Études physiologiques et pathologiques sur le ramollissement cérébral : mémoire lu à la Société de biologie dans le mois de décembre de l'année 1865 / par J.-L. Prévost et J. Cotard,...

Mécénat texte imprimé : Cet ouvrage a été numérisé grâce au fonds "Docteur Jean-Paul Sichel", dédié à l'histoire de la psychiatrie

Office of the City Clerk, St. Catharines Records, 1928-1974, n.d.

The site of present-day St. Catharines was settled by 3000 United Empire Loyalists at the end of the 18th century. From 1790, the settlement (then known as "The Twelve") grew as an agricultural community. St. Catharines was once referred to Shipman's Corners after Paul Shipman, owner of a tavern that was an important stagecoach transfer point. In 1815, leading businessman William Hamilton Merritt abandoned his wharf at Queenston and set up another at Shipman's Corners. He became involved in the construction and operation of several lumber and gristmills along Twelve Mile Creek. Shipman's Corners soon became the principal milling site of the eastern Niagara Peninsula. At about the same time, Merritt began to develop the salt springs that were discovered along the river which subsequently gave the village a reputation as a health resort. By this time St. Catharines was the official name of the village; the origin of the name remains obscure, but is thought to be named after Catharine Askin Robertson Hamilton, wife of the Hon. Robert Hamilton, a prominent businessman. Merritt devised a canal scheme from Lake Erie to Lake Ontario that would provide a more reliable water supply for the mills while at the same time function as a canal. He formed the Welland Canal Company, and construction took place from 1824 to 1829. The canal and the mills made St. Catharines the most important industrial centre in Niagara. By 1845, St. Catharines was incorporated as a town, with the town limits extending in 1854. Administrative and political functions were added to St. Catharines in 1862 when it became the county seat of Lincoln. In 1871, construction began on the third Welland Canal, which attracted additional population to the town. As a consequence of continual growth, the town limits were again extended. St. Catharines attained city status in 1876 with its larger population and area. Manufacturing became increasingly important in St. Catharines in the early 1900s with the abundance of hydro-electric power, and its location on important land and water routes. The large increase in population after the 1900s was mainly due to the continued industrialization and urbanization of the northern part of the city and the related expansion of business activity. The fourth Welland Canal was opened in 1932 as the third canal could no longer accommodate the larger ships. The post war years and the automobile brought great change to the urban form of St. Catharines. St. Catharines began to spread its boundaries in all directions with land being added five times during the 1950s. The Town of Merritton, Village of Port Dalhousie and Grantham Township were all incorporated as part of St. Catharines in 1961. In 1970 the Province of Ontario implemented a regional approach to deal with such issues as planning, pollution, transportation and services. As a result, Louth Township on the west side of the city was amalgamated, extending the city's boundary to Fifteen Mile Creek. With its current population of 131,989, St. Catharines has become the dominant centre of the Niagara region. Source: City of St. Catharines website http://www.stcatharines.ca/en/governin/HistoryOfTheCity.asp (January 27, 2011)

James D. Tait Company Limited Fonds, 1890-1939 [non-inclusive]

James D. Tait (1836-1907) came to Canada in 1855 from Scotland. He worked in the dry goods business until he established the James D. Tait Company in 1864. The business was first located on Ontario street and specialized in furs. The business expanded to include dry goods and dress-making. After the building was destroyed by fire, Tait established and expanded the business into the Prendergast building on the corner of St. Paul and William Streets. James D. Tait died in 1907 while on vacation in Muskoka. In 1912 upon the resignation (or removal) of Benjamin Brick and Arthur Harbour, Stanley G. Smith joins the company as a director and secretary-treasurer. 1918/1919 vice-president E.J. Dignum dies. 1919 S.J. Inksater becomes a director of the company (His stock was purchased by the J.D. Tait Co.) By the 1930s the business, still in the same location, was under the leadership of Malcolm Stobie, President, Samuel J. Inksater, Vice-President and Stanley G. Smith, Secretary-Treasurer. The James D. Tait Company Limited ceased operations on 17 August 1933. The 1935 St. Catharines city directory records John Stobie, a former manager of the James D. Tait Company, operating a dry goods business at the same location, but with one-third the size of the original store space.

Especímenes antropométricos y curiosidades pintorescas: la orquestación fotográfica del cuerpo “negro” (Brasil circa 1865)

Paul Gilroy escribe en Against Race que la “producción de la raza” desencadenada en los siglos XVIII y XIX “necesitó una síntesis de logos e ícono, de la racionalidad científica formal acompañada de algo más, algo visual y estético” (1). A partir del siglo XIX y de la mano de los avances tecnológicos en el ámbito de la representación visual, especialmente en la fotografía, los discursos científicos de la alteridad acogen y desarrollan un componente de exhibicionismo y espectacularización.En este marco de ideas, se pretende entender la producción fotográfica del cuerpo “negro”, en específico algunas imágenes que conforman los archivos fotográficos creados por el científico Louis Agassiz y Christiano Júnior en Brasil a mediados del siglo XIX. Objetivo: indagar la manera en que estos procedimientos de visualización contribuyeron a re-ensamblar discursos raciales en Brasil y en Estados Unidos justo en el momento cuando el cuerpo “negro” se enviste de subjetividad legal.

Ocorrência de espécies de Atta Fabricius, 1804 e Acromyrmex Mayr, 1865 em algumas regiões do Brasil

Pós-graduação em Agronomia (Proteção de Plantas) - FCA

Review of Deep Time and the Texas High Plains: History and Geology by Paul H. Carlson

This brief book is a history of the Lubbock Lake Landmark site, a nationally recognized archeological site located on the Texas southern High Plains on the north side of the city of Lubbock. The location has been the subject of intense investigations by archaeologists since 1939. Paul H. Carlson, a noted author and professor of history at Texas Tech University, states that his purpose was to go back through what John McPhee called "deep time" to show how the Lubbock Lake location was formed and was used by humans through time. He accomplishes this in five chapters.

Die Substitute des Subjekts. Paul Theks The Tomb, gesehen als modellhafte Reflexion von Autorschaft

Susan Sontag widmete Paul Thek 1964 ihren Essayband Against Interpretation. Nicht zuletzt, weil seine Environments nicht abschließend zu interpretieren sind, gilt Paul Thek (1933-1988) noch heute als ›artist’s artist‹. Dass sich sein Werk an den losen Enden mit Gegenwartskunst verknüpfen lässt, zeigten jüngst das ZKM Karlsruhe und die Sammlung Falckenberg Hamburg im Medium der Ausstellung. Welche Methoden und Textsorten der Kunstwissenschaft zur Verfügung stehen, um eine künstlerische Praxis zu kommentieren, die sich Kategorien wie Autorschaft, Chronologie und Werkimmanenz entzieht, wird anhand von Theks The Tomb diskutiert. Die These lautet: In Analogie zu Michel Foucaults ›Tod des Autors‹ zelebrierte Paul Thek 1967 in der New Yorker Stable Gallery den ›Tod des Künstlers‹.

Die Substitute des Subjekts. Paul Theks The Tomb, gesehen als modellhafte Reflexion von Autorschaft

Susan Sontag widmete Paul Thek 1964 ihren Essayband Against Interpretation. Nicht zuletzt, weil seine Environments nicht abschließend zu interpretieren sind, gilt Paul Thek (1933-1988) noch heute als ›artist’s artist‹. Dass sich sein Werk an den losen Enden mit Gegenwartskunst verknüpfen lässt, zeigten jüngst das ZKM Karlsruhe und die Sammlung Falckenberg Hamburg im Medium der Ausstellung. Welche Methoden und Textsorten der Kunstwissenschaft zur Verfügung stehen, um eine künstlerische Praxis zu kommentieren, die sich Kategorien wie Autorschaft, Chronologie und Werkimmanenz entzieht, wird anhand von Theks The Tomb diskutiert. Die These lautet: In Analogie zu Michel Foucaults ›Tod des Autors‹ zelebrierte Paul Thek 1967 in der New Yorker Stable Gallery den ›Tod des Künstlers‹.

Na 1 Nachlass Max Horkheimer, 670 - "Treatise on Antisemitism" und zugehörige Dokumente (p. IX 124-IX 134)

"Treatise on Antisemitism", Unterlagen zur Buchveröffentlichung, 1945-1946; "Tentative Outline of Contens", a) Typoskript, 6 Blatt; b) Typoskript, 2 Blatt; c) Typoskript, 2 Blatt; "Section 2: Modern European Antisemitism". Typoskript, 5 Blatt; "Section 4: Political Antisemitism in America". Typoskript, 5 Blatt; "Section 5: Religious and Social Ideologies". Typoskript, 7 Blatt; "The Nature of Anti-Semitism. Psychologocal Topics to be Surveyed", a) Typoskript, 2 Blatt; b) Typoskript, 2 Blatt; "Proposed Project for a Treatise on Antisemitism" und "Tentative Outline of Contents". Typoskript mit handschriftlichen Ergänzungen, 8 Blatt; "Notes on the Content for Sections on American Antisemitism for the proposed book". Typoskript, 9 Blatt; Über den Aufbau des Buchs, eigenhändige Notiz von Max Horkheimer, 1 Blatt; Löwenthal, Leo: "Memorandum to Max Horkheimer, re: books", 25.11.1946. Typoskript, 6 Blatt; Memoranden über Besprechungen betreffend "Traetise", 28.05-10.10.1945, Typoskript, 6 Blatt; Jaeger, Werner: 1 Brief mit Unterschrift an Gordon W. Allport, Cambridge, Mass., 21.06.1945, 1 Blatt; Statements for AJC on account 'Treatise', Juli 1945 - Mai 1947, 19 Blatt; Unterlagen zur deutschen Ausgabe der "Studies in Prejudice", 1950-1952; "German Version of the Series 'Studies in Prejudice'". Typoskript, 3 Blatt; "Bericht über den Plan zur Herstellung einer deutschen Fassung der Studies in Prejudice". Typoskript, 4 Blatt; Memoranden zur Arbeit an der deutschen Ausgabe, 15.01.1951- 05.12.1952, Typoskript, 7 Blatt; Record of Meeting Commentary and Institute of Social Research", 29.05.1946; Diskussionsteilnehmer: Cohen, Elliot; Glazer, Nathan; Greenberg, Clement; Warshow, Robert; Löwenthal, Leo; Massing, Paul; Pollock, Friedrich; Weil, Felix; Gurland, A.R.L.; Jahoda, Marie; Löwe, Adolf; Typoskript, 19 Blatt; "Some Notes to the 'tentative draft discussed with R.'", Datierung unklar, um 1943? Typoskript mit handschriftlichen Korrekturen, 4 Blatt; "Re: Antisemitism in occupied Europe", Datierung unklar, etwa 1945-1948?; Typsokript, 3 Blatt; "Studies Undertaken in the Project on Political Antisemitism", Tabellarische Aufzählung, Datierung unklar, Typoskript, 1 Blatt; Institut of Social Research: "Instructions", Anweisungen für Interviewer, Fragebogen, Datierung unklar, Entwurf, Typoskript, 4 Blatt; Über Forschungsunternehmungen zu ethischen Vorurteilesstrukturen in den USA zwischen 1928 und 1939, Datierung unklar, Typoskript, 2 Blatt; Institut of Social Research: "Section I: Protestantism and Antisemitism. Section II: Report on the General Body of Protestant Antisemitic Feeling", Datierung unklar, Typoskript, 29 Blatt; Horkheimer, Max: "Re: Anti-Semitism- Spearhead of Nazism", Datierung unklar, Typoskript, 6 Blatt; Adorno, Theodor W.: "Re: Questionaire on Anti-Semitism", Datierung unklar. Typoskript, 5 Blatt; Adorno, Theodor W.: "Outline of a socio-psychological study", Datierung unklar. Typoskript mit eigenhändigen Korrekturen, 4 Blatt; "Sample: Responsiveness of Types of Anti-Semites to Anti-Semitic Propaganda", 2 handschriftliche Tabellen-Schemata, Datierung unklar, 2 Blatt;

Na 1 Nachlass Max Horkheimer, 567 - Korrespondenzen u.a. mit Paul Massing (p. VI 28, 1-231)

58 Briefe zwischen Paul Massing und Max Horkheimer, 1940 - 1949; 15 Briefe zwischen Alice H. Maier und Paul Massing, 1950 - 1964; 4 Briefe zwischen Paul Massing und Fred M. Stein, 1943; 1 Brief an Marc Vosk von Paul Massing, 25.10.1949; 2 Briefe zwischen Paul Massing und James T. Shotwell, Juni 1947; 1 Brief von Max Horkheimer an das Chancellor Hotel (San Francisco), 08.01.1947; 2 Brief von dem American Friends Service Committee (Philadelphia) an Max Horkheimer, 1946/1947; 1 Brief an Leo Löwenthal von Paul Massing, 09.08.1949; 1 Brief an Paul Massing von Samuel J. Kramer, 15.01.1945; 44 Briefe zwischen Max Horkheimer und Heinz Maus, 1939 - 1950; 3 Briefe von Heinz Maus an Leo Löwenthal, 1948- 1949; 1 Brief von Margot von Mendelssohn an Max Horkheimer, 29.03.1948;