The Spanish version of the Believability of Anxious Feelings and Thoughts Questionnaire

Resumen tomado de la publicaci??n

Psychometric properties of the Spanish version of the Controlling Coach Behaviors Scale in the sport context

Resumen tomado de la publicaci??n

Psychometric properties of the Spanish version of the Experiencing of Self Scale (EOSS) for assessment in Functional Analytic Psychotherapy

Resumen tomado de la publicaci??n

Spanish version of Colquitt's Organizational Justice Scale

Resumen tomado de la publicaci??n

Psychometric properties of the Portuguese version of place attachment scale for youth in residential care

Resumen tomado de la publicaci??n

Spanish version of the Children's Ecological Behavior (CEB) scale

Resumen tomado de la publicaci??n

Psychometric properties of the Spanish version of the Passion Scale

Resumen tomado de la publicaci??n

Validity and reliability of the Spanish version of the Displaced Aggression Questionnaire

Resumen tomado de la publicaci??n

Spanish version of the Link???s Perceived Devaluation and Discrimination Scale

Resumen tomado de la publicaci??n

El cinema i la constitució d'un públic popular a Barcelona. El cas del Paral·lel

Between 1895 and 1910 Barcelona saw a whole range of social, political and cultural changes due to the increasingly important emergence of the working masses. At the same time, the cinema arrived in Catalonia, becoming very quickly one of the favorite entertainments of the urban laboring population which was about creating a new culture opposed to the modernist and nineteenth-century elite .This is, broadly speaking, the context that serves as a starting point for a study of the role of cinema in shaping a mass audience in Barcelona, an analysis centered on new urban spaces intended for the leisure of the lower classes emerged with the birth of modern Barcelona, especially the “Paral•lel” avenue, whose opening in 1894 made even more apparent the great social tensions and existing inequalities in Barcelona’s society at the end of the century.

Apendice: version portugaise de la série sur l'exposition / a revolução museológica faz-se a partir da exposição

Version adaptée de la série française, préparée par Luisa Rogado, pour servir à deux projets (Musée de la forge, Casa museu de la misericorde), dans la Municipalité d’Alcoutin, en Algarve. Le projet avait, entre autres , pour but d’éviter les erreurs qui firent du Musée du Guadiana, à Guerreiro dos Rios, un semi échec, les contrôles du design et du programme d’animation ayant échappé à la muséologue, coordonnatrice du projet, qui servira néanmoins de leçon au projet pilote de Carrapateira (Musée de la Terre et de la Mer) tous deux devant être jumelés comme les premiers prototypes de musées locaux de la nouvelle génération. Le musée de Carapateira introduira dans sa toute dernière phase le récit donnant sa cohésion à l’ensemble de la segmentation thématique. Cet épisode est rapporté dans l´étude de cas de carapateira sur le rapport exposition-institution (tutelle) dans le texte d’une communication intitutée «L’exposition, la face déchaînée du musée» Pierre Mayrand, ACFAS, 2008.

Re-interpretation of early speech perception test (standard version) in Urdu language

This paper resulted in the Urdu language version of the Early Speech Perception Test(ESP).

The development of the computerized version of the early speech perception test battery

This paper discusses the development of a computerized version of the CID Early Speech Perception Test.

The development of a computerized version of a revised W-1 word list for obtaining speech reception thresholds

This paper discusses the creation of a condensed list SRT application of the W-1 for the Macintosh computer.

The best Christmas pageant ever: creating a captioned version

This paper discusses a study done of hearing impaired children and watching a captioned film.