Dificuldades na resolução de equações de 2º grau dos alunos do 8º ano

Relatório da Prática de Ensino Supervisionada, Ciências da Educação (Mestrado em Ensino da Matemática), Universidade de Lisboa, Instituto de Educação, 2014

How the sublime became "now": time, modernity and aesthetics in Lyotard's rewriting of Kant

Writing in the late 1980s, Nancy gives as examples of the "recent fashion for the sublime" not only the theoreticians of Paris, but the artists of Los Angeles, Berlin, Rome, and Tokyo. At the beginning of the twenty-first century, the sublime may of course no longer seem quite so "now" as it did back then, whether in North America, Europe, or Japan. Simon Critchley, for one, has suggested that, at least as regards the issue of its conceptual coupling to "postmodernism," the "debate" concerning the sublime "has become rather stale and the discussion has moved on." Nonetheless, if that debate has indeed "moved on"-and thankfully so-it is not without its remainder, particularly in the very contemporary context of a resurgence of interest in explicitly philosophical accounts of art, in the wake of an emergent critique of cultural studies and of the apparent waning of poststructuralism's influence-a resurgence that has led to a certain "return to aesthetics" in recent Continental philosophy and to the work of Kant, Schelling, and the German Romantics. Moreover, as Nancy's precise formulations suggest, the "fashion" [mode] through which the sublime "offers itself"-as "a break within or from aesthetics"-clearly contains a significance that Critchley's more straightforward narration of shifts in theoretical chic cannot encompass. At stake in this would be the relation between the mode of fashion and art's "destiny" within modernity itself, from the late eighteenth century onwards. Such a conception of art's "destiny," as inextricably linked to that of the sublime, is not unique to recent French theory. In a brief passage in Aesthetic Theory, Adorno also suggests that the "sublime, which Kant reserved exclusively for nature, later became the historical constituent of art itself.... [I]n a subtle way, after the fall of formal beauty, the sublime was the only aesthetic idea left to modernism." As such, although the term has its classical origins in Longinus, its historical character for "us," both Nancy and Adorno argue, associates it specifically with the emergence of the modern. As another philosopher states: "It is around this name [of the sublime] that the destiny of classical poetics was hazarded and lost; it is in this name that ... romanticism, in other words, modernity, triumphed."

A aprendizagem da função afim no 8º ano : uma proposta apoiada nas tecnologias e na educação financeira

Trabalho de projeto de mestrado, Educação (Área de especialidade em Didática da Matemática), Universidade de Lisboa, Instituto de Educação, 2015

Julius Caesar, August 8, 1939

Concert program for Julius Caesar, August 8, 1939

Stravinsky Festival, May 8, 1972

Concert program for Stravinsky Festival, May 8, 1972

A Student Composers' Recital, May 7, 1959 8:30pm

Concert program for A Student Composers' Recital, May 7, 1959

The Philadelphia String Quartet, January 8, 1971

Concert program for The Philadelphia String Quartet, January 8, 1971

The Winter Jazz Concert, December 8, 1976

Concert program for The Winter Jazz Concert, December 8, 1976

The Guitar Ensemble February 8, 2003

Concert Program for The Guitar Ensemble February 8, 2003

Norma internacional de contabilidade [NIC 8 ]: resultados líquidos do período, erros fundamentais e alterações nas políticas contabilísticas

Revista Fiscal, Abril 2006

A study on the encryption algorithm for RFID tag (SEED : 8 Rounds × 64 bits block)

Although it is always weak between RFID Tag and Terminal in focus of the security, there are no security skills in RFID Tag. Recently there are a lot of studying in order to protect it, but because it has some physical limitation of RFID, that is it should be low electric power and high speed, it is impossible to protect with the skills. At present, the methods of RFID security are using a security server, a security policy and security. One of them the most famous skill is the security module, then they has an authentication skill and an encryption skill. In this paper, we designed and implemented after modification original SEED into 8 Round and 64 bits for Tag.

Unesp Ciência, 2010, ano 1, número 8

Revista elaborada pela Assessoria de Comunicação e Imprensa da Reitoria da UNESP

Dimensionamento sísmico de um edifício de betão armado segundo os eurocódigos: verificação segundo o eurocódigo 8 parte 3

Trabalho de Dissertação de Natureza Científica para obtenção do grau de Mestre em Engenharia Civil

Verificação da segurança à ação sísmica da estrutura de um colégio em Ponta Delgada utilizando o Eurocódigo 8 - parte 3

Dissertação para obtenção do grau de Mestre em Engenharia Civil na Área de Especialização em Estruturas