960 resultados para Dom Casmurro
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UANL
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Ein Werkkatalog Glötzles, seine Bilder im Dom in Salzburg, eine nazarenische Fortsetzung eines barocken Programms zwischen 1882 und 1892
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A look at the HTML Document Object Model, and how JavaScript uses it to manipulate the contents of Web pages. Links are provided to DOM tutorials that give more detailed explanations.
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A look at the HTML Document Object Model, and how JavaScript uses it to manipulate the contents of Web pages. Links are provided to DOM tutorials that give more detailed explanations.
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Resumen tomado del autor. Esta comunicaci??n se enmarca dentro del proyecto de investigaci??n 'Educaci??n y socializaci??n en valores : aproximaci??n al an??lisis cualitativo de la evoluci??n de los valores presentes en las pr??cticas educativas y socializadoras vigentes dentro y fuera de la escuela desde la II Rep??blica espa??ola hasta la actualidad en la Comunitat Valenciana (1931-2004)', financiado por la Conselleria de Cultura, Educaci?? i Esport de la Generalitat Valenciana
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Resumen tomado de la publicaci??n
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El movimiento Slow crece desde los a??os noventa a un ritmo imparable. Dom??nech y Honor?? son los principales responsables de que tambi??n la educaci??n y la vida de los ni??os y ni??as se mire a la luz de esta filosof??a. Tras una entrevista v??a correo electr??nico han intercambiado diferentes puntos de vista en torno a la educaci??n lenta. Entre algunos de sus argumentos destacan: 'hay que poner la necesidad de tiempo de los ni??os en el centro de la educaci??n'; 'los buenos maestros, sea cual se el sistema con el que ense??an, intentan respetar el ritmo de cada alumno'; 'la educaci??n da una oportunidad a todos los que est??n excluidos porque su ritmo no es el adecuado'; 'la educaci??n lenta empieza en casa, ante todo, los padres y la madres deben dejar de vivir acelerados'; 'la educaci??n lenta y el regreso a la verdadera calidad de los aprendizajes y de la educaci??n son dos aspectos ??ntimamente unidos'; 'una vez que empiezas a ralentizar una parte de tu vida, abres el espacio a una reflexi??n m??s profunda y esto comporta cambios mucho m??s poderosos'.
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Resumen tomado de la publicaci??n
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Resumen basado en el del autor
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Se propone al artista Canario ??scar Dom??nguez como ejemplo del surrealismo para trabajar en el aula y reconocer la extraordinaria personalidad y trayectoria de este artista. Con su visi??n surrealista, tan subjetiva y personal, confiere a toda su obra un car??cter original y ??nico que ha proyectado parte de la identidad Canaria a cotas universales. Se presenta una serie de actividades adaptadas a todos los niveles educativos de ense??anza no universitaria, enfocadas a todas las ??reas de Educaci??n Infantil y Primaria; a las materias de Ciencias Sociales, Geograf??a e Historia y Educaci??n Pl??stica y Visual de Educaci??n Secundaria Obligatoria y, en especial, a Historia del Arte e Historia del Arte en Canarias, ambas de Bachillerato.
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Estudo de caso: a coleção de imaginária do museu diocesano dom José Tradicionalmente, a cultura material não era utilizada como documento histórico, mas como objeto de fruição, elemento estético, ilustrativo ou de aguçamento dos sentidos. A produção historiográfica mais recente tem também — sem desmerecer aquelas qualidades — procurado fazer sobre os objetos uma leitura enquanto fontes primárias de pesquisa. Nesta perspectiva, nosso trabalho procurou, ainda que de forma limitada pelas dificuldades inerentes ao propósito e à nossa modesta experiência, levantar informações sobre a complexa rede de produção, circulação, consumo, veneração e posterior institucionalização das imagens sacras que hoje compõem a Coleção de Imaginária do Museu Dom José.
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Climate change in the UK is expected to cause increases in temperatures, altered precipitation patterns and more frequent and extreme weather events. In this review we discuss climate effects on dissolved organic matter (DOM), how altered DOM and water physico-chemical properties will affect treatment processes and assess the utility of techniques used to remove DOM and monitor water quality. A critical analysis of the literature has been undertaken with a focus on catchment drivers of DOM character, removal of DOM via coagulation and the formation of disinfectant by-products (DBPs). We suggest that: (1) upland catchments recovering from acidification will continue to produce more DOM with a greater hydrophobic fraction as solubility controls decrease; (2) greater seasonality in DOM export is likely in future due to altered precipitation patterns; (3) changes in species diversity and water properties could encourage algal blooms; and (4) that land management and vegetative changes may have significant effects on DOM export and treatability but require further research. Increases in DBPs may occur where catchments have high influence from peatlands or where algal blooms become an issue. To increase resilience to variable DOM quantity and character we suggest that one or more of the following steps are undertaken at the treatment works: a) ‘enhanced coagulation’ optimised for DOM removal; b) switching from aluminium to ferric coagulants and/or incorporating coagulant aids; c) use of magnetic ion-exchange (MIEX) pre-coagulation; and d) activated carbon filtration post-coagulation. Fluorescence and UV absorbance techniques are highlighted as potential methods for low-cost, rapid on-line process optimisation to improve DOM removal and minimise DBPs.
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'O Testamento de Dom Quixote', 'script' by Glauber Rocha, is supposed to be loosely inspired in the last chapter of Cervantes' novel, although it is absolutely different from it: in the film the character doesn't recover his lucidity, but he lives surrounded by mystical delirium. Already in its first pages, it is obvious that it is a first draft of 'Cutting Heads', the film he shot in Spain in 1970, in spite of being completely different from the final movie. The comparison between both works allows us to see to what extent this essential seed was a forgotten one: the film was always publicised as a version of 'Macbeth', a reference which is missing here, and the 'Quijote' was never considered a point of depart, although its work with reality and dream determined the tone of the film from the very beginning.
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The Capivarita Anorthosite, formed in an intraplate environment and later metamorphosed under amphibolites fades conditions, is exposed in the Dom Feliciano Belt as part of the Brasiliano magmatic arc and occurs as a roof-pedant in, or is even intruded by, 0.6 Ga post-collisional granites. In this work, magmatic and metamorphic minerals were dated using the LA-MC-ICP-MS in situ method. U-Pb magmatic and metamorphic zircon dating yielded an age of 1573 +/- 21 Ma and of 606 +/- 6 Ma, respectively, whereas the igneous titanite dating yielded an age of 1530 +/- 33 Ma and the metamorphic ages were 651 +/- 9 Ma and 601 +/- 5 Ma. The Lu-Hf model ages showed two clusters from 1.81 to 2.03 Ga (calf from +2.21 to +6.42) and 2.55-2.62 Ga (epsilon epsilon Hf from -4.59 to -5.64). This intraplate magmatism can be connected to a very important episode of continental accretion in an extensional setting from the fragmentation of the supercontinent during the Early Mesoproterozoic. (C) 2011 Elsevier B.V. All rights reserved.