Fluxos e densidades de energia negativa em teoria quântica de campos

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Comparação dos efeitos da posição prona associada à ventilação oscilatória de alta frequência e à mecânica convencional protetora em lesão pulmonar aguda induzida experimentalmente

Pós-graduação em Fisiopatologia em Clínica Médica - FMB

Avaliação tomográfica tridimensional do tratamento da classe II divisão 1 com aparelho de Herbst

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Os efeitos da idade sobre o padrão de assimetrias táteis, visuais e hemiespaciais em destros e canhotos

Em testes de bisecção de linhas horizontais, os indivíduos normais tendem a partilhá-las à esquerda do verdadeiro ponto zero, fenômeno este denominado de pseudonegligência. As investigações clínicas revelaram que os mecanismos de controle sobre a alocação de atenção ao lado esquerdo do corpo foram profundamente afetados quando houve lesão localizada na parte inferior do lóbulo parietal no hemisfério direito do cérebro; e mais, a omissão de atenção à esquerda da linha média do corpo foi igualmente observada em certas modalidades motoras e táteis, não se limitando apenas ao sistema visual. Neste contexto, estudos evidenciam, ainda, que mudanças na preferência e proficiência manual ocorreram durante o processo de envelhecimento. Por exemplo, diversos estudos mostraram que, com o avanço da idade, a prevalência de canhotismo tende a diminuir; além do mais, em alguns estudos, a partir da idade de 55 anos, a direção de pseudonegligência foi distribuída à direita do ponto zero. Surgem, então, três hipóteses que buscam explicar a fonte das variações através das faixas etárias: A hipótese da degradação diferencial dos hemisférios cerebrais; a hipótese de perda bilateral; e a hipótese de assimetria invariante. Neste estudo, uma amostra de 61 indivíduos foi selecionada, sendo composta de destros e canhotos, de ambos os sexos, em três faixas etárias: de 18 a 30 anos, de 35 a 55 anos e 60 anos e acima. Os indivíduos foram submetidos ao Inventário de Preferência Manual, ao Teste Tátil de Biseccionar Linhas (TTBL) e ao Teste Visual de Biseccionar Linhas (TVBL), com o objetivo de averiguar os efeitos da idade sobre a assimetria manual e hemiespacial através do desempenho dos mesmos. Os resultados, no TTBL, mostram que houve poucas diferenças significativas no desvio e as tendências que emergiram foram ou inconsistentes ou orientadas em direções contrárias às predições de Bowers & Heilman. Não foi identificada nenhuma divergência no grau e na direção do desempenho entre destros e canhotos. O modelo interdependente de ativação, não foi sustentado por estes achados, concluindo-se que a presente versão do TTBL não constitui uma medida válida da lateralidade desta função. Em contraste, no TVBL a pseudonegligência evidenciou-se consistentemente, sob condições específicas em todos os grupos. O modelo interdependente foi apoiado pela interação significativa existente entre as mãos e os hemicampos, em particular quando a mão esquerda partilhou as linhas no campo esquerdo e central. Não foi encontrada nenhuma divergência entre os canhotos e os destros (nas três faixas etárias), no nível e direção de desempenho no TVBL. Contudo, não existiu evidência empírica indicando que a degeneração precoce do hemisfério direito afetou a atenção visuoespacial no grupo de idosos. Por conseguinte, o modelo de assimetria invariante parece mais plausível.

Pseudonegligência, dominância manual e habilidades motoras em alunos das artes em comparação com alunos de outros cursos

Uma linha de pesquisa freqüente sobre a lateralização cerebral em artistas tem investigado o comportamento daqueles que sofrem de diversos síndromes neuropatológicas, afetando o hemisfério esquerdo ou direito. Em contraste, Bertrand (2001), observando que alguns poucos estudos reportaram um aumento na prevalência de canhotismo e ambidestrismo entre artistas, indicou a necessidade para a realização de pesquisas sistemáticas sobre as características laterais em artistas normais. Na ausência de tais estudos, e devido à dificuldade de obter dados de artistas profissionais, este projeto foi planejado com o fim de investigar em detalhe, assimetrias laterais na dominância manual, habilidade motora e atenção visuoespacial em alunos das artes e os de outros cursos (o grupo de controle). Estes alunos foram recrutados do Departamento de Artes da Universidade Federal de Maranhão e de um centro público de arte em São Luis. A amostra foi composta de 50 alunos de controle (24 destros e 26 canhotos), e 51 alunos das artes (27 destros e 24 canhotos). Dados foram obtidos para dominância manual, ocular e podálica, e para o desempenho em duas medidas de proficiência motora: batidas digitais e o Teste de Pinos na Forma de Chaves (o Grooved Pegboard). Além disso, uma versão do Teste Visual de Bisecçionar Linhas (TVBL) foi aplicado com o objetivo de comparar o grau de pseudonegligência dentro e entre alunos das artes e os de controle. Procurou-se averiguar se em relação aos alunos de controle, aqueles das artes mostrariam um grau reduzido de assimetria intermanual na dominância manual e nas habilidades motoras, bem como um nível maior de exatidão no TVBL. No que tange a presença de tais diferenças na performance, nossas predições foram apoiadas. Os alunos das artes, em particular, os canhotos, foram menos consistentes e mais ambidestros do que os alunos dos outros cursos. Eles também exibiram um nível menor de desempenho entre as mãos nos dois testes motores. Além do mais, enquanto que o grau de pseudonegligência foi elevado nos alunos de controle, as respostas dos alunos das artes foram mais exatas, resultando em um nível reduzido de erro em torno do ponto zero verídico. Em concordância com pesquisas prévias com músicos, em geral, os alunos das artes apresentaram um nível de atenção visuoespacial mais equilibrado, e estas diferenças foram relacionadas às exigências cognitivas implícitas no treino nas artes visuais.

Instability of nonminimally coupled scalar fields in the spacetime of slowly rotating compact objects

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Adsorção de antibióticos em meio aquoso utilizando diferentes adsorventes

Pós-graduação em Ciência dos Materiais - FEIS

Disposição construtiva aplicada em cadeira antropométrica

Disposição construtiva aplicada em cadeira antropométrica. Patente de modelo de utilidade para uma cadeira antropométrica constituída de uma estrutura (1) que sustenta uma pluralidade de instrumentos de medição, sendo que a parte posterior da cadeira é provida de dois instrumentos de medição compostos por duas hastes, sendo uma delas para medida da altura tronco-encefálica (2) e a outra para a medida do assento até a região renal (4), de modo que cada uma dessas hastes possui uma escala numérica, sendo ora interna (3), ora externa (5). O assento (6) da cadeira (1) é composto por um anteparo com uma canaleta interna e dois cursores laterais deslizantes para a direita e para a esquerda, que possuem escala numérica.; O assento é provido de referências métricas sendo uma no sentido da largura do assento (8) e outra no sentido da profundidade do assento (9), sendo a escala (8) dividida em duas escalas, onde o ponto zero é exatamente o meio do assento. O assento (6) também possui acoplada uma haste frontal, com deslizamento no sentido antero-posterior (10), a qual contém uma escala interna embutida na peça, de modo que a soma entre a medida da profundidade do assento com a medida obtida pela haste deslizante horizontal (10) totalizam a medida sacro-poplítea. Para a tomada da medida da altura poplítea, há uma outra haste (11), integrada à superfície anterior da cadeira, cujo deslizamento é vertical, sendo que essa haste (11) possui uma escala numérica interna uma externa (12).; A base da cadeira (13) possui um dispositivo de acionamento lateral com o pé (16), que é conectado ao assento (6) por meio de um macaco hidráulico, permitindo a elevação do assento, sendo que a outra alavanca (17), ao ser girada, realiza a descida do assento (6).

THE INFRARED COLORS OF THE SUN

Solar infrared colors provide powerful constraints on the stellar effective temperature scale, but they must be measured with both accuracy and precision in order to do so. We fulfill this requirement by using line-depth ratios to derive in a model-independent way the infrared colors of the Sun, and we use the latter to test the zero point of the Casagrande et al. effective temperature scale, confirming its accuracy. Solar colors in the widely used Two Micron All Sky Survey (2MASS) JHK(s) and WISE W1-4 systems are provided: (V - J)(circle dot) = 1.198, (V - H)(circle dot) = 1.484, (V - K-s)(circle dot) = 1.560, (J - H)(circle dot) = 0.286, (J - K-s)(circle dot) = 0.362, (H - K-s)(circle dot) = 0.076, (V - W1)(circle dot) = 1.608, (V - W2)(circle dot) = 1.563, (V - W3)(circle dot) = 1.552, and (V - W4)(circle dot) = 1.604. A cross-check of the effective temperatures derived implementing 2MASS or WISE magnitudes in the infrared flux method confirms that the absolute calibration of the two systems agrees within the errors, possibly suggesting a 1% offset between the two, thus validating extant near-and mid-infrared absolute calibrations. While 2MASS magnitudes are usually well suited to derive T-eff, we find that a number of bright, solar-like stars exhibit anomalous WISE colors. In most cases, this effect is spurious and can be attributed to lower-quality measurements, although for a couple of objects (3%+/- 2% of the total sample) it might be real, and may hint at the presence of warm/hot debris disks.

Inclusive charged hadron elliptic flow in Au+Au collisions at root s(NN)=7.7-39 GeV

A systematic study is presented for centrality, transverse momentum (p(T)), and pseudorapidity (eta) dependence of the inclusive charged hadron elliptic flow (v(2)) at midrapidity (vertical bar eta vertical bar < 1.0) in Au + Au collisions at root s(NN) = 7.7, 11.5, 19.6, 27, and 39 GeV. The results obtained with different methods, including correlations with the event plane reconstructed in a region separated by a large pseudorapidity gap and four-particle cumulants (v(2){4}), are presented to investigate nonflow correlations and v(2) fluctuations. We observe that the difference between v(2){2} and v(2){4} is smaller at the lower collision energies. Values of v(2), scaled by the initial coordinate space eccentricity, v(2)/epsilon, as a function of p(T) are larger in more central collisions, suggesting stronger collective flow develops in more central collisions, similar to the results at higher collision energies. These results are compared to measurements at higher energies at the Relativistic Heavy Ion Collider (root s(NN) = 62.4 and 200 GeV) and at the Large Hadron Collider (Pb + Pb collisions at root s(NN) = 2.76 TeV). The v(2)(pT) values for fixed pT rise with increasing collision energy within the pT range studied (<2 GeV/c). A comparison to viscous hydrodynamic simulations is made to potentially help understand the energy dependence of v(2)(pT). We also compare the v(2) results to UrQMD and AMPT transport model calculations, and physics implications on the dominance of partonic versus hadronic phases in the system created at beam energy scan energies are discussed.

Trans-Planckian problem in the healthy extension of Horava-Lifshitz gravity

Planck scale physics may influence the evolution of cosmological fluctuations in the early stages of cosmological evolution. Because of the quasiexponential redshifting, which occurs during an inflationary period, the physical wavelengths of comoving scales that correspond to the present large-scale structure of the Universe were smaller than the Planck length in the early stages of the inflationary period. This trans-Planckian effect was studied before using toy models. The Horava-Lifshitz (HL) theory offers the chance to study this problem in a candidate UV complete theory of gravity. In this paper we study the evolution of cosmological perturbations according to HL gravity assuming that matter gives rise to an inflationary background. As is usually done in inflationary cosmology, we assume that the fluctuations originate in their minimum energy state. In the trans-Planckian region the fluctuations obey a nonlinear dispersion relation of Corley-Jacobson type. In the "healthy extension" of HL gravity there is an extra degree of freedom which plays an important role in the UV region but decouples in the IR, and which influences the cosmological perturbations. We find that in spite of these important changes compared to the usual description, the overall scale invariance of the power spectrum of cosmological perturbations is recovered. However, we obtain oscillations in the spectrum as a function of wave number with a relative amplitude of order unity and with an effective frequency which scales nonlinearly with wave number. Taking the usual inflationary parameters we find that the frequency of the oscillations is so large as to render the effect difficult to observe.

Quantensimulationen physisorbierter Molekülschichten auf Graphit

Mit Hilfe der Pfadintegral-Monte Carlo-Methode werdenPhasendiagramme von physisorbierten Molekülschichten aufGraphit untersucht. Die Verwendung von realistischen Potenzialen sowie dieBehandlung aller translatorischen und rotatorischenFreiheitsgrade erlaubt einen quantitativen Vergleich mit denExperimenten.Krypton-Atome bilden in der Monolage ein kommensurablesGitter mit den Atomen über der Mitte jeder drittenGraphitwabe.Die Vorgänge am Schmelzübergang werden von der Desorptioneiniger Atome dominiert. Die Argon-Schicht auf Graphit ist dagegen inkommensurabel.Zweiatomigen Stickstoff-Moleküle bilden eineorientierungsgeordnete Tieftemperaturphase(Fischgrät-Struktur). Quantenfluktuationen führen zu einer Erniedrigung der mitklassischen Methoden berechneten Phasenübergangstemperaturum 12%.Damit wird der experimentelle Wert von 28 K erreicht.Die Anisotropie und das Dipolmoment von Kohlenmonoxid führenzu einer dipolar geordneten Tieftemperaturphase.Die experimentell nicht geklärte Struktur kann in derQuantensimulation als antiferroelektrischeFischgrät-Struktur identifiziert werden.Der Phasenübergang liegt mit 6 K sehr nahe am Experiment(5.2 K).Für die Argon-Stickstoff-Mischsysteme wird dasPhasendiagramm in der Konzentrations(x)-Temperatur(T)-Ebeneerstellt. Die Übergangstemperaturen decken sich mit denen desExperiments.In Konfigurationen mit zufälliger Teilchenbesetzung weisen die linearen Moleküle ab Argon-Konzentrationen von10% ein Orientierungsglas-Verhalten auf.Durch einen zusätzlichen Teilchenaustausch wird in denMischsystemen die Bildung einer Windrad-Phase ermöglicht, inder die Argon-Atome eine Überstruktur annehmen.Diese Phase wird experimentell imArgon-Kohlenmonoxid-Mischsystem vorgefunden, dessenx-T-Phasendiagramm in guter Übereinstimmung mit denSimulationsergebnissen steht.Die explizite Berücksichtigung der Quantenmechanik in denComputersimulationen liefert wesentliche Beiträge zurKlärung des Phasenverhaltens und der Bestimmung vonÜbergangstemperaturen der Tieftemperaturstrukturen.

Coupled-Cluster-Berechnungen von Parametern der Kernspin-Resonanz-Spektroskopie

Coupled-Cluster-Berechnungen von Parametern derKernspin-Resonanz-Spektroskopie Dissertationsschrift von Alexander A.Auer, Mainz 2002 Im Rahmen einer Studie der Berechnung von 13C-Verschiebungenwerdendie Einfluesse von Elektronenkorrelation, Basissatz,Gleichgewichtsgeometrie sowie Schwingungs- und Rotationseffekten separat betrachtet.Dabei zeigt sich, dass dieCoupled-Cluster-Singles-Doubles-Methode mitstoerungstheoretischer Behandlung der Dreifachanregungen(CCSD(T)) mit entsprechend grossen Basissaetzen bei Beruecksichtigung derNullpunktsschwingungseffekte Ergebnisse mit ca. 1 ppm Abweichung zum Experiment liefert. Eine Analyse der Elektronenkorrelationseffekte beiCoupled-Cluster- (CC-) Berechnungen von indirekten Spin-Spin-Kopplungskonstanten zeigt, dassCC-Methoden mit Hartree-Fock-Orbitalrelaxation zur Berechnung derKopplungskonstanten ungeeignet sind. Eine Loesung ist die Verwendung unrelaxierter CC-Methoden,in denendie HF-Orbitalrelaxation aus der Berechnung der gestoertenWellenfunktion ausgeschlossen wird. Full-Configuration-Interaction-Berechnungen fuer Borhydridzeigen,dass auf CC-Singles-Doubles-Niveau (CCSD) 94% und aufCC-Singles-Doubles-Triples-Niveau (CCSDT) 99% der Korrelationseffekte beschrieben werden. Weiterhin istdie Beruecksichtigung der Nullpunktsschwingung sowie die Wahl eines ausreichend grossen Basissatzes wichtig. Auf Grundlage der vorangegangenen Studien werden im letztenTeil zwei Beispiele zur Anwendung hochgenauer Berechnungen vonNMR-Parametern vorgestellt.Im Rahmen einer Studie der Spin-Spin-Kopplungskonstanten vonCyclopentan wird eine Karplus-Beziehungzwischen den Kopplungskonstanten und der Konformation desMolekuels aufgestellt, desweiteren werden die NMR-Parameter von Methylidinphosphanuntersucht.

Percorsi di gender performance: fotografia tra arte e moda dagli anni Novanta ad oggi

My project explores and compares different forms of gender performance in contemporary art and visual culture according to a perspective centered on photography. Thanks to its attesting power this medium can work as a ready-made. In fact during the 20th century it played a key role in the cultural emancipation of the body which (using a Michel Foucault’s expression) has now become «the zero point of the world». Through performance the body proves to be a living material of expression and communication while photography ensures the recording of any ephemeral event that happens in time and space. My questioning approach considers the gender constructed imagery from the 1990s to the present in order to investigate how photography’s strong aura of realism promotes and allows fantasies of transformation. The contemporary fascination with gender (especially for art and fashion) represents a crucial issue in the global context of postmodernity and is manifested in a variety of visual media, from photography to video and film. Moreover the internet along with its digital transmission of images has deeply affected our world (from culture to everyday life) leading to a postmodern preference for performativity over the more traditional and linear forms of narrativity. As a consequence individual borders get redefined by the skin itself which (dissected through instant vision) turns into a ductile material of mutation and hybridation in the service of identity. My critical assumptions are taken from the most relevant changes occurred in philosophy during the last two decades as a result of the contributions by Jacques Lacan, Michel Foucault, Jacques Derrida, Gilles Deleuze who developed a cross-disciplinary and comparative approach to interpret the crisis of modernity. They have profoundly influenced feminist studies so that the category of gender has been reassessed in contrast with sex (as a biological connotation) and in relation to history, culture, society. The ideal starting point of my research is the year 1990. I chose it as the approximate historical moment when the intersection of race, class and gender were placed at the forefront of international artistic production concerned with identity, diversity and globalization. Such issues had been explored throughout the 1970s but it was only from the mid-1980s onward that they began to be articulated more consistently. Published in 1990, the book "Gender trouble: feminism and the subversion of identity" by Judith Butler marked an important breakthrough by linking gender to performance as well as investigating the intricate connections between theory and practice, embodiment and representation. It inspired subsequent research in a variety of disciplines, art history included. In the same year Teresa de Lauretis launched the definition of queer theory to challenge the academic perspective in gay and lesbian studies. In the meantime the rise of Third Wave Feminism in the US introduced a racially and sexually inclusive vision over the global situation in order to reflect on subjectivity, new technologies and popular culture in connection with gender representation. These conceptual tools have enabled prolific readings of contemporary cultural production whether fine arts or mass media. After discussing the appropriate framework of my project and taking into account the postmodern globalization of the visual, I have turned to photography to map gender representation both in art and in fashion. Therefore I have been creating an archive of images around specific topics. I decided to include fashion photography because in the 1990s this genre moved away from the paradigm of an idealized and classical beauty toward a new vernacular allied with lifestyles, art practices, pop and youth culture; as one might expect the dominant narrative modes in fashion photography are now mainly influenced by cinema and snapshot. These strategies originate story lines and interrupted narratives using models’ performance to convey a particular imagery where identity issues emerge as an essential part of fashion spectacle. Focusing on the intersections of gender identities with socially and culturally produced identities, my approach intends to underline how the fashion world has turned to current trends in art photography and in some case turned to the artists themselves. The growing fluidity of the categories that distinguish art from fashion photography represents a particularly fruitful moment of visual exchange. Varying over time the dialogue between these two fields has always been vital; nowadays it can be studied as a result of this close relationship between contemporary art world and consumer culture. Due to the saturation of postmodern imagery the feedback between art and fashion has become much more immediate and then increasingly significant for anyone who wants to investigate the construction of gender identity through performance. In addition to that a lot of magazines founded in the 1990s bridged the worlds of art and fashion because some of their designers and even editors were art-school graduates encouraging innovation. The inclusion of art within such magazines aimed at validating them as a form of art in themselves supporting a dynamic intersection for music, fashion, design and youth culture: an intersection that also contributed to create and spread different gender stereotypes. This general interest in fashion produced many exhibitions of and about fashion itself at major international venues such as the Victoria and Albert Museum in London, the Metropolitan Museum of Art and the Solomon R. Guggenheim Museum in New York. Since then this celebrated success of fashion has been regarded as a typical element of postmodern culture. Owing to that I have also based my analysis on some important exhibitions dealing with gender performance like "Féminin-Masculin" at the Centre Pompidou of Paris (1995), "Rrose is a Rrose is a Rrose. Gender performance in photography" at the Solomon R. Guggenheim Museum of New York (1997), "Global Feminisms" at the Brooklyn Museum (2007), "Female Trouble" at the Pinakothek der Moderne in München together with the workshops dedicated to "Performance: gender and identity" in June 2005 at the Tate Modern of London. Since 2003 in Italy we have had Gender Bender - an international festival held annually in Bologna - to explore the gender imagery stemming from contemporary culture. In few days this festival offers a series of events ranging from visual arts, performance, cinema, literature to conferences and music. Being aware that any method of research is neither race nor gender neutral I have traced these critical paths to question gender identity in a multicultural perspective taking account of the political implications too. In fact, if visibility may be equated with exposure, we can also read these images as points of intersection of visibility with social power. Since gender assignations rely so heavily on the visual, the postmodern dismantling of gender certainty through performance has wide-ranging effects that need to be analyzed. In some sense this practice can even contest the dominance of visual within postmodernism. My visual map in contemporary art and fashion photography includes artists like Nan Goldin, Cindy Sherman, Hellen van Meene, Rineke Dijkstra, Ed Templeton, Ryan McGinley, Anne Daems, Miwa Yanagi, Tracey Moffat, Catherine Opie, Tomoko Sawada, Vanessa Beecroft, Yasumasa Morimura, Collier Schorr among others.

The Role of Anharmonicity in Hydrogen-Bonded Systems: The Case of Water Clusters

The nature of vibrational anharmonicity has been examined for the case of small water clusters using second-order vibrational perturbation theory (VPT2) applied on second-order Møller–Plesset perturbation theory (MP2) potential energy surfaces. Using a training set of 16 water clusters (H2O)n=2–6,8,9 with a total of 723 vibrational modes, we determined scaling factors that map the harmonic frequencies onto anharmonic ones. The intermolecular modes were found to be substantially more anharmonic than intramolecular bending and stretching modes. Due to the varying levels of anharmonicity of the intermolecular and intramolecular modes, different frequency scaling factors for each region were necessary to achieve the highest accuracy. Furthermore, new scaling factors for zero-point vibrational energies (ZPVE) and vibrational corrections to the enthalpy (ΔHvib) and the entropy (Svib) have been determined. All the scaling factors reported in this study are different from previous works in that they are intended for hydrogen-bonded systems, while others were built using experimental frequencies of covalently bonded systems. An application of our scaling factors to the vibrational frequencies of water dimer and thermodynamic functions of 11 larger water clusters highlights the importance of anharmonic effects in hydrogen-bonded systems.