachael Mack ends career with 1,241 points, leads team turnaround Sports Shorts The Nation's Fastest: Dominique Kone '13 wins NCAA DIII 60-meter dash, coming back from 2011 injury
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This thesis aims at producing knowledge by putting together various theories and empirical analyses. In other words, from an interdisciplinary approach within the Social Sciences and having as background Communication and the City, this work presents, in each chapter, a disciplinary field Literature, Architecture, History and Geography , with which they relate, exhibits its theoretical pillars and performs a case study as a factual and critical contribution, considering the urban spaces of Rio de Janeiro, Brasília, São Paulo and Natal. By so doing, the thesis covers the period from the end of the XIX to the beginning of the XXI Century. Overall, the thesis is an interconnected and dialogic set that points to a cosmology of plural knowledge
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Literary works are thought provokers that make it possible to access several forms to view the world and reality. They provide diversified points of view and infinite connections. In a particular way, among all the other forms of art expression literature is considered to be the closest to life, once it is able to reconnect all human dimensions emotional, rational, mystic, personal, universal, corporal, historic, mythical. This thesis aims at offering some reflections about the frontiers and bridges between science and literature aiming at understanding the complexity that guides them. It presents a new reading of Iracema novel: Ceará tale of José de Alencar from a meticulous incursion through new ways and natural spaces interwoven by Alencar. It tries to hear the echoes of this indianist novel in the university students today. In a broader context, it creates arguments that question the multiple threadsthat join science and literature so that a science of complexity arises distinguishing but not separating the innumerous narratives about the world. For this purpose, this thesis has as interlocutors: Antonio Candido, Charles P. Snow, Edgar Morin, Emilio Ciurana, Fritjof Capra, George Steiner, Ilya Prigogine, Isabelle Stengers, Roger Chartier, Roland Barthes. The plot presented here does not limit the novel to science, but makes it a rereading of the word, of life, once this is the raw material of books. As a methodological strategy, we rebuilt Iracema´s character trips in a way to update the novel, resulting in the video documentary Iracema ways: the arid and remote interior, the plateau, the sea. Iracema novel and character enhancing dialogs that allow the dichotomy rupture between two cultures (Charles P. Snow), recognizing they are not incommunicable and revealing the core argument of the thesis: Iracema belongs to a complex category. It is a hybrid novel that is far, far away from that bluish plateau in the horizon
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The thesis has its largest array in the reorganization of science that is built from the middle of the last century and its horizon reconnection between scientific culture and humanistic culture, and the dialogue between science, art and literature. This epistemological regeneration view of the scientific paradigm incorporates the poetic language and sociological analysis, and brings out a complex, open and transdisciplinary narrative. To undertake this exercise as interlocutors we have thinkers like Nietzsche, Lévi-Strauss, Edgar Morin and Bruno Latour, to name a few, and as a reference for analyzing the entire artistic production of one of the icons of Brazilian music, Clara Nunes. It is problematized up in this work, through the singer s discography, lyrics and fragments of her biography, the construction of a social character that politicized culture, increased the mestizo consciousness of popular imagery, and exceeded the excessively prosaic narratives of the academic and scientific culture. The central argument of the thesis recognizes a Hybrid Subject Clara Nunes, as indeed is what is expected of the politically engaged intellectual in the 21st century
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Busca-se aqui investigar a conexão entre duas características definidoras da originalidade crítica de Antonio Candido: sua filiação à linhagem do marxismo ocidental e sua inserção numa tradição nacional.
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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Pós-graduação em Letras - FCLAS