972 resultados para Artesanía contemporánea


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Académico - Licenciaturas

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Académico - Licenciaturas

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Académico - Licenciaturas

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Académico - Licenciaturas

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Académico - Licenciaturas

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Académico - Licenciaturas

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Académico - Licenciaturas

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Académico - Licenciaturas

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Académico - Licenciaturas

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Académico - Licenciaturas

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Some protected special spaces on behalf of fundamental rights to the environment and the housing at the city of Natal are fragile by facing actions and attempts to suppress and changing (or omission in the implementation) of standards in furtherance of those rights at the local level, which seems to reflect a situation that goes beyond the context of the city. Based on integrated approach of the housing rights and the environment and its protection of special spaces on the field of fundamental rights, the thesis seeks to understand the weaknesses that affect the legal state duty under the realization/implementation of fundamental rights to the environment and housing in cities, focusing on the issues of flexibility of the founding legislation of special spaces to the detriment of the attributes they protected and the lack of implementation of the legal system that allows their effectiveness. So, it looks initially to understand the environment and housing rights and their special protected areas in the brazilian legal system, looking forward the evolution of its legal protection, as well as the weaknesses that emerge in the field of their effectiveness. Analyzing the trajectory of the environment and housing rights and their special protected areas in Natal, considering its standards, attributes, protection indicators, weaknesses and negative evidence within its legal protections and their enforcement by state entity, this thesis proposes to verify the existence of forms to confronting the weaknesses founded in the maintenance of legal protection and its implementation. At this point it discusses the legal basis and safeguard instruments of protection, especially within the juridical field, as part of a (re)discussion about issues of legislative and administrative discretion in the face of objective legal state duty to realization/implementation of fundamental rights in the urban space. With all these issues together the thesis does not ignore the scenario where the dividing line between public and private (economic) are becoming ever more tenuous in the field of state action and where the city stands as a special commodity to the reproduction of real estate, according to the interests of capitalist logic

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This thesis nalyzes the wayfinding in Landscape Museum of Contemporary Art (MPAC), based on the Institute of Contemporary Art CACI, Minas Gerais, Brazil and the Museum of Contemporary Art of the Serralves Foundation, Porto, Portugal. The study focuses on the interrelationship of the public/visitors with the landscape, architecture and contemporary art museums in these, in order to understand visual perception and apprehension of such an environment for their users. For both were confronted documentation (visual and written) and people talk. The main hypothesis put forward is that the audience/visitor MPAC appreciates the interrelationship between the natural environment (park/garden) and built environment (the works of contemporary art and the galleries), giving equal value to both. To complement this, a second hypothesis is that during the visit to MPACS, visitors define their paths spontaneously, but strongly influenced by existing visual indicators (maps, signage and striking landscape elements), which facilitate the readability of space, which also contribute to the offered services and the experiences of similar institutions. The analytical basis of the research used the concepts of legibility (LYNCH, 2009), wayfinding (GIBSON, 2009; ARTHUR, PASSINI, 2002; WEISMAN, 1982), Experiential Cotinnum (TUAN, 1985), Space Bound (CRUZ PINTO, 2007) and habitus (BOURDIEU, 1992). Methodologically was used qualitative research (DEMO 2000) by means of a case study (YIN, 2005; STAKE, 1999) and participant observation (WHYTE, 2005). In the two institutions interviews with researchers and curators, behavior observation and questionnaires from employees, trainees, monitors and the public/visitor of the two museums were performed. Although partially referende the initial hypothesis, the research showed that the public/visitor value appears more natural environments, they experience a greater intensity and in addition to the factors listed in the second case, your perception and definition of paths suffer significant influence of emotional relations established with space. Generally the audience/visitor adapts easily to different demands of contemporary art exhibition in the two museums and the built environment (park/garden and museum) interferes with your reading path during the visit, perceived by the public/visitor condition as a factor that favors the enjoyment of works on different mounts (wayfinding), though often become a factor that hinders the legibility of the building and its built environment

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The goal of this study is to define the photographic dimension as a transversal notion that accompanies texts and carries out a function that is narrative, discursive and even poetic, and as an unambiguous analytical tool that allows an understanding of the function of the photographic image in contemporary fiction. How does the photographic dimension act within a text of fiction? How does it guide it, define it, and eventually, transform it? How is the space-time element of a text influenced when the photographic dimension affects the heart of the story? How does the status of the photographic image change when it is blended with the fictional text, and how is a text reorganized in light of the photographic dimension? What interpretations are made possible by the analysis of the photographic dimension? Is it possible to narrate and read a photograph without having to see it, or to what extent does a photograph in plain view determine the writing and reading of the story? In short: What writing and reading digressions are caused by the presence of photographs within a literary text; what is their role, for example, in the activation of memory, of a dream-like state or of identity, and what symbolic dimension is introduced?...

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La presente tesis doctoral pretende demostrar la influencia del arte de India en la literatura mexicana contemporánea. Numerosos escritores mexicanos sintieron un gran interés por la cultura, y entre ellos, algunos de los más importantes para este estudio serán Octavio Paz y Elsa Cross. Respecto al primero, se ha escrito ya bastante sobre su influencia de la filosofía oriental y budista en su literatura, pero lo que este estudio desea demostrar es el reflejo del arte indio en su poética, para lo que he señalado cada uno de sus textos en los que aparecen referencias a distintas obras de arte indio, ya sean templos, pinturas, relieves o muestras iconográficas de divinidades. En el trabajo, hay un primer apartado en el que se analiza cómo influyó India en autores contemporáneos anteriores a Paz, como Efrén Rebolledo, Alfonso Reyes, José Juan Tablada, Daniel Cosío Villegas, Vasconcelos, Amado Nervo y Rubén Darío entre otros, señalando algunos de los poemas de los mismos en los que se puede apreciar esta presencia oriental. Continuaré centrándome en Octavio Paz, señalando brevemente los datos biográficos más importantes en relación con India, puesto que hay algunas experiencias vitales de gran trascendencia en la vida de Paz, que se dieron durante su contacto con India, como por ejemplo su matrimonio con Marie José...

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Tese de Doutoramento em Arquitetura, com a especialização em Teoria e História da Arquitetura, apresentada na Faculdade de Arquitetura da Universidade de Lisboa, para obtenção do grau de Doutor.