La influencia de Ovidio en Shakespeare: el mito de Píramo y Tisbe

La influencia clásica en el teatro isabelino ha sido un tema bastante común entre los estudios de diversos críticos y ensayistas a lo largo de la historia. Para la redacción de este TFG hemos escogido el relato mitológico de Píramo y Tisbe. Analizaremos su camino desde la obra 'Metamorphoseon libri' de Ovidio, estudiando su recorrido para saber cómo y a través de quién llegó a manos del dramaturgo inglés William Shakespeare, quien lo incorporará a su comedia A midsummer night's dream. Asimismo, haremos un análisis comparativo entre los dos textos que hemos elegido, basándonos en diferentes ensayos y artículos escritos sobre este tema.

Letter from James Winthrop to William Bentley, 1811 April 16

Two octavo-sized leaves containing a brief one-and-a-half-page handwritten letter from Winthrop to Bentley that describes a book of Shakespeare with prints.

William Lambarde and local government: his "Ephemeris" and twenty-nine charges to juries and commissions.

Mode of access: Internet.

Illustrated catalogue of the pictures, &c. in the Shakespeare Memorial at Stratford-upon-Avon,: With historical and descriptive notes ...

Cover date: 1912.

Notes of Ben Jonson's conversations with William Drummond of Hawthornden,

Mode of access: Internet.

The age of Shakespeare /

Publisher's advertisement ([1] p.) at end, 3rd grouping.

Shakespeare's England,

Twenty-two pieces, commemorating visits in 1877 and 1882; being a republication, with slight alterations, of the author's "Trip to England" and "English rambles." cf. Pref.

Shakespeare and his love; a play in four acts and an epilogue.

First edition.

The Commodification of Queer Virgins in Shakespeare, Spenser, and Keats

The purpose of this thesis was to explore selected works from William Shakespeare, Edmund Spenser, and John Keats, in order to expose textual instances of feminist thought. This analysis was aided with feminist theorists falling under the main strains of queer theory, materialism, and gender performance. Specifically, this thesis focused on the ways in which women, particularly virgin daughters, were viewed as property by their male kin. It also looked at how these women engaged in various symbolic masquerades and/or actual cross-dressing as a response to the aforementioned phenomenon. Finally, the thesis exposed how these masquerades can be construed as a queering of identity—manifested through reversals of power and rejection of patriarchal institutions like marriage.

Gender Benders: Shakespeare's Rosalind and Woolf's Orlando

English Renaissance playwright, William Shakespeare and twentieth century modernist author, Virginia Woolf’s works, “As You Like It” (1599) and “Orlando” (1928), respectively posit a vision of gender that transcends the physical sex of the body. The play’s heroine, Rosalind, and the novel’s protagonist, Orlando, each challenge the stability of the binary categories of male and female, demonstrating how gender is not absolute but rather a constantly adapting and evolving construct. This thesis traces the development of Rosalind and Orlando by analyzing and comparing both protagonists’ journeys towards concordia discors, considering how gender transformation plays a pivotal role in helping both figures transcend prescribed gender roles and restraints placed upon them by family and society. Both Rosalind and Orlando mount challenges to prescribed gender norms during periods when conservative gender roles were strictly enforced. By doing so, each character positions themselves as pivotal and progressive representations of gender performance for their time.

Shakespeare and the Colonial Encounter in India in the Eighteenth and Nineteenth Centuries

Thesis (Ph.D.)--University of Washington, 2016-03