Husserl on Geometry and Spatial Representation

Husserl left many unpublished drafts explaining (or trying to) his views on spatial representation and geometry, such as, particularly, those collected in the second part of Studien zur Arithmetik und Geometrie (Hua XXI), but no completely articulate work on the subject. In this paper, I put forward an interpretation of what those views might have been. Husserl, I claim, distinguished among different conceptions of space, the space of perception (constituted from sensorial data by intentionally motivated psychic functions), that of physical geometry (or idealized perceptual space), the space of the mathematical science of physical nature (in which science, not only raw perception has a word) and the abstract spaces of mathematics (free creations of the mathematical mind), each of them with its peculiar geometrical structure. Perceptual space is proto-Euclidean and the space of physical geometry Euclidean, but mathematical physics, Husserl allowed, may find it convenient to represent physical space with a non-Euclidean structure. Mathematical spaces, on their turn, can be endowed, he thinks, with any geometry mathematicians may find interesting. Many other related questions are addressed here, in particular those concerning the a priori or a posteriori character of the many geometric features of perceptual space (bearing in mind that there are at least two different notions of a priori in Husserl, which we may call the conceptual and the transcendental a priori). I conclude with an overview of Weyl's ideas on the matter, since his philosophical conceptions are often traceable back to his former master, Husserl.

Phenomenology as a method to investigate the experience lived: a perspective from Husserl and Merleau Ponty's thought

Aim. By taking nursing as a human relationships activity, in spite of its strong technical-scientific features, this article reflects on the phenomenological method as one of the ways to develop ail investigation and acquire knowledge of the topic.Rationale. Based on Husserl's phenomenology, which is opposed to the way of doing science based on the laws that regulate the physics and mathematics, the article introduces Merleau Ponty's existential phenomenology as the theoretical foundation for the method it proposes. My existential conceptions-people as historic beings inserted in a world over which they act but which, in its turn, determines them; the human perception as reference for our way of being in the world; the space-time structure of perception-these are the key concepts that have led to the elaboration of ail approach to phenomenological research.Proposal of a methodology. Steps are proposed for such ail approach, namely phenomenological description, reduction and analysis. These lead to the building up of ideographic and nomothetic analyses, thus unveiling and describing general truths about the phenomenon studied. Finally, the possibilities for applying the methodology to nursing research are discussed, illustrated by my research into student nurses' perspectives on working oil an isolation ward.

Husserl's phenomenology and Weyl's predictivism

In this paper I discuss the version of predicative analysis put forward by Hermann Weyl in Das Kontinuum. I try to establish how much of the underlying motivation for Weyl's position may be due to his acceptance of a phenomenological philosophical perspective. More specifically, I analyze Weyl's philosophical ideas in connexion with the work of Husserl, in particular Logische Untersuchungen and Ideen I.I believe that this interpretation of Weyl can clarify the views on mathematical existence and mathematical intuition which are implicit in Das Kontinuum.

Percepção e impercepção: a experiência sensível na tradição fenomenológica

In this paper, we circumscribe a domain of theoretical research on the combination dynamics between the dimensions of presence and absence, visibility and invisibility, which emerges in the phenomenology of perception as an essential trait which marks both our experience of the perceived world and our subjective and intersubjective experience. We prioritize a theoretical axis that integrates Edmund Husserl and Maurice Merleau-Ponty’s thinking into Renaud Barbaras’ recent contributions. To this philosophical framework, we link contributions especially of psychology, outlining the circular movement observed between the phenomenology of perception and phenomenological psychology, Gestalt psychology, psychoanalysis, cognitive sciences and neurosciences.

Um estudo sobre licenciatura de matemática oferecida na modalidade à distância

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Husserl's two notions of completeness: husserl and hilbert on completeness and imaginary elements in mathematics

In this paper I discuss Husserl's solution of the problem of imaginary elements in mathematics as presented in the drafts for two lectures he gave in Göttingen in 1901 and other related texts of the same period, a problem that had occupied Husserl since the beginning of 1890, when he was planning a never published sequel to Philosophie der Arithmetik (1891). In order to solve the problem of imaginary entities Husserl introduced, independently of Hilbert, two notions of completeness (definiteness in Husserl's terminology) for a formal axiomatic system. I present and discuss these notions here, establishing also parallels between Husserl's and Hilbert's notions of completeness. © 2000 Kluwer Academic Publishers.

Fenomenologia e neurociência: uma relação possível

Pós-graduação em Filosofia - FFC

Kulturwissenschaftliches Filmen im Umbruch: Die Filmarbeit von Edmund Ballhaus

Der Autor untersucht die Strategien und Konzepte des Göttinger Kulturwissenschaftlers Edmund Ballhaus, der mit seiner Filmarbeit die Entwicklung des wissenschaftlichen Films seit Mitte der achtziger Jahre maßgeblich beeinflußte. Detaillierte Analysen seiner ersten zwölf, in den Jahren 1986 bis 1996 entstandenen Filme verdeutlichen seine Abkehr von überholten inhaltlichen und methodischen Standards und die Entwicklung eines eigenständigen Typus des kulturwissenschaftlichen Films. Dieser rückt den Menschen in den Mittelpunkt der Betrachtung und erteilt den Gefilmten selbst das Wort. Damit wurde sowohl dem klassischen Erklärdokumentarismus des Fernsehens als auch dem distanzierten Dokumentationsstil des Instituts für den Wissenschaftlichen Film (IWF) ein neues Modell gegenübergestellt. Darüber hinaus löste sich Edmund Ballhaus von der traditionellen Arbeitsteilung in Hinblick auf Recherche, Konzeption und Umsetzung und ersetzte sie durch den selbstfilmenden Wissenschaftler, der für alle Arbeitsschritte einer Filmproduktion allein verantwortlich ist. Seine bereits 1987 veröffentlichten Forderungen verwirklichte er nicht nur in seinen Filmen, sondern auch mit der Gründung der Gesellschaft für den kulturwissenschaftlichen Film (GfkF) und der Einrichtung eines Studienganges Visuelle Anthropologie in Göttingen. In die Untersuchung einbezogen wurde eine im Anhang des Buches wiedergegebene Befragung des Filmautors, welche die Analyse um interessante Details sowohl in Hinblick auf die Entstehungsbedingungen einzelner Filme als auch auf seine persönlichen Überzeugungen und Beweggründe ergänzt.

The structuring body : a critical study in the description & explanation of perceptual experience

The aims of the dissertation are to find the right description of the structure of perceptual experience and to explore the ways in which the structure of the body might serve to explain it. In the first two parts, I articulate and defend the claim that perceptual experience seems direct and the claim that its objects seem real. I defend these claims as integral parts of a coherent metaphysically neutral conception of perceptual experience. Sense-datum theorists, certain influential perceptual psychologists, and early modern philosophers (most notably Berkeley) all disputed the claim that perceptual experience seems direct. In Part I, I argue that the grounds on which they did so were poor. The aim is then, in Part II, to give a proper appreciation of the distinctive intentionality of perceptual experience whilst remaining metaphysically neutral. I do so by drawing on the early work of Edmund Husserl, providing a characterisation of the perceptual experience of objects as real, qua mind-independent particulars. In Part III, I explore two possible explanations of the structure characterising the intentionality of perceptual experience, both of which accord a distinctive explanatory role to the body. On one account, perceptual experience is structured by an implicit pre-reflective consciousness of oneself as a body engaged in perceptual activity. An alternative account makes no appeal to the metaphysically laden concept of a bodily self. It seeks to explain the structure of perceptual experience by appeal to anticipation of the structural constraints of the body. I develop this alternative by highlighting the conceptual and empirical basis for the idea that a first-order structural affordance relation holds between a bodily agent and certain properties of its body. I then close with a discussion of the shared background assumptions that ought to inform disputes over whether the body itself (in addition to its representation) ought to serve as an explanans in such an account.

Die neue Synagoge in Essen a. d. Ruhr : erbaut von Prof. Edmund Körner

mit Text von Rich. Klapheck