599 resultados para BARROQUE ETHOS
Resumo:
Esta dissertação tem por finalidade analisar o fenômeno religioso da conversão ao Islã. Com base em um estudo empírico a dissertação estuda a conversão ao Islã como sendo um processo de assimilação do ethos religioso islâmico empreendido por brasileiros de ascendência não árabe. Numa proposta sociológica o conceito de conversão foi ampliado e articulado junto aos conceitos de identidade e assimilação. Os convertidos entrevistados fazem parte de uma sociedade religiosa muçulmana sunita situada em São Bernardo do Campo na região do grande ABC, São Paulo, organizada em torno de um Centro de Divulgação do Islã para a América Latina (CDIAL), e de uma mesquita que leva o nome de Abu Bakr Assedic. Esta dissertação tenta compreender os antecedentes sócio-religiosos, os motivos da conversão e suas conseqüências. Para tanto, sustentamos ainda que o processo de conversão ao Islã é gradativo e empreendido por um sujeito ativo, que ao interpretar suas próprias experiências, constrói uma identidade particular e diferenciadora do ethos árabe.(AU)
Resumo:
Mode of access: Internet.
Resumo:
Esta dissertação tem por finalidade analisar o fenômeno religioso da conversão ao Islã. Com base em um estudo empírico a dissertação estuda a conversão ao Islã como sendo um processo de assimilação do ethos religioso islâmico empreendido por brasileiros de ascendência não árabe. Numa proposta sociológica o conceito de conversão foi ampliado e articulado junto aos conceitos de identidade e assimilação. Os convertidos entrevistados fazem parte de uma sociedade religiosa muçulmana sunita situada em São Bernardo do Campo na região do grande ABC, São Paulo, organizada em torno de um Centro de Divulgação do Islã para a América Latina (CDIAL), e de uma mesquita que leva o nome de Abu Bakr Assedic. Esta dissertação tenta compreender os antecedentes sócio-religiosos, os motivos da conversão e suas conseqüências. Para tanto, sustentamos ainda que o processo de conversão ao Islã é gradativo e empreendido por um sujeito ativo, que ao interpretar suas próprias experiências, constrói uma identidade particular e diferenciadora do ethos árabe.(AU)
Resumo:
El trabajo de investigaci?n tiene como finalidad describir la construcci?n del ethos en el discurso del presidente de Colombia ?lvaro Uribe V?lez desde una perspectiva de an?lisis discursivo. Los referentes conceptuales desde los cuales se aborda el estudio del discurso y las representaciones sociales remiten, en primer lugar, a una perspectiva Hist?rico-discursiva del lenguaje, desde la propuesta de tonalidades valorativas y actos de habla de Mart?nez y la noci?n que sobre el ethos aporta la Escuela Francesa de an?lisis de discurso. El problema social de la investigaci?n es la construcci?n del miedo como mecanismo de control, el cual se instaura a partir de la manera como el locutor se presenta en el enunciado y construye la imagen de los sujetos. El tono social que adopta el discurso, a trav?s de procedimientos como la orientaci?n discursiva de los conectores y el uso de modalizadores, da lugar a las dicotom?as, a una l?gica de polarizaci?n que reduce el conflicto a la relaci?n amigo/enemigo. El poder se ejerce no nicamente a trav?s de un tono social con orientaci?n negativa (los actos de amenaza, advertencia y descalificaci?n), pues para la legitimaci?n de la pol?tica de seguridad democr?tica y la consolidaci?n de una nueva jerarqu?a de valores el locutor moviliza im?genes asociadas a un ethos religioso, ethos mesi?nico y de credibilidad, que fundan una ?moral necesaria?
Resumo:
Der folgende Text ist die Antwort auf einen Aufruf zur Einreichung von Beiträgen, die sich dem derzeitigen Stand eines Studiums der Germanistik widmen sollten [...]. In diesem Aufruf wird die Frage nach dem „Sinn und Zweck der Germanistik“, wenn diese „weder relevantes Wissen noch relevante Kompetenzen“ vermitteln kann, gestellt. Die Autoren wenden diese Frage in einem Appell nach einem Ethos der Lehramtsstudierenden. Wer die vorgegebenen „relevanten Kompetenzen“ und das vermeintlich „relevante Wissen“ (ebd.) des Lehrplans unhinterfragt aus den bisher in der eigenen Schulzeit gemachten Erfahrungen und dem (Vor-)Gegebenen übernimmt, begeht ihrer Meinung nach einen Fehlschluss, indem er aus dem Sein das Sollen ableitet. (DIPF/Orig.)
Resumo:
La supervisión constituye en la didáctica del Trabajo Social, uno de los espacios históricos, en cuanto a que es inherente al origen de la profesión, a la vez que, un ámbito de permanente innovación porque establece la relación entre la teoría y la práctica. Esta comunicación es parte de los resultados del trabajo de investigación que se encuentra desarrollando la Red Interuniversitaria sobre Didáctica en Trabajo Social (REDITS). Se ha revisado la literatura especializada sobre competencias en Trabajo Social, prácticas y supervisión, con el fin de guiar la investigación sobre las prácticas externas con el alumnado de las universidades participantes en la red. Asimismo se trabajó con alumnado de último curso en la elaboración de una DAFO que identificara las debilidades, fortalezas, oportunidades y amenazas, percibidas en las prácticas externas. Los objetivos planteados son en primer lugar demostrar la relación de las prácticas externas con la consolidación de los conocimientos teóricos a través de la intervención social y en segundo lugar fundamentar la necesidad de la supervisión como un elemento clave para la construcción del “ethos” y la deontología profesional.
Resumo:
“A construção do ethos no discurso publicitário: sob a máscara da cientificidade” resulta de um trabalho de investigação de mestrado que tem por objeto de estudo o discurso publicitário impresso, que refere a autoridade científica como estratégia persuasiva, ganhando, assim, um caráter de seriedade e de verdade. A análise, tributária dos estudos do campo da Retórica, da Análise do Discurso, da Linguística Textual, da Pragmática e da Teoria da Argumentação, visa demonstrar os mecanismos envolvidos no processo de construção do ethos no discurso publicitário marcado pela cientificidade. Neste sentido, a partir da observação do corpus, constata-se a eficácia argumentativa da cientificidade na construção do ethos presente no discurso publicitário.
Resumo:
This article reflects on a dance improvisation project in which the foundational relationship of the Mover Witness Dyad (MWD), the private exchange between mover and witness (and more commonly known as Authentic Movement) became an ethical and physical paradigm for an improvised performance. The untitled performance (conceived by Shaun McLeod and danced by Olivia Millard, Peter Fraser, Jason Marchant, Sophia Cowen and Shaun McLeod) took place over three nights in Melbourne in November 2014. It was specifically informed by the experiences, observations and questions drawn from an extensive studio practice of the MWD by the dancers. The practice of the MWD is a therapeutic relationship between contemplative mover and attentive witness. Falling within the wider field of Dance Movement Therapy, the MWD has uses as a therapeutic aid, in personal development and also as a context for exploring dance improvisation. An important feature of the MWD is that attention, in whatever manifestation, is directed inwardly and is engaged bodily. The form parallels dance improvisation in its emphasis on open, exploratory movement, which is grounded in the particular sensibility each individual brings to embodiment. Never intended as a performance practice, the MWD has nonetheless been used by dancers as a method for investigating dancing and towards informing or generating performance content. This project threw up considerations of values; in this case values associated with audience participation and the ethics of ‘witnessing’ improvised dance.
Resumo:
Ethos is the spirit that motivates ideas and practices. When we talk casually about the ethos of a town, state, or country we are describing the fundamental or at least underlying rationale for action, as we see it. Ideology is a way of looking at things.It is the set of ideas that constitute one’s goals, expectations, and actions. In this brief essay I want to create a space where we might talk about the ethos and ideology in knowledge organization from a particular point of view; combining ideas and inspiration from the Arts and Crafts movement of the early Twentieth Century, critical theory in extant knowledge organization work, the work of Slavoj Žižek, and the work of Thich Nhat Hahn on Engaged Buddhism.I will expand more below, but we can say here and now that there are many open questions about ethos and ideology in and of knowledge organization, both its practice and products. Many of them in classification, positioned as they are around identity politics of race, gender, and other marginalized groups, ask the classificationist to be mindful of the choice of terms and relationships between terms. From this work we understand that race and gender requires special consideration, which manifests as a particular concern for the form of representation inside extant schemes. Even with these advances in our understanding there are still other categories about which we must make decisions and take action. For example, there are ethical decisions about fiduciary resource allocation, political decisions about standards adoption, and even broader zeitgeist considerations like the question of Fordist conceptions (Day, 2001; Tennis 2006) of the mechanics of description and representation present in much of today’s practice.Just as taking action in a particular way is an ethical concern, so too is avoiding a lack of action. Scholars in Knowledge Organization have also looked at the absence of what we might call right action in the context of cataloguing and classification. This leads to some problems above, and hints at larger ethical concerns of watching a subtle semantic violence go on without intervention (Bowker and Star, 2001; Bade 2006).The problem is not to act or not act, but how to act or not act in an ethical way, or at least with ethical considerations. The action advocated by an ethical consideration for knowledge organization is an engaged one, and it is here where we can take a nod from contemporary ethical theory advanced by Engaged Buddhism. In this context we can see the manifestation of fourteen precepts that guide ethical action, and warn against lack of action.
Resumo:
This paper provides rationale for considering precepts for an engaged knowledge organization based on a Buddhist conception of intentional action. Casting knowledge organization work as craft, this paper employs Žižek’s conception of vio- lence in language as a call to action. The paper closes with a listing of precepts for an engaged knowledge organization.
Resumo:
In reflecting on the practice of knowledge organization, we tacitly or explicitly root our conceptions of work and its value in some epistemic and ontological foundation. Zen Buddhist philosophy offers a unique set of conceptions vis-à-vis organizing, indexing, and describing documents.When we engage in knowledge organization, we are setting our mind to work with an intention. We intend to make some sort of intervention. We then create a form a realization of an abstraction (like classes or terms) [1], we do this from a foundation of some set of beliefs (epistemology, ontology, and ethics), and because we have to make decisions about what to privilege, we need to decide what is foremost in our minds. We must ask what is the most important thing?Form, foundation, and the ethos of foremost require evoke in our reflection on work number of ethical, epistemic, and ontological concerns that ripple throughout our conceptions of space, “good work”, aesthetics, and moral mandate [2,3]. We reflect on this.
Resumo:
What characterises late modern variety of cosmopolitanism from its classical predecessors is the inherent connection between cosmopolitanism and technology. Technology enables a vital dimension of the cosmopolitan experience – to move beyond the cosmopolitan imagination to enable active, direct engagement with other cultures. Different types of technologies contribute to cosmopolitan practice but in this paper we focus on a specific set of these enabling technologies: technologies which play a crucial role in regulating the free movement of people and populations. We briefly examine how three of the great surveillance states of the 20th century – Nazi Germany, the Soviet Union, and the German Democratic Republic – used hightech solutions in pursuing an anti-cosmopolitanism. We suggest that in the period from 2001 to the present, important elements of the cosmopolitan ethos are being closed down, and once again high-tech is intimately connected to this moment. The increasing (and proposed) use of identity cards, biometric identification systems, ITS and GIS all work to make the globalised world much harder to traverse and inhibit the full expression and experience of cosmopolitanism. The result of these trends may be that the type of cosmopolitan sentiment exhibited in western countries is an ersatz, emptied out variety with little political-ethical robustness.
Resumo:
Politics has been described as a man’s game and a man’s place. Further, the design of houses of politics also embeds this dominant masculine ethos. Traditional Chambers have been large with only limited seating arrangements ensuring that only privileged elite can participate and both officials and the public are located at some distance and separate from the elected officials. Such a Chamber ensures that Members need to face each other and the dominant interaction is adversarial. Within this system however, women have been able to carve out new spaces, or use existing ones in different ways, to become more involved with the mechanisms of parliament and provide alternative routes to leadership. In doing so, they have introduced elements of the private domain (nurturing, dialogue and inclusion) to the public domain. The way in which space is used is fundamental and its treatment has consequences for individuals, organizations and societies (Clegg and Kornberger 2006). Dale’s (2005) work emphasises the social character of architecture which recognises the impact which it has on the behaviours of individuals and nowhere is this more pertinent than the way the Australian Parliament House operates. This paper draws on the experiences of Australian parliamentarians to examine the way in which the new Australian Parliament House shapes the way in which the Australian political cultural norms and practices are shaped and maintained. It also seeks to explore the way the Members of Parliament (MPs) experience these spaces and how some MPs have been able to bring new ways of utilising the space to ensure it is more accommodating to the men and women who inhabit this building at the apex of Australia’s political life. In doing so, such MPs are seeking to ensure that the practices and processes of Australia’s political system are reflective of the men and women who inhabit this national institution in the beginning of the 21st century.