989 resultados para Rio de Janeiro Cultura popular
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Coordenao de Aperfeioamento de Pessoal de Nvel Superior (CAPES)
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Coordenao de Aperfeioamento de Pessoal de Nvel Superior (CAPES)
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A revista Fon-Fon!, peridico que circulou na primeira metade do sculo XX, um importante documento no que concerne ao registro da vida socio-cultural do Brasil durante a Belle poque. A opo por esse semanrio deve-se considervel insero de estrangeirismos franceses nas suas colunas que, por meio de um equilbrio razovel entre literatura, mundanismo e atualidades, desvelava o carter francfilo e francfono da sociedade carioca. Nesse sentido, esse estudo visa mostrar, do ponto de vista lingstico, a importncia que esse peridico ocupa na representao do portugus brasileiro nas primeiras dcadas daquele sculo, por meio do emprego de unidades lexicais francesas em seus artigos, revelando, assim, a significativa influncia da cultura francesa no Brasil.
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Ps-graduao em Histria - FCLAS
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Photo-offset. Rio, Secretario de Educacao e Cultura.
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In this work we defend the thesis that the movements of culture and popular education in the 1960s in Brazil, manifested itself into resistance to hegemonic thought, coming from the North, which reduced the popular individuals and their knowledge to the ignorant condition. The focus of our study lies on the resistance produced by these movements in the history of the Country. We used as theoretical reflective foundation the thinking of Boaventura de Sousa Santos and his thesis about the construction of rationalities focused in the fight against indolent reason and the deconstruction of the inferiority in the colonized plan. But the analysis also favors approaches of other authors in the proportion that deals with the action of social actors of culture and popular education movements that have marked their presence in the public space, whose views and interests were invented and reinvented constantly in the relacional game. From the point of empirical view, the research makes use of bibliographies and written documentary sources such as newspaper articles, speeches, statements, manifests and documents like these. The research intends to seek in the past the understanding of those Movements in an effort to enable the viewing of certain remnants of the past that have relevance as social and academic wealth of experience. From the popular and the local, movements of culture and popular education in the 1960s, they overcame the barriers of invisibility and raised Itself to the plan of the global history, when they began to become protagonists of their own history, until their dreams were buried by the 1964 tragedy.
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In this work we defend the thesis that the movements of culture and popular education in the 1960s in Brazil, manifested itself into resistance to hegemonic thought, coming from the North, which reduced the popular individuals and their knowledge to the ignorant condition. The focus of our study lies on the resistance produced by these movements in the history of the Country. We used as theoretical reflective foundation the thinking of Boaventura de Sousa Santos and his thesis about the construction of rationalities focused in the fight against indolent reason and the deconstruction of the inferiority in the colonized plan. But the analysis also favors approaches of other authors in the proportion that deals with the action of social actors of culture and popular education movements that have marked their presence in the public space, whose views and interests were invented and reinvented constantly in the relacional game. From the point of empirical view, the research makes use of bibliographies and written documentary sources such as newspaper articles, speeches, statements, manifests and documents like these. The research intends to seek in the past the understanding of those Movements in an effort to enable the viewing of certain remnants of the past that have relevance as social and academic wealth of experience. From the popular and the local, movements of culture and popular education in the 1960s, they overcame the barriers of invisibility and raised Itself to the plan of the global history, when they began to become protagonists of their own history, until their dreams were buried by the 1964 tragedy.
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The theater of puppets is one of the many expressions of popular culture which is marked by ongoing constructions and transformations in its symbolic representations as well as its characters and performances. In the city of Natal/RN, there is a manipulator called Heraldo Lins, an artist who operates such puppets, and has been performing his puppet since 1992. Lins has his own look at how he produces his performances and seeks to adjust his puppets to social and rentable contexts. Linss performances are tailor-made in accordance with the request of his customers, as he makes up the passages and lines of his puppets according to his audience. This research aimed to study how the Heraldo Lins Mamulengos Show is built, especially its changes. We note that Lins chooses to dismantle the symbolic values of the tradition in the regular puppet theater once he adapts to modern patterns, placing himself between the traditional puppet theater and the cultural industry. The work in camp was made through a methodological focused in a participative observation and an audiovisual registry
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The theater of puppets is one of the many expressions of popular culture which is marked by ongoing constructions and transformations in its symbolic representations as well as its characters and performances. In the city of Natal/RN, there is a manipulator called Heraldo Lins, an artist who operates such puppets, and has been performing his puppet since 1992. Lins has his own look at how he produces his performances and seeks to adjust his puppets to social and rentable contexts. Linss performances are tailor-made in accordance with the request of his customers, as he makes up the passages and lines of his puppets according to his audience. This research aimed to study how the Heraldo Lins Mamulengos Show is built, especially its changes. We note that Lins chooses to dismantle the symbolic values of the tradition in the regular puppet theater once he adapts to modern patterns, placing himself between the traditional puppet theater and the cultural industry. The work in camp was made through a methodological focused in a participative observation and an audiovisual registry
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A criao e os esforos para manter os peridicos das associaes profissionais e cientficas foram fundamentais para consolidar o processo de formao da cultura tcnica moderna no Brasil, a partir da segunda metade do sculo XIX. Ainda limitadas s dificuldades de circulao e a um reduzido corpo tcnico, essas publicaes configurariam uma arena pblica que incorporou debates nacionais articulados desde ento: necessidade de conhecimento e de integrao do territrio, polticas centrais de circulao e comunicao, entre outros. Nesse contexto, a Revista da Sociedade de Geografia do Rio de Janeiro empenhava-se em desvelar um Brasil pouco conhecido. Compreender o papel desse peridico na construo de um pensamento prprio sobre a regio Nordeste constitui o objetivo deste trabalho. A anlise documental se faz a partir do material publicado entre 1885, ano da sua criao, e 1932, quando divulga artigo emblemtico sobre o tema. Os estudos sobre os ndices pluviomtricos irregulares, a descrio da paisagem fsica e as crnicas de viagem regio proporcionaram novo olhar cujos contornos aprofundam a discusso acerca da conformao da dimenso tcnica das secas e permitem o entendimento da formulao dos projetos nacionais (de transformao e controle do territrio) no mbito tcnico-cientfico, na virada para o sculo XX.
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Refletir sobre a complexa urbanidade do Rio de Janeiro implica em reconhecer a relao tensa entre o espao idealizado e concebido pelos urbanistas e o espao vivido, palco das relaes sociais cotidianas e das apropriaes e incorporaes do urbano. Em contraposio a uma cidade-espetculo que entende a cultura como a construo de grandes equipamentos de entretenimento voltados para o turismo, esta pesquisa busca descortinar as mltiplas identidades territoriais, expresses culturais e corporais presentes nos espaos pblicos da rea porturia do Rio de Janeiro, Brasil, que re-significam a paisagem urbana. Investiga-se como os coletivos populares artsticos (in)corporam, produzem e reproduzem os espaos pblicos, transformados mediante as diversas formas de expresso cultural em pontos de micro-resistncia s aes de valorizao cultural do atual projeto de revitalizao para este territrio disputado o projeto Porto Maravilha. Acredita-se na importncia de se estudar a cultura como campo de produo de valores, significados e da tomada de conscincia sobre direitos, como o direito cidade, pensada de forma democrtica, coletiva e horizontal.
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In modern day Brazil, new media initiatives centred in local communities are attempting to change the face of mainstream ideas about favelas and their inhabitants. One of these initiatives is Viva Favela which is ideologically and physically supported by the NGO Viva Rio that is based in Rio de Janeiro. This non-government organisation runs projects that provide favela residents with skills to take, edit and print their own(photo)journalism contents that enable a community-based framing and documentation of favela life, personalities and issues. The NGO furthermore has developed a range of public venues for displaying these works of (photo)journalism, thus minimising the invisibility that favela dwellers feel in Brazilian political life. This paper takes a discursive and ethnographic approach to investigating how community media might contribute with the aims of empowering people and supporting deliberation within Rio de Janeiros favelas.
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Oprincipal objetivo desse artigo apresentar os resultados parciais de uma pesquisa em andamento sobre o processo de produo de contedo do portal Viva Favela, um dos projetos sociais realizados pela organizao nogovernamental Viva Rio. Partindo de uma abordagem conceitual que discute os modos pelos quais a mdia alternativa e o jornalismo pblico/jornalismo cvico criam as condies de possibilidade para que uma determinada prtica jornalstica d voz e empodere (empower) moradores de periferias e favelas brasileiras, estamos realizando um estudo das rotinas produtivas do Viva Favela e seus correspondentes comunitrios. O conceito sobre voice, de Jo Tacchi, oferece-nos um embasamento terico adequado para refletirmos sobre o que vem sendo denominado, nos Estados Unidos, de digital storytelling as narrativas digitais produzidas com as tecnologias de informao e comunicao para contar estrias 1, que so criativamente apropriadas, no Brasil, por moradores das favelas e periferias das regies metropolitanas.
