Marriage Bond between John Smith of Glanford in the Gore district and Jane Atkins of Ancaster

Marriage Bond between John Smith of Glanford in the Gore district and Jane Atkins of Ancaster signed by Edmund Smith of Ancaster and Jeremiah Smith of Glanford, Jan. 17, 1837.

Appointment of John B. Parkynn [Parkin] (J.P. Bradley’s brother) to be an Ensign of the 1st Company of the Royal Quebec Volunteers

Appointment of John B. Parkynn [Parkin] (J.P. Bradley’s brother) to be an Ensign of the 1st Company of the Royal Quebec Volunteers. This is signed by the Governor General, the Earl of Gosford and Governor General, Secretary J. Walcott, Nov. 27, 1837.

Multiculturalismo y consenso: una aproximación desde el liberalismo político de John Rawls

La presente tesis gravita en torno a la siguiente pregunta: ¿cómo puede ser el liberalismo político una alternativa frente a los desafíos del multiculturalismo? La respuesta se presenta a partir de tres capítulos: en el primero se especifica la estructura y contenido del liberalismo político; en el segundo se caracterizan los desafíos del multiculturalismo en Francia, a partir del asunto del velo islámico y las consideraciones de los actores involucrados; en el tercero se analizan los argumentos y opiniones sobre el asunto del velo en Francia, con base en las categorías específicas del liberalismo político, especialmente el consenso traslapado. Se concluye que las posibilidades de consenso dependen del apego que tengan los ciudadanos hacia ciertos valores propios de una concepción política de la justicia, de la capacidad para apartarse de su forma particular de ver el mundo (doctrina comprensiva) en las discusiones públicas, así como de la voluntad que tengan los individuos para ser razonables y respetar las directivas de indagación en las discusiones políticas.

The Phantom Carriage (1921)

The reputation of The Phantom Carriage (Körkarlen) as one of the major films of Swedish silent cinema is in some respects securely established. Yet the film has attracted surprisingly little detailed discussion. It may be that its most striking stylistic features have deflected or discouraged closer scrutiny. Tom Gunning, for instance, in making the case for Sjöström’s Masterman, argues that ‘Körkarlen wears its technique on its sleeve, overtly displays its unquestionable mastery of superimposition and complex narrative structure. Mästerman tucks its mastery of editing and composition up its sleeve, so to speak’. This article makes an argument for a different evaluation of The Phantom Carriage, bringing a critical and interpretative understanding of the film’s style into conversation with the historical accounts of film form which predominate in the scholarship around silent cinema. It suggests that the film achieves ‘mastery of editing and composition’ with a flexibility and fluidity in the construction of dramatic space that is in itself remarkable for its period, but that Sjöström’s achievements extend well beyond his handling of film space. Specifically, it discusses a segment which is in several respects at the heart of the film: the first meeting between the two central characters, David Holm (Victor Sjöström) and Sister Edit (Astrid Holm); it spans the film’s exact mid-point; and at almost twelve and a half minutes it is the longest uninterrupted passage to take place in a single setting. The chapter argues that the dramatic and structural centrality of the hostel segment is paralleled by its remarkably rich articulation of the relationships between action, character and space. We show how Sjöström’s creation of a three-dimensional filmic space - with no hint of frontality - becomes the basis for a reciprocal relationship between spatial naturalism and performance style, and for a mise-en-scene that can take on discrete interpretive force. The argument also places the hostel sequences within the film as a whole in order to show how relationships articulated through the detailed decisions in this section take on their full resonance within patterns and motifs that develop across the film.

Edgar Rice Burroughs' Martian Novels as an Early Paradigm of Racial Toleration

The Martian novels of Edgar Rice Burroughs (ERB) provide an early paradigm of racial toleration by displacing the heterogeneous race conflicts of the U. S. to an interplanetary location. There, the protagonist John Carter, representing Burroughs himself, introduces a level of racial acceptance and integration almost unheard of on the Earth of that era (the early twentieth century).

O neocontratualismo de Norberto Bobbio e John Rawls em cum contexto de neoliberalismo e crise estrutural do capital

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A equação igualdade-liberdade revisitada: John Rawls, Ronald Dworkin e Hannah Arendt

O presente estudo objetiva revisitar a equação igualdade-liberdade, especialmente as concepções de John Rawls, Ronald Dworkin e Hannah Arendt, para indicar qual dos dois valores possui valor normativo mais transcendente. Tendo em mente este desiderato, a referida equação foi analisada a partir das correntes doutrinárias do liberalismo do tempo presente confrontando-as com o pensamento político de Hannah Arendt, o que elevou o grau de complexidade da pesquisa considerando que ambos provêm de tradições filosóficas e políticas distintas. Ao longo do trabalho, procurou-se demonstrar, sobretudo amparado no pensamento político de Hannah Arendt, que a liberdade positiva, fundada no princípio do autogoverno e em combinação com a igualdade complexa, pode ser apontada como o valor mais transcendente dentro da famosa equação.

Phi Beta Kappa dissertation on the study of history at Harvard, by Daniel White and John Collins Warren, February 21, 1797

This dissertation, apparently delivered at a Phi Beta Kappa assembly on February 21, 1797 by Warren and White, concerns the study of history at Harvard College at the time they were students. In this manuscript version of their dissertation, Warren and White bemoan the insufficient attention paid to the discipline of history by the students and faculty at Harvard.