968 resultados para Relation mother-son


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Pío Collivadino was a highly recognized painter in life, occupying the most important charges in the artistic field and receiving awards in his country and abroad, which turned him into an inescapable reference of young Argentinean artists who earned recognition throughout the twentieth century. Why, then, with the time, his work began to fall to the wayside? In response to this question, the present article, based on the analysis of the work of that artist, proposes to problematize the notion of subjectivity, both in its individual dimension and its national character, underlining the role that the figure of the artist meets for its formation. Developing the concepts of light-color and body-mass, from Collivadino painting, this article will attempt to explain the relation between the emergence of an Argentinean subjectivity, at the beginning of 20th century, and the art, not only at the level of the issues addressed, but, especially, taking into consideration its formal characteristics.

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Conceptual art and communicator role has influenced the work of Chilean architect Alfredo Jaar, which has been proposed report, with other codes [verbal and nonverbal], global events influencing contemporary society. His early training as an architect has driven innovation in the design of artistic space , using the message to convey to the viewer the reason for his work for more than three decades, highlights the artistic composition with various material resources whose purpose lies in conceptualizing various topics relevant in considering the role of artistic communication. Jaar’s style is the sum of his own life experience in relation to the contradictions of the world today, which is exposed and from the perspective of postmodernism from the exploitation of the notion of space as an open stage for visual and expressiveness beyond national borders, societies and cultures of the world.

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El área de educación artística en el currículum de primaria ha estado ligada a la enseñanza del patrimonio en las tres últimas décadas y, seguida del área de Ciencias Sociales en sus diferentes denominaciones, ha sido la materia que más se ha ocupado del la enseñanza de nuestro legado cultural, desde la LOGSE, pasando por la LOE hasta la actual LOMCE. Sin embargo, con la última reforma educativa ha sufrido una pérdida de presencia que la sitúa como una materia prescindible, en tanto un alumno puede transitar por toda la etapa de Primaria sin recibir una sola hora de educación artística. En efecto, las CCAA y los centros, en el ejercicio de sus competencias (Artículo 3) pueden decidir no ofertarla o, aun ofertándola, puede no ser elegida de entre otras asignaturas específicas como Segunda Lengua Extranjera, Religión o Valores Sociales y Cívicos.Por todo ello, proponemos un análisis del contenido de las tres grandes leyes generales de educación de las tres últimas décadas -LOGSE, LOE y LOMCE- examinando la presencia del patrimonio en la educación artística, para detectar los enfoques y concepciones subyacentes en los diferentes desarrollos curriculares. Todo ello nos situará ante un escenario, el presente, en el que podremos demandar la recuperación de contenidos o competencias perdidas, pero también promover el máximo aprovechamiento de las que sí se han incluido en el currículum vigente. Por todo ello, proponemos un análisis del contenido de las tres grandes leyes generales de educación de las tres últimas décadas -LOGSE, LOE y LOMCE- examinando la presencia del patrimonio en la educación artística, para detectar los enfoques y concepciones subyacentes en los diferentes desarrollos curriculares. Todo ello nos situará ante un escenario, el presente, en el que podremos demandar la recuperación de contenidos o competencias perdidas, pero también promover el máximo aprovechamiento de las que sí se han incluido en el currículum vigente.

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Bio art, understood as the convergence of the relations between art, biology and technology, constitutes a useful case study to discuss the meaning of interdisciplinarity in the artistic field. This paper explores different discourses around interdisciplinarity in order to challenge certain generic approaches for their ineffectiveness when assessing artistic practices. It is proposed that the analysis of interdisciplinarity must address the singular connections produced in the artistic practice itself, considering the impossibility of reducing the complexity of interdisciplinary dialogues into generic considerations. Taking bioart as a case study, different kinds of relationships between the artist and the lab are identified and analyzed, ranging from the use of the lab as a true atelier and as a resource for materials and techniques, to the rejection of the lab by proposing amateurism as an alternative. estrategias amateur, pasando por su utilización como fuente de técnicas y materiales.

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As biological invasions continue, interactions occur not only between invaders and natives, but increasingly new invaders come into contact with previous invaders. Whilst this can lead to species replacements, co-existence may occur, but we lack knowledge of processes driving such patterns. Since environmental heterogeneity can determine species richness and co-existence, the present study examines habitat use and its mediation of the predatory interaction between invasive aquatic amphipods, the Ponto-Caspian Dikerogammarus villosus and the N. American Gammarus tigrinus. In the Dutch Lake IJsselmeer, we found broad segregation of D. villosus and G. tigrinus by habitat type, the former predominating in the boulder zone and the latter in the soft sediment. However, the two species co-exist in the boulder zone, both on the short and longer terms. We used an experimental simulation of habitat heterogeneity and show that both species utilize crevices, different sized holes in a plastic grid, non-randomly. These amphipods appear to optimise the use of holes with respect to their 'C-shape' body size. When placed together, D. villosus adults preyed on G. tigrinus adults and juveniles, while G. tigrinus adults preyed on D. villosus juveniles. Juveniles were also predators and both species were cannibalistic. However, the impact on G. tigrinus of the superior intraguild predator, D. villosus, was significantly reduced where experimental grids were present as compared to absent. This mitigation of intraguild predation between the two species in complex habitats may explain the co-existence of these two invasive species.

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This review article reveals a long-standing gender bias in academic and policy research on adolescent pregnancy, which has led to the neglect of adolescent men's perspectives. The review summarizes the available literature on adolescent men's attitudes in relation to pregnancy occurrence and pregnancy outcomes in the context of addressing three questions: (1) What are adolescent men's attitudes to an adolescent pregnancy? (2) What are adolescent men's attitudes in relation to pregnancy outcomes? (3) What explanations are offered for the identified attitudes to adolescent pregnancy and resolution? The review establishes a foundation for future quantitative and qualitative research on adolescent men's perspectives. It emphasizes that a greater understanding of adolescent men's perspectives could lead to a re-framing of adolescent pregnancy away from being seen solely as a woman's issue. Furthermore, it is argued that the inclusion of adolescent men would lead to more effective adolescent pregnancy prevention and counseling programmes.