A interação museu-escola sob o referencial teórico metodológico das ilhas interdisciplinares de racionalidade

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Análise do processo de formação como mediadora entre o público e a arte

The proposed work is located in education field in exhibition spaces of art and seeks to analyze a process of formation as a mediator focusing on the public's relationship with art, taking into account the fact that often the general public does not dominate the codes of this area, being incumbent upon mediator introduce them. One of the main points to be analyzed is the impact that can be generated by the contact of the visitor with the mediator in the exhibition space, considering a spectrum of possibilities, where at one end focuses the belonging and in the other the symbolic violence. In this direction this research aims to build a relationship of emancipation and autonomy of both, the educator and the visitor. It is known that the concept of public is a generalization, therefore, the analysis of the mediation process, are having as support the experiences lived by the mediator, especially, in the relationship with the lay public. The locations of the experiences lived, were the SESC Pompéia and the Pavilion of the Bienal of São Paulo, different places, but both with the potential to generate reception and / or distances, shot through space (architecture), bodies, codes, accesses, works of art, repertoires, expographic and especially through the mobilization of educator front of all these issues. The cutting of the research covers the experience of the educator (as an intern and professional) in six exhibitions, in these two spaces, between the years 2010 to 2015.

Análise do processo de formação como mediadora entre o público e a arte

The proposed work is located in education field in exhibition spaces of art and seeks to analyze a process of formation as a mediator focusing on the public's relationship with art, taking into account the fact that often the general public does not dominate the codes of this area, being incumbent upon mediator introduce them. One of the main points to be analyzed is the impact that can be generated by the contact of the visitor with the mediator in the exhibition space, considering a spectrum of possibilities, where at one end focuses the belonging and in the other the symbolic violence. In this direction this research aims to build a relationship of emancipation and autonomy of both, the educator and the visitor. It is known that the concept of public is a generalization, therefore, the analysis of the mediation process, are having as support the experiences lived by the mediator, especially, in the relationship with the lay public. The locations of the experiences lived, were the SESC Pompéia and the Pavilion of the Bienal of São Paulo, different places, but both with the potential to generate reception and / or distances, shot through space (architecture), bodies, codes, accesses, works of art, repertoires, expographic and especially through the mobilization of educator front of all these issues. The cutting of the research covers the experience of the educator (as an intern and professional) in six exhibitions, in these two spaces, between the years 2010 to 2015.

Revista do Museu Paulista e(m) capas: identidade e representação institucional em texto e imagem

Este artigo propõe reflexão sobre a escrita da história, a partir de estudo das capas da Revista do Museu Paulista, especialmente durante as gestões dos dois primeiros diretores da instituição, quando certa continuidade editorial foi preservada. Tomadas como "fontes", ou seja, objeto de trabalho do historiador, as capas revelam vestígios de processos que permitem reconstruir, em suas dimensões históricas, as complexas imbricações entre a produção da Revista, sua materialidade, e os atos de leitura e interpretação que condicionam e refletem relações entre produtores de textos e seus leitores nas primeiras décadas do século XX, a partir de São Paulo, onde era editada.

Painéis de Azulejos do Museu Republicano Convenção de Itu

Texto referente a orelha do livro

Preserve and protect in a science museum

Reflections on the university campus usually focus on its relevancy as a research and teaching area; however, the need for preservation, protection, maintenance and cleaning only become visible in the event of inadequacy or lack thereof. The aim of this study is to address the characteristics of the preservation and security measures performed at the Science and Technology Park of the University of São Paulo (Parque de Ciência e Tecnologia da Universidade de São Paulo), agency subjected to the Dean’s Office for Culture and University Extension (Pró-Reitoria de Cultura e Extensão Universitária). Because of its history and location, the Park requires special care. The Park’s land formerly housed the Astronomical Observatory of São Paulo and the Institute of Astronomy and Geophysics of the University of São Paulo (Instituto de Astronomia e Geofísica – IAG-USP), within the Fontes do Ipiranga State Park (Parque Estadual das Fontes do Ipiranga – PEFI), in the city of São Paulo. Preservation and reconversion activities relative to historical buildings are developed at the Park. The institution’s location and its specificities require security in its borders, as well as in relation to the users of the park.

Propuesta de mejora de la coordinación temprana vertical y horizontal de asignaturas

[ES]En este artículo se aborda el proceso de elaboración de proyectos docentes en la Universidad de Las Palmas de Gran Canaria y se propone un nuevo esquema de gestión en su fase inicial de diseño y corrección para su aprobación anual. Esta propuesta pretende reducir el tiempo que dedican los profesores y la administración de servicios a esta tarea así como a facilitar la coordinación horizontal y vertical temprana a distintos niveles. Esta propuesta es perfectamente implantable con herramientas Web 2.0 de libre distribución y gratuitas.

El desplazamiento de la responsabilidad como variable mediadora entre la anomia y el copiarse en los exámenes

[ES]Determinar los motivos que hacen que los estudiantes se copien resulta de especial interés si se tiene en cuanta el alto porcentaje de copia que existe actualmente. En este trabajo concretamente se analizará cómo un determinado estado de ánimo negativo, como es la anomia, influye en la acción de copiar. Además, se estudiará si un mecanismo de desenganche moral, el desplazamiento de la responsabilidad, es una variable mediadora entre las dos anteriormente citadas. En la investigación se aplican ecuaciones estructurales basadas en la varianza a través de mínimos cuadrados ordinarios a una muestra de 210 estudiantes de último curso del grado en Administración y Dirección de Empresas de Universidad de Las Palmas de Gran Canaria (España). Los resultados muestran como la anomia influye positivamente en copiar y que el desplazamiento de la responsabilidad ejerce de variable mediadora entre la anomia y la acción de copiar.

La estadística, los métodos de enseñanza-aprendizaje y la adquisión de competencias informáticas en el Grado en Administración y Dirección de Empresas

[ES]En el presente estudio se analizan las relaciones que existen entre los métodos de enseñanza-aprendizaje que se utilizan y el nivel de desarrollo adquirido por los estudiantes en la competencia para la utilización de herramientas informáticas a través del módulo de Estadística de la asignatura de Métodos Cuantitativos en el Grado de Administración y Dirección de Empresas de la Universidad de Las Palmas de Gran Canaria. Basándose en los resultados de una encuesta realizada en el curso 2012-13 a los alumnos de la asignatura, se concluye que los métodos de enseñanza-aprendizaje basado en las“clases prácticas de ordenador” y en la “resolución de ejercicios usando ordenadores” son los más efectivos en la adquisición de competencias informáticas.