Historical perspective of the Psychology of motivation

The psychology of motivation has a long tradition and history in psychology. In fact, we consider that, to a certain extent, understanding the history of the psychology of motivation is understanding great part of which has been psychology itself, since the main target of psychology was, and is, to try to explain behaviour, and the aim of psychology of motivation is to find out the causes of behaviour. In its long passage to the present time, there have been three perspectives that have monopolized most of the investigation: the biological, the behavioural and the cognitive. They are not excluding. Each one of them has been predominant in certain stages, although the same attention was paid to the other two. Nowadays, the biological and cognitive perspectives are those that receive greater attention from the investigators. The historical direction in the study of the psychology of motivation represents an important solution to know how the events that have given rise to the present consideration about the psychology of motivation were forged. To know the past helps us to understand the present, at the same time it allows us to hypothesise with great probability of success which will be the future in the study object.

Historical Development of Organochlorine Pesticides Legislation in Venezuela

Information about organochlorine pesticides legislation in Venezuela was recovered, using the search engine Google. Progress and setbacks was analyzed, with information about imports, exports, inventories, storage sites, controls and actions taken for disposal and participation in international conventions. The country appears to have adequate legislation, however, greater consistency of laws and decrees are required. Update the technical rule is necessary and increases the capacity to monitoring, identification and elimination of organochlorine pesticides.

José Aguiar : la pintura como drama.

Muestra antológica de la obra de este pintor. El autor, con sólida formación clásica, reconocía que a Florencia se lo debía todo. Su carácter está marcado por un drama interior: un alma barroca que por vocación se siente clásica. Aguiar quería profundizar en la pintura narrativa superando las limitaciones del particularismo regionalista, y reviviéndo así en su pintura un fino neoclasicismo.

fotografía y métodos históricos : dos textos para un debate = Photography and historical Methodology : two text for a debat.

La presente obra bilingüe (castellano e inglés) a través de sus dos textos pretende servir como punto de partida para el desarrollo de un debate sobre la fotografía y sus relaciones con la historia. El objetivo del libro es establecer puntos de reflexión sobre metodología de la historia frente a las dimensiones culturales, estéticas y tecnológicas del fenómeno fotográfico. Se divide el libro en dos capítulos: 1. De la 'Fotohistoria' a la Historia con la fotografía. 2. Imágenes contaminadas. (La fotografía en la Historia del arte).