Tonic sol-fa in South Africa : a case study of endogenous musical practice

Tonic Sol-fa was introduced to South Africa during the mid nineteenth century initially by Christian missionaries and later by professional educators to schools, teacher training institutions and local communities. Despite Tonic Sol-fa being the principal means of formal pedagogy and the most commonly-accepted notational medium through which South African communities have developed and sustained what is unquestionably a vibrant choral music tradition, there has been some fairly forthright condemnation of the overall effects of European music - particularly tonal-functional harmony - on indigenous culture. Agawu (2003) and Nzewi (1999), for example, have identified what they describe as the adverse effects of European music on African culture.

This paper counters these criticisms in one respect. It argues that, as one of the most prominent manifestations of European musical culture in sub-Saharan Africa, Tonic Sol-fa represents what Ntuli (2001) identifies as endogenous knowledge - knowledge acquired from non-indigenous sources that has been assimilated and integrated with indigenous knowledge to become the collective heritage of a people. This contention is supported by four short case studies of indigenous South African composers - two past and two contemporary musicians - who have utilised Tonic Sol-fa in their choral music writing and teaching, albeit in differing ways. The paper aims to counter the general criticism that European music has been injurious to indigenous African culture; rather it argues that in reality this manifestation of European music represents an exemplar of endogenous knowledge.

Missionaries, music and method - dissemination of tonic sol-fa in Asia-Pacific countries during the nineteenth century

The Tonic Sol-fa method of teaching choral singing and its system of music notation was developed in England by John Curwen and propagated throughout the British Isles as a means of both enhancing Christian worship and achieving social reform. Tonic Sol-fa may be identified as an entirely foreign musical practice introduced to indigenous people in many British colonies and in other overseas countries during the nineteenth century as an instrument of Christian evangelism as well as of European cultural imposition. Nevertheless, indigenous communities were introduced to other aspects of European musical culture including a choral repertoire consisting of four-part hymnody and masterworks by Handel, Bach, Mozart, etc which sometimes resulted in the emergence of a school of indigenous composers writing in Tonic Sol-fa notation and using the tonal harmonic style. The result has been that in several countries-such as South Africa and Fiji for example-Tonic Sol-fa has been so fully assimilated into the ethnic culture that it has been "indigenized" and may now be said to represent a significant exogenous aspect of the musical culture in these countries.

Tonic Sol-fa was most commonly introduced to countries in the Asia-Pacific Region -as in Africa - by Christian missionaries who sought to exploit the attraction of hymns, particularly when sung in four-part harmony, as a means of evangelizing indigenous people who frequently regarded this aspect of missionary activity as a form of "magic". In particular, the Tonic Sol-fa method and notation gained a significant foothold in what were referred to as the South Sea Islands--especially in Fiji where today, the Fijian Hymn Book (1985 edition) is notated exclusively in Tonic Sol-fa. The vast majority of the Fijians are literate in Tonic Sol-fa notation and congregational singing in four parts is the norm in Fijian churches.

This paper will draw on data from nineteenth century journal sources, particularly The Tonic Sol-fa Reporter (1853-1888) and The Musical Herald (1889-1920), and will document the introduction and dissemination of Tonic Sol-fa in several Asia-Pacific countries where, unlike Australia and New Zealand, the indigenous population has maintained its own cultural and demographic predominance. Countries to be considered will include India, China (including Hong Kong), and Pacific Island nations. There will also be a consideration of the contemporary usage and applications of Tonic Sol-fa in the region, with specific reference to Fiji. It will be argued that countries where Tonic Sol-fa notation has become the norm should resist any external pressure to transfer to the standard staff notation merely for the sake of conformity. In the case of Fiji, almost universal music literacy has been achieved through Tonic Sol-fa and this should be recognized as an enviable social and cultural asset.

Spectral bequest

The exhibition held 15 paintings and covered over a year of work investigating the relationship of tonal interactions in a large body of work. This modulates suite of paintings comprised many enigmatic, mystical images, beautifully painted in a classical style. This is a solo exhibition of a series of metaphysical paintings, exhibited for the first time at a leading gallery in Brisbane.

Code-switching and teaching Chinese as a second language

This book aims to explore the nature of code-switching. The purpose is to find out how this works and thereby inform language-teaching strategies. It focuses on Chinese / English bilinguals with special emphasis on younger students living in two linguistic worlds (Chinese and English). The book examines code-switching in relation to several aspects: grammatical structures, tonal facilitation, contextual factors, speakers' social background aspects and their participation in school language programs.

Weakly monotonic averaging functions

Monotonicity with respect to all arguments is fundamental to the definition of aggregation functions. It is also a limiting property that results in many important nonmonotonic averaging functions being excluded from the theoretical framework. This work proposes a definition for weakly monotonic averaging functions, studies some properties of this class of functions, and proves that several families of important nonmonotonic means are actually weakly monotonic averaging functions. Specifically, we provide sufficient conditions for weak monotonicity of the Lehmer mean and generalized mixture operators. We establish weak monotonicity of several robust estimators of location and conditions for weak monotonicity of a large class of penalty-based aggregation functions. These results permit a proof of the weak monotonicity of the class of spatial-tonal filters that include important members such as the bilateral filter and anisotropic diffusion. Our concept of weak monotonicity provides a sound theoretical and practical basis by which (monotonic) aggregation functions and nonmonotonic averaging functions can be related within the same framework, allowing us to bridge the gap between these previously disparate areas of research.

Ototoxicidade da cisplatina em crianças e adolescentes com câncer

Introdução: A cisplatina tem sido associada à perda auditiva. O local da toxicidade são as células ciliadas externas da cóclea. Geralmente, o dano é irreversível, bilateral e a perda auditiva se caracteriza por ser neurossensorial em freqüências altas. Este estudo foi realizado para avaliar a função auditiva de crianças e adolescentes com câncer tratados com cisplatina. Procedimentos: Vinte e três pacientes sobreviventes do tratamento de câncer com cisplatina no Serviço de Oncologia Pediátrica do HCPA no período de 1991-2004 realizaram audiometria tonal liminar, emissões otoacústicas evocadas transitórias (TEOA) e emissões otoacústicas evocadas por produto de distorção (DPEOA). Resultados: 61% dos pacientes tinham o diagnóstico de osteossarcoma, 17% tumores de células germinativas e 22% tumor hepático. A mediana da idade dos pacientes foi de 12,3 anos e a mediana da dose total de cisplatina recebida foi 406mg/m2. A perda auditiva observada na audiometria foi moderada a severa, bilateral e em altas freqüências. As TEOA e as DPEOA detectaram 22% e 71% de alterações cocleares, respectivamente. Foi observada alta concordância entre os achados da audiometria e da DPEOA (P=0.01). Não houve influencia de sexo, diagnóstico e uso de outras drogas ototóxicas concomitantemente à cisplatina na perda auditiva. Observou-se uma tendência de aumento da perda auditiva para pacientes mais jovens e para aqueles com maior dose cumulativa de cisplatina. Conclusão: Este estudo fornece evidências do dano auditivo causado pela cisplatina e salienta a importância de monitorar a função auditiva em crianças e adolescentes submetidos a tratamento antineoplásico com cisplatina, especialmente em crianças pequenas, que apresentam um risco maior de perda auditiva, capaz de comprometer o desenvolvimento da linguagem oral e escrita.

Uma análise retórica da Fuga Opus 87 nº 4 de Dmitri Shostakovich

O presente trabalho investiga a retórica da Fuga opus 87 n° 4 de Dmitri Shostakovich. Para atingir tal objetivo, foram utilizados os trabalhos de Lester (1986, 2001), Harrison (1990) e Roberts (2004). Neste último, estão os princípios metodológicos utilizados para a realização desta pesquisa, os quais consistem, basicamente, no reconhecimento dos elementos identificadores [notable properties], termo utilizado por Roberts para denominar propriedades distintas de uma fuga. Roberts (2004) aplicou seu método para reconhecer a natureza, retórica ou literal de quatro fugas de Bach para órgão (BWV 533, 545, 547 e 578). Na fuga dupla n° 4, em Mi menor, de Shostakovich foram encontrados cinco elementos identificadores: graus da escala em suspensão, ambigüidade tonal/modal, relação entre Integrantes, presença do terceiro contra-sujeito para um dos sujeitos e seções paralelas intensificadas. No discurso, a presença e inter-relações mútuas dos elementos identificadores estabelecem conflitos, os quais são resolvidos revelando a natureza retórica da composição.

Texturas de imagens utilizando conceitos de morfologia matemática

A textura é um atributo ainda pouco utilizado no reconhecimento automático de cenas naturais em sensoriamento remoto, já que ela advém da sensação visual causada pelas variações tonais existentes em uma determinada região da imagem, tornando difícil a sua quantificação. A morfologia matemática, através de operações como erosão, dilatação e abertura, permite decompor uma imagem em elementos fundamentais, as primitivas texturais. As primitivas texturais apresentam diversas dimensões, sendo possível associar um conjunto de primitivas com dimensões semelhantes, em uma determinada classe textural. O processo de classificação textural quantifica as primitivas texturais, extrai as distribuições das dimensões das mesmas e separa as diferentes distribuições por meio de um classificador de máxima-verossimilhança gaussiana. O resultado final é uma imagem temática na qual cada tema representa uma das texturas existentes na imagem original.

Seis Pequenos Quadros (1981) de Bruno Kiefer : relações intervalares e outros parâmetros a partir da teoria dos conjuntos e gestos musicais

Este trabalho oferece um estudo das configurações intervalares contidas no grupo de peças para piano intitulado Seis Pequenos Quadros (1981) de Bruno Kiefer (1923- 1987). A análise toma como referencial teórico a obra Introduction to Post-Tonal Theory de Joseph Straus, a qual elucida a teoria dos conjuntos. Objetivou-se encontrar padrões que fornecem coerência ao discurso das peças isoladamente e como um todo. Para tanto, além da análise de conjuntos, fez-se necessário o levantamento de características estruturais, temporais e de textura. Todos estes parâmetros, os quais contribuem para um equilíbrio entre unidade e diversidade no discurso desta coleção de peças, foram investigados a partir dos gestos musicais característicos do estilo de Kiefer.

Processing of hierarchical syntactic strusture in music

Hierarchical structure with nested nonlocal dependencies is a key feature of human language and can be identified theoretically in most pieces of tonal music. However, previous studies have argued against the perception of such structures in music. Here, we show processing of nonlocal dependencies in music. We presented chorales by J. S. Bach and modified versions inwhich the hierarchical structure was rendered irregular whereas the local structure was kept intact. Brain electric responses differed between regular and irregular hierarchical structures, in both musicians and nonmusicians. This finding indicates that, when listening to music, humans apply cognitive processes that are capable of dealing with longdistance dependencies resulting from hierarchically organized syntactic structures. Our results reveal that a brain mechanism fundamental for syntactic processing is engaged during the perception of music, indicating that processing of hierarchical structure with nested nonlocal dependencies is not just a key component of human language, but a multidomain capacity of human cognition.

Análise das manifestações auditivas em individuos com hipertensão arterial sistêmica

Objective: To determine the prevalence of auditory manifestations in individuals with hypertension and analyze the association between hearing loss, systemic hypertension and quality of life in hypertensive patients. Method: This was a prospective, observational, case-control study, carried out from June 2010 to December 2013 at the University Hospital Onofre Lopes, in Natal, Brazil, which involved 120 patients of both sexes were analyzed with a diagnosis of hypertension and 120 patients without a diagnosis of hypertension. The audiological function was assessed by tonal and vocal audiometry. The quality of life was defines by the MINICHAL BRASIL questionnaire. Results: The prevalence of hearing loss was high in both groups (82.5 % and 75.8 %, in hypertension group and control, respectively, p=0.003). The sensorineural was the most common type of hearing loss (48.5 %) in hypertension group while conductive hearing loss was predominant (61.5 %) in the control group. There were no difference in the intensity of hearing loss between the groups (p=0,21). The main hearing complaint was hearing loss (51 %), followed by ear pain (14 %). There was worse quality of life in hypertensive individuals with hearing loss (p= 0.0001). Conclusion: Hypertensive individuals showed higher prevalence of auditory events, including hearing loss, sensorineural hearing loss is predominant . Hearing loss is associated with worse quality of life of hypertensive individuals even when these pressure values are within normal limits

On the optimum parameters of a device for harvesting energy from running and walking

This paper investigates the feasibility of using an energy harvesting device tuned such that its natural frequency coincides with higher harmonics of the input to capture energy from walking or running human motion more efficiently. The paper starts by reviewing the concept of a linear resonant generator for a tonal frequency input and then derives an expression for the power harvested for an input with several harmonics. The amount of power harvested is estimated numerically using measured data from human subjects. Assuming that the input is periodic, the signal is reconstructed using a Fourier series before being used in the simulation. It is found that although the power output depends on the input frequency, the choice of tuning the natural frequency of the device to coincide with a particular higher harmonic is restricted by the amount of damping that is needed to maximize the amount of power harvested, as well as to comply with the size limit of the device. It is also found that it is not feasible to tune the device to match the first few harmonics when the size of the device is small, because a large amount of damping is required to limit the motion of the mass.

Acoustic and psychoacoustic analysis of the noise produced by the police force firearms

Police officers are exposed to impact noise coming from firearms, which may cause irreversible injuries to the hearing system.Aim: To evaluate the noise exposure in shooting stands during gunfire exercises, to analyze the acoustic impact of the noise produced by the firearms and to associate it with tonal audiometry results.Study design: Cross-sectional.Materials and methods: To measure noise intensity we used a digital sound level meter, and the acoustic analysis was carried out by means of the oscillations and cochlear response curves provided by the Praat software. 30 police officers were selected (27 males and 3 females).Results: The peak level measured was 113.1 dB(C) from a .40 pistol and 116.8 dB(C) for a .38 revolver. The values obtained for oscillation and Praat was 17.9 +/- 0.3 Barks, corresponding to the rate of 4,120 and 4,580 Hz. Audiometry indicated greater hearing loss at 4,000Hz in 86.7% of the cases.Conclusion: With the acoustic analysis it was possible to show cause and effect between the main areas of energy excitation of the cochlea (Praat cochlear response curve) and the frequencies of low hearing acuity.

A prevalência do zumbido em trabalhadores expostos à ruído e organofosforados

INTRODUÇÃO: Na área ocupacional, a maior parte dos trabalhos enfatiza os efeitos do ruído sobre a audição dos trabalhadores, menosprezando o efeito dos defensivos agrícolas na audição. OBJETIVO: Avaliar e correlacionar a audição e o zumbido de indivíduos expostos concomitantemente à ruído e organofosforado no ambiente de trabalho e mensurar o impacto do zumbido na qualidade de vida destes trabalhadores. MÉTODO: Trata-se de um estudo clínico, retrospectivo. Foram avaliados 82 dessinsetizadores expostos a ruído e organosfosforado atuantes no combate a dengue de uma autarquia estadual paulista. Todos os trabalhadores realizaram audiometria tonal liminar e responderam a versão traduzida do questionário THI (Tinnitus Handicap Inventory). RESULTADOS: 28,05% dos funcionários relataram que apresentam ou já apresentaram o zumbido e nos trabalhadores com zumbido há uma incidência maior de audiometria alterada. A média dos limiares auditivos nos trabalhadores com zumbido nas frequências entre 4 e 8 kHz encontravam-se mais elevados em relação aos demais, sendo a frequência de 4 kHz a mais comprometida. A pontuação do THI variou de 0 a 84, com média de 13,1. Foi observado que 12 (52,17%) sujeitos apresentaram escores do THI compatíveis com handicap discreto. CONCLUSÃO: Há uma incidência maior de audiometria alterada nos trabalhadores com zumbido, sendo que o impacto do zumbido na qualidade de vida destes trabalhadores foi discreto. As médias dos limiares tonais e o zumbido correlacionaram-se de forma fraca positiva.

Condicionamento estrutural das zonasa de cisalhamento da região de Forquilha, domínio Ceará Central: uma abordagem integrada de sensoriamento remoto e geologia estrutural

The studied region, named Forquilha and localized in northwestern Central Ceará domain (northern portion of Borborema Province), presents a lithostratigraphic framework constituted by paleoproterozoic metaplutonics, metasedimentary sequences and neoproterozoic granitoids. The metasedimentary rocks of Ceará group occupy most part of the area. This group is subdivided in two distinct units: Canindé and Independência. Canindé unit is represented basically by biotite paragneisses and muscovite paragneisses, with minor metabasic rocks (amphibolite lens). Independência sequence is composed by garnetiferous paragneisses, sillimanite-garnet-quartz-muscovite schists and quartz-muscovite schists, pure or muscovite quartzites and rare marbles. At least three ductile deformation events were recognized in both units of Ceará group, named D1, D2 and D3. The former one is interpreted as related to a low angle tangential tectonics which mass transport is southward. D2 event is marked by the development of close/isoclinal folds with a N-S oriented axis. Refolding patterns generated by F1 and F2 superposition are found in several places. The latest event (D3) corresponds to a transcurrent tectonics, which led to development of mega-folds and several shear zones, under a transpressional regime. The mapped shear zones are Humberto Monte (ZCHM), Poço Cercado (ZCPC) and Forquilha (ZCF). Digital image processing of enhanced Landsat 7-ETM+ satellite images, combined with field data, demonstrate that these penetrative structures are associated with positive and negative geomorphologic patterns, distributed in linear and curvilinear arrangements with tonal banding, corresponding to the ductile fabric and to crests. Diverse color composites were tested and RGB-531 and RGB-752 provided the best results for lineament analysis of the most prominent shear zones. Spatial filtering techniques (3x3 and 5x5 filters) were also used and the application of Prewitt filters generated the best products. The integrated analysis of morphological and textural aspects from filtered images, variation of tonalities related to the distribution of geologic units in color composites and the superposition over a digital elevation model, contributed to a characterization of the structural framework of the study area. Kinematic compatibility of ZCHM, ZCPC, ZCF shear zones, as well as Sobral-Pedro II (ZCSPII) shear zone, situated to the west of the study area, was one of the goal of this work. Two of these shear zones (ZCHM, ZCPC) display sinistral movements, while the others (ZCSPII, ZCF) exhibit dextral kinematics. 40Ar/39Ar ages obtained in this thesis for ZCSPII and ZCPC, associated with other 40Ar/39Ar data of adjacent areas, indicate that all these shear zones are related to Brasiliano orogeny. The trend of the structures, the opposite shear senses and the similar metamorphic conditions are fitted in a model based on the development of conjugate shear zones in an unconfined transpression area. A WNW-ESE bulk shortening direction is infered. The geometry and kinematic of the studied structures suggest that shortening was largely accommodated by lateral extrusion, with only minor amounts of vertical stretch