On the rediscovery of Baseodiscus hemprichii (Ehrenberg, 1831)(Nemertea, Anopla, Baseodiscidae) from Karachi waters

During a study of biodiversity in the Pakistan coast several species of nemerteans were encountered. One is uncertainly identified as Lineus ruber (Muller, 1774), the identification of another is under way. A third, Baseodiscus hemprichii, has previously been recorded from Karachi by Puri (1924). He gave a detailed description of his specimens, but no illustrations. Baseodiscus hemprichii has been collected many times from rocky areas on the Karachi coast, but on only one occasion was it photographed and then drawn. The species is briefly described here.

以树轮宽度重建九寨沟1750年以来冬半年平均最低温度

IEECAS SKLLQG

G.W.F.Hegel (1770-1831) : Cyfundrefn, Ysbryd a Hanes

Williams, Howard, G.W.F.Hegel (1770-1831): Cyfundrefn, Ysbryd a Hanes (University of Wales Press, 2005), pp.30-48

?The Lord did give me a particular honour to make [me] a peacemaker? : Howel Harris, John Wesley and Methodist infighting, 1739-1750

Jones, David, '?The Lord did give me a particular honour to make [me] a peacemaker?: Howel Harris, John Wesley and Methodist infighting, 1739-1750', Bulletin of the John Rylands, University Library of Manchester (2003) 85(2-3) pp.73-88 RAE2008

A Glorious Work in the World : Welsh Methodism and the International Evangelical Revival, 1735-1750

Jones, David, A Glorious Work in the World: Welsh Methodism and the International Evangelical Revival, 1735-1750 (Cardiff: University of Wales Press, 2004), pp.xiv+386 RAE2008

The Jews in the Modern World : A History Since 1750

Rubinstein, William, et al., The Jews in the Modern World: A History Since 1750 (London: Hodder and Arnold, 2002), pp.xiv+449 RAE2008

New Approaches to Social History. Myth, Memory and Place: Monmouth and Bath 1750-1900

Borsay, Peter, 'New Approaches to Social History. Myth, Memory and Place: Monmouth and Bath 1750-1900', Journal of Social History (2006) 39(3) pp.867-889 RAE2008

Indian and white in the Northwest : a history of Catholicity in Montana, 1831-1891 / by L.B. Palladino ; with an introduction by John B. Brondel.

http://www.archive.org/details/indianandwhite00palliala

L'apophtegme de Grégoire de Nysse au Deir Abou Hennis

Réédition d'une inscription copte peinte au plafond de l'église rupestre de Deir Abou Hennis. Le texte n'avait pas été correctement traduit ou interprété par les premiers éditeurs. Le texte se présente comme une citation de Grégoire de Nysse, et on trouve en effet à deux reprises dans son œuvre la phrase qui est traduite en copte dans l'inscription. Mais il s'agit en réalité chez Grégoire d'une citation biblique (Prov. 13, 13). L'inscription est donc bien une citation de Grégoire de Nysse, qui est elle-même une citation du livre des Proverbes.

Uta Janssens, Mathieu Maty and the Journal Britannique 1750-1755 (Amsterdam 1975) 215 p.

info:eu-repo/semantics/published

FLUTE MUSIC FROM THE MID-TWENTIETH CENTURY BY THREE FRENCH COMPOSERS: JEAN-MICHEL DAMASE, ANDRE JOLIVET, AND HENRI TOMASI

Jean-Michel Damase (b.1928), Andre Jolivet (1905-1974), and Henri Tomasi (1901-1971) are three prominent French composers ofthe twentieth century. Tomasi won the Prix de Rome in 1927, and Damase won the Prix de Rome in 1947. All three composers were educated and lived in Paris around the same period; however, their musical styles are quite distinct. Most of Jolivet's compositions for flute are well known and are often selected as international competition repertoire. The compositions for flute by Damase and Tomasi are not as recognized as those of Jolivet, and most of their works for flute still have not been commercially recorded. The purpose of this dissertation is to provide a more comprehensive guide to the compositions for flute by Damase, Jolivet and Tomasi, and, in addition, to make the works ofDamase and Tomasi familiar to flutists. This dissertation will focus on the compositions ofDamase, Jolivet, and Tomasi for flute alone and those for flute and piano, written between 1928 and 1971 (1928 is the year Damase was born, and 1971 is the year that Tomasi died). Damase continues French romanticism, and his music is always playful, elegant, and accessible with rhythmic and harmonic surprises, but with an underlying complexity. His compositions for flute include three concertos, two double concertos, one flute solo work, and nine works for flute and piano. Jolivet's compositions make use of ancient rituals, incantations, and spirituality, as well as repeated phrases and single notes, irregular rhythmic patterns, dissonant effects, and rhythmic drive. He composed one flute concerto, three works for flute solo, and four works for flute and piano. Tomasi's compositions also continue French romanticism and contain melodies which often seem to tell a story, and which are not only full of flourishes and vitality, but are also delicate, colorful, and romantic. Virtuosic technical demand is another characteristic of his style. Tomasi composed three flute concertos, three works for solo flute, and one work for flute and piano. Appendix I is a list of the compositions for flute by Damase, Jolivet, and Tomasi, and Appendix II is a discography of their works.