997 resultados para University of the Witwatersrand


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Thesis (M.D.) - College of Physicians and Surgeons of the University of the State of New York.

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Reprinted from N. Y. State Museum bulletin 68, Aquatic insects in N. Y. State.

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Published: New York ; Albany : Wynkoop Hallenbeck Crawford Co., 1898.

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No. 104-117 contain also the Regents bulletins.

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"The record, in its original form ... bore the title of 'Gerechtsrolle der Colonie Rensselaerswyck'."--p.23.

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The records of the court for the period betweeen Dec. 30, 1660 and Sept. 3/13, 1668 (during which the province of New Netherland passed from Dutch to British control, and Beverwyck became Albany) are missing. For minutes of the court beginning Sept. 3/13, 1668, cf. Albany. Court of Albany, colony of Rensselaerswyck and Schaenhechtede.

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Vols. 2- revised and edited by A. J. F. Van Laer.

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Vols. for 1867- include a "necrology".

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Mode of access: Internet.

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Atlases of plates accompany reports for 1895.

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This exhibition was a research presentation of works made at Center for Land Use Interpretation [CLUI]base in Wendover, Utah, USA between 2008-2010. The project was commissioned by the Centre For Land Interpretation in USA and funded by The Henry Moore Foundation in the UK. Documentation of research conducted in the field as made available as video and installation. An experimental discourse on the preservation of land art was put with GPS drawings and research information displayed as maps and documents. In examining physical sites in Utah, USA, the project connected to contemporary discourse centred on archives in relation to land art and land use. Using experimental processes conceived in relation to key concepts such as event structures and entropy, conceptual frameworks developed by Robert Smithson (USA) and John Latham (UK), the 'death drive' of the archive was examined in the context of a cultural impulse to preserve iconic works. The work took items from Lathams archive and placed them at the canonical 'Spiral Jetty', Smithson land art work at Rozel Point north of Salt Lake City. This became a focus for the project that also highlighted the role of the Getty Foundation in documenting major public artworks and CLUI in creating an American Land Museum. Work was created in the field at extreme remote locations using GPS technologies and visual tools were developed to articulate the concepts of the artists discussed, to engage the exhibition audience in ideas of transformation and entropy in art. Audiences were encouraged to sign a petition to be used in future preservation of spiral jetty currently facing development challenges.

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To gain insights on long-term social-ecological resilience, we examined adaptive responses of small-scale societies to dryland-related hazards in different regions and chronological periods, spanning from the mid-Holocene to the present. Based on evidence from Africa (Sahara and Sahel), Asia (south margin of the Thar desert), and Europe (South Spain), we discuss key traits and coping practices of small-scale societies that are potentially relevant for building resilience. The selected case studies illustrate four main coping mechanisms: mobility and migration, storage, commoning, and collective action driven by religious beliefs. Ultimately, the study of resilience in the context of drylands emphasizes the importance of adaptive traits and practices that are distinctive of small-scale societies: a strong social-ecological coupling, a solid body of traditional ecological knowledge, and a high degree of internal cohesion and self-organization.

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International audience