918 resultados para Royal Botanical Gardens, Peradeniya
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York and Sawyer, architect. The Martha Cook Building was erected as a residence for women in 1915, a gift of William Wilson Cook ('80) in honor of his mother, Martha Walford Cook. Garden replanted in 1921 by Samuel Parsons of New York City. Stamp on verso: G.R. Swain; 712 East University Ave.; Ann Arbor, Mich.
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York and Sawyer, architect. The Martha Cook Building was erected as a residence for women in 1915, a gift of William Wilson Cook ('80) in honor of his mother, Martha Walford Cook. Garden replanted in 1921 by Samuel Parsons of New York City.
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At head of title, 1941-49: 's Lands Plantentuin (Royal Botanic Gardens, Buitenzorg)
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Editors: v. 1, A.W Eichler; v. 2, A.W. Eichler and A. Garcke; v. 3-4, A.W. Eichler, A. Garcke and I. Urban; v. 5, A. Garcke and I. Urban.
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Bibliography: p. [xvi]
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Included also are reports of the Metropolitan School of Art at Somerset House; Metropolitan Female School; Museum of Ornamental Art; Library of Art; Royal Dublin Society; Derby School of art; London Navigation School; Central School of Art; Geological Survey and Museum of Practical Geology; Registrar of Designs; Museum of Irish Industry; Royal Zoological Society of Ireland; Normal Lace School, Dublin; Industrial Museum of Scotland; National Art Training School, South Kensington; Mining Record Office; Royal Hibernian Academy of Arts; South Kensington Museum; Edinburgh Museum of Science and Art; Royal College of Chemistry; Science and Art Museum, Dublin; National Library of Ireland; Royal School of Mines; Royal College of Science, London; Royal College of Science for Ireland; Council of the Royal Hibernian Academy of Arts; Board of Visitors of the Science and Art Museum, and Royal Botanic Gardens, Dublin.
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Added t. p. in English.
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Mode of access: Internet.
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No more published?
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The climate modeling, which has adequate spatial and temporal resolution, shows that the future climate of the Carpathian Basin will be much more arid and hot than nowadays. The currently used and taught assortment of the ligneous ornamental plants should be urgently revised. It is aimed in my research to collect the species which will probably be introduced in the future. They can be gathered from the Hungarian botanical gardens and research centers and from the spatially analogous territories. The collected taxa should be examined with GIS software if they will really suffer our future climate.
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This study examines the triple bottom line of sustainability, in the context of both profit-oriented and non-profit oriented organizations. Sustainability is a compound result of interaction between economic, environmental, and social dimensions. Sustainability cannot be achieved without balance between all three dimensions, which has implications for measuring sustainability and prioritizing goals. This study demonstrates a method for measuring organizational sustainability achievement in these three dimensions of sustainability. Content analysis of the annual reports of corporations from the United States, Continental Europe (and Scandinavia), and Asia reveals that the economic dimension remains the preeminent aspect, and corporations still have a long way to go to reach comprehensive sustainability by maintaining a balance between the three dimensions of sustainability. The analysis also shows a high level of isomorphism in the sustainability practices of corporations, suggesting that even the most sustainable corporations are taking a somewhat passive role in prioritizing sustainability goals. A list of 25 terms for each dimension of sustainability (economic, environmental, and social) has been developed which can be used by corporations to develop and communicate their sustainability practices most effectively to the maximum number of their stakeholders. In contrast, botanical gardens demonstrate more balance among the three dimensions of sustainability.
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This paper uses the example of the British Guiana Court at the Colonial and Indian Exhibition of 1886 as a case study to demonstrate how British Guiana (now Guyana) was represented in Britain at the time, by cross-referencing different materials (e.g. objects, correspondence, reports, and newspapers from that period). This exhibition also shows which raw materials from the British Guiana were of interest to Britain and the involvement of Royal Botanic Gardens, Kew in this matter. Nevertheless, the exhibition not only displayed objects and commodities, such as the case of sugar, but also displayed people. Here, particular attention is paid to the Amerindians who were portrayed as living ethnological exhibits at the exhibition. This paper aims to understand how British Guiana was seen and administered by its mother country and also how Everard im Thurn (1852-1932), the explorer, sought to manoeuvre that representation, as well as his relation with RBG, Kew. Taking into consideration that this colony was a neglected area of the British Empire, even in im Thurn’s time, this exhibition was an opportunity not only to display the empire but also for advertising the potential of the neglected colony and to ensure that it would not be forgotten.