964 resultados para queen
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Pós-graduação em Ciências Biológicas (Zoologia) - IBRC
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Pós-graduação em Ciências Biológicas (Zoologia) - IBRC
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Este artigo tem o objetivo de apresentar uma obra-prima do teatro clássico francês: Andromaque (1667), de Jean Racine. Primeiramente, efetuamos sua leitura segundo os princípios da doutrina clássica, que se formou entre 1620 e 1660, na França. Nessa perspectiva, Andrômaca, rainha troiana vencida e cativa, é a personagem triunfante, uma forte personalidade feminina fora do alcance do leitor/espectador: quem é de fato Andrômaca, enquanto Pirro não está morto? Em seguida, destacamos uma das análises realizadas pela crítica literária do século XX, a qual utilizou instrumentos interpretativos vários. A leitura que fez Roland Barthes (1963) em Sur Racine subverte a interpretação anterior que se fazia à luz da doutrina clássica, apresentando-nos Pirro como o grande herói trágico, e a personagem mais emancipada do teatro raciniano.
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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This paper has been written as monograph. Its objective is to create a scene of the way the queen Dido is constructed in Virgil's Aeneid and in Ovid's Heroid 7, aiming a comparison between the two constructions of this character, to establish their resemblances and differences. Thus we are able to build the picture that both writers composed for this so important woman for latin literature
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Pós-graduação em Agronomia (Energia na Agricultura) - FCA
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This paper presents a comparative study concerning the novel The queen Margot (1845), by Alexandre Dumas father, and the homonymous movie (1994), by Patrice Chéreau, mainly considering its historical character, the production conditions of each “discourse” and the personages’ performances in both narratives. The novel has been originally published in the form of feuilleton in the French newspaper La presse, during the years 1844 and 1845, what explains its long extension and the correlation among the chapters. It constitutes a trilogy, the action of which takes place during the religion wars, affording to the text the classification of a traditional historical novel, having the episode of St. Bartholomew carnage as its most striking event. Regarding the movie, which has been awarded five Cesar prizes, two rewards in Cannes Festival and an indication to the Oscar for the best costume design, it also counts with Isabelle Adjani as the protagonist actress. With a few relevant differences regarding the novel, it is remarkable that the action in the movie happens in august 1572 in a Paris that is the center of conflicts among Catholics and Protestants. In this scenery, the comparison between the two artistic manifestations is based strictly on the analysis of the personages’ profiles, the circumstances in which they have been produced and the historical aspects surrounding the two works.
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Through brief comments on famous texts of Randolph Caldecott, Rudyard Kipling and Christina Rossetti, we intend to show to the reader aspects of children’s literature written in the reign of Queen Victoria (1837-1901), in which authors inherited the Romantic idea that child and childhood are pure, close to nature in a way that the adult man is not. Moralizing texts, they taught children how to be an adult.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Pós-graduação em Biologia Animal - IBILCE
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)