923 resultados para Adam, Meldrum and Anderson Dry Goods and Carpets


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This audio podcast lasts 7:30 and introduces some of the key ideas which will be discussed during the first workshop of the Change Academy.

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Copy and paste this slide to the start of your own presentations.

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This 10-minute video provides a guided tour of the Blackboard courses used by pre-ref healthcare programmes.

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Materials and links related to staff workshop on using EdShare.

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Resources for coursework 2 of INFO 2009. A video made to promote the public awareness of science as a topic. It goes through interesting facts and explains what you can do to make a difference. A flyer made to advertise the video, explaining what it is and how it can be used.

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Slides and link to Panopto recording about 'good practice' within from across the Faculty Adam Procter - Winchester School of Art. Liz Williams - Southampton Law School. Jean Leah - School of Management.

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Slides and materials from each weeks session in one handy location

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These slides accompany a seminar delivered on 20 May 2016 by Jane Warren (Southampton Education School) and Adam Warren (Institute for Learning Innovation and Development). A recording of the lecture can be viewed here: http://tinyurl.com/zp8u3lq

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El objetivo de este documento es presentar una descripción de la relación de Estado y Mercado en los autores clásicos. En general, hay un acuerdo en la importancia que tiene el mercado para el funcionamiento de la economía. Sin embargo, la metáfora de la mano invisible o del laissez-faire ha llevado a minimizar la importancia que autores como Adam Smith y David Ricardo le otorgaron al Estado en sus escritos. Frente a esto, es importante resaltar la relación entre Estado y Mercado en los autores que estuvieron en el inicio de la Economía Política.

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This thesis explored the conundrum of the trauma narrative requiring a suspension of disbelief from the reader, whilst simultaneously being acknowledged as bona fide truth. This paradox was examined via the identification of common themes and writerly techniques used in both trauma testimony and trauma novels.

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A preocupaçao com a questão da "qualidade e quantidade" no ensino superior no Brasil, e mais, as polêmicas levantadas em torno das funções do Ciclo Básico na Universidade Federal do Espírito Santo, conduziram ao objetivo de um estudo mais aprofundado, das dificuldades de ensinoaprendizagem sentidas na cadeira de Psicologia I. Uma pesquisa piloto orientou para os aspectos teóricos e metodológicos a serem utilizados. Partiu-se de um referencial teórico, adotando-se Karl Marx, Adam Schaff e Pierre Bourdieu, quando se pretendeu analisar a formação da consciência do homem (sua visão de mundo, de sociedade e de si próprio). A Teoria de Campo de Kurt Lewin foi usada como referencial mais específico à parte referente à aprendizagem. Procurou-se situar o problema num contexto mais amplo, nos 2o e 3o capítulos, com abordagens sobre a expansão do ensino superior no Brasil e um histórico sobre a UFES. O estudo empírico foi realizado em dois semestres letivos. Foram entrevistados professores de Psicologia I com a finalidade de constatar a sua habilitação para a função, sua satisfação profissional e a sua visão de aluno e da disciplina que leciona. Aos alunos do Ciclo Básico foram aplicados questionários e entrevistas visando a coleta de dados sobre: nível sócio-econômico, motivações a respeito da escolha profissional e sua visão da disciplina Psicologia l.Com os mesmos objetivos colheu-se dados, através de questionários, junto aos alunos do Ciclo Profissionalizante. Os resultados obtidos evidenciaram que, as dificuldades de aprendizagem não se prendiam, essencialmente, ao programa teórico que era desenvolvido como pré-requisito para outras cadeiras de Psicologia, específicas a cada curso profissionalizante. Constatou-se a necessidade de mudanças nos objeti vos e na metodologia a serem adotados pelos professores, de forma a atingir aos alunos (portadores de expectativas, idéias, sentimentos, cultura e nível sócio-econômico). Ao final da pesquisa foi proposta uma pedagogia, dirigida à equipe de Psicologia I da UFES.

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The objective of this paper is to analyze how the female figure was portrayed in discursive narratives in the bi-weekly newspaper O PORVIR , which circulated in Currais Novos, in the state of Rio Grande do Norte, Brazil, between May 2, 1926 and January 20, 1929. Our analysis was based on the semantics of the text, by applying one of the primary concepts used in Textual Analysis of Speeches, Discursive Representation (ADAM, 2011; RODRIGUES; PASSEGGI; SILVA NETO, 2010). Textual Analysis of Speeches has its roots in Textual Linguistics and consists of a theoretical and descriptive approach (ADAM, 2011). This research is characterized as documentary (SEVERINO, 2007) and its corpus includes a review of 39 editions of the aforementioned newspaper, of which we extracted 292 articles that dealt with the female figure and 396 statements for analysis. We used the following semantic categories: referencing (CASTILHO, 2010; NEVES, 2007; KOCH; MARCUSCHI, 1998; MARCUSCHI, 2008; KOCH, 2009); predication (NEVES, 2007; RODRIGUES; PASSEGGI; SILVA NETO, 2010); modification (ADAM, 2011); and spacial and temporal localization (RODRIGUES; PASSEGGI; SILVA NETO, 2010). Our analysis revealed that lady, mother, wife and homemaker were most represented, and always combined with questions about motherhood, marriage and devotion to the home. Such representation does not diverge from pre-colonial models in the early twentieth century, which served as a standard for the female figure

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A current worry in the teaching process at the university these days is text production process and genres produced there, especially those kind of writing that is concerned to course conclusion such as monograph, dissertation and thesis. From this perspective and considering our aims at understanding discursive process involved in the production of monograph genre at the university we want to analyze teachers and students discourses about the productive process of monograph in Letras Course, considering the guide, writing and specific aspects of that genre. To get the aims, we took as background theory the studies by Bakhtin linked to Utterance Linguistics with foundation concepts in Discourse Text Analysis by Adam (2010), and finally the studies developed about text production at college. This way, this work is based on a qualitative research and in data ethnographic procedures, they are: the observation in locus, as well as the application of questionnaires with opened questions to ten students and six teachers from Letras Course. The discourse analysis from the subjects reveal us that: i) the monograph production and the guidance are form of act by language, that need take into account in its development: students free chose as a principle in writing monograph, as well as a wide involvement between the teacher and the student in a sense to turn the writing better, among other aspects; (ii) there is a need to articulate monograph project and the text produced, considering that the guide process comes from a project written before; (iii) there are a number of role to discourses by teachers and students to the function of student and guide teacher, in a way that both can see the same assumptions in teachers and students discourses; (iv) teacher s and students discourses show that they assume the utterance responsibilities by the content of utterances proposed, they also show the voice from methodology guidebooks to monograph texts. So, we conclude that this research has some contributions to teach writing production at the university, especially to monograph in the ending of the courses. It can also be helpful in developing research in this area, mainly at the question about guide final works at college

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The departure point of the present work is the idea that in order to understand what music meant to British society in the Eighteenth-Century an interdisciplinary approach is necessary. Natural philosophy, moral philosophy, musical treatises and histories of music: all these sources concur both to the creation of a new idea about what music and its ‘science’ are, and to question the place which music ought to have in the realm of the Science of Man. The dissertation is divided into two sections. In the first one we will take into account philosophical sources (from John Locke, Joseph Addison and Lord Shaftesbury, to Lord Kames and Adam Smith), and we will examine their thoughts on music. In the second one we will deal with musical sources (from the Treatise of Musick of Alexander Malcom, to the Histories of Music of Charles Burney and John Hawkins) in order to show their connection with the philosophical literature before mentioned. The main aim of the work it to show that the development of specific philosophies of the human mind, such as the ones of John Locke and David Hume, did influence the way in which music was thought. Particularly we will point out the case of Adam Smith’s interpretation of instrumental music, which is heavily indebted to the humeian model of the human mind.

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Small paper notebook of John Ballantine with the handwritten Latin quaestiones performed by Ballantine, Eliphalet Adams, Adam Winthrop, and Jabez Fitch as candidates for the Master’s degree during the July 7, 1697 Harvard Commencement ceremony. The Quaestiones begin with Ballantine’s “Dominum temporal non fundatur in gratia,” and follow with “An Jesuitae possint esse boni subditi? Neg Resp. Dom. Winthrop,” "An Ethnicae virtutes sint verae virtutes?" Neg. Resp. Dom. Adams,” and “An detur omnibus an sufficiens ad salutem? Neg. Resp. Dom. Fitch.” The title page bears the inscription: “Jno Ballantine’s Book” and the first page has been torn out.