Antecedentes do engajamento em boca a boca eletrônico positivo entre turistas

This study examined the influence of the tourism destination image as well as satisfaction and motivation in the intention of engaging in a positive electronic word of mouth (eWOM) by tourists through Facebook. In addition, it was also specifically expected to assess the sociodemographic profile and frequency of eWOM publications from those who answered the questions; it also assessed the adequacy of the manifested variables for composition of the following dimensions: Quality, Satisfaction, Image, Motivations and Positive Electronic Word of Mouth (eWOM). And finally, it analyzed a relational model where there are relationships between Quality, Satisfaction, Image and Motivations in the explanation of engagement in the Positive Electronic Word of Mouth (eWOM). With this aim it was conducted a study, based on a hypothetical-deductive logic, which was descriptive in relation to its goals. The analytical approach was quantitative (a survey). The sampling procedure was non-probabilistic, by the convenience method of sampling specifically, having the choice of the subject been made through the probabilistic systematic method, and using time as a factor of systematization in an attempt of making randomly the selection of the interviewed people. The study sample consisted of 355 tourists. The used instrument to collect information was the structured questionnaire whose answers were collected in the main points of entry, exit and rides of tourists on the Pipa’s Beach/RN. Data analysis was carried out using descriptive and multivariate statistics, mainly exploratory and confirmatory factor analysis and structural equation modeling. Among the main results, it was possible to confirm that the Motivations, Satisfaction and Image strongly affect the intention of engaging in positive electronic word of mouth (eWOM). Emphasis is given to the motivations, as they demonstrate bigger impact in explaining the dependent variable; they are followed by the satisfaction and the image. The latter, however, is inversely proportional. Among the motivations, the one with the highest percentage of variance were the social benefits sought by tourists; and presenting the same percentage appears the desire to help other tourists and to vent Positive Emotions. The manifested variables demonstrate to be fully acceptable to be taken as reflexes of their respective factors.

"Quem sou eu?": uma (re)construção do sujeito por meio da narrativa autobiográfica - proposta didática com um olhar nas interações em sala de aula

As we are aware, the classroom is emerging as a continuous build learning experiences and environment, however, for students also it functions as a place also to be due to socializing with friends. However, not always these elements complement each other, so as harmoniously as we are aware that there are many difficulties, both in the act of learning as in interpersonal relations between them. From this, we understand that it is for the school to seek ways to contemplate such issues so that they feel inserted both with regard to this learning as well as being able to interact with themselves and with others, in a participatory manner, to live well socially. Thus, we find ourselves facing a similar situation with a 9th grade class where the students had certain limitations to have a good relationship with one another, causing thus problems in learning. On the other hand, this difficulty as affectively interact with each other, also, was increased by the difficulty that some students had to speak for themselves and to show their feelings and emotions, getting even more difficult this interaction at school. Thus, we found ourselves obliged to act immediately and need to bring about change in this picture. So it came out the idea of the application of an intervening action which started taking shapefrom a pedagogical project that we developed in other classes in previous years, this time adapted to the situation experienced by the group. The project, framed in the qualitative research and characterized from the action research approach took shape, and elected as its main objective to seek possible alternatives to develop the communicative competence of students, which is why we invest in exercise oral communication (speaking and listening) in order to promote the use of language, the interpersonal involvement facilitating thus their participation both in the classroom and in social life. To fulfill this goal, we set out to develop a didactic book whose support materialized through the autobiographical narrative (molded in writing production) and worked along a structured instructional sequence in three distinctstages that dialogued with each other. Therefore, we base our study from the socio-historical conception and dialogue proposed by Bakhtin in line with the sociodiscursivo interactionism of Bronckart and resort to other scholars as Dolz and Schneuwly, Marcuschi among others. The development of all stages of the project not only has had an immediate effect on what we proposed ourselves as also yielded us very gratifying moments reinforcing to us that the classroom environment goes far beyond the fact ministering content. And that work with orality, with views on affective interaction of these students resulted in a project, so to speak, exciting.

Viver e esperar viver: corpo e identidade na transição de gênero de homens trans

This work seeks to understand how trans men build their identities and live the transsexual experience in the relationships they establish daily onto “man” category. It could be observed that for it they engenders a specific gender transition in the midst of male transsexuality. Despite being under a complex amalgam of relations of exploitation and disciplinary domination, ways of being man are brokered for a living and entry into spaces where they are expelled for not conform the bodies that gender norms require. It is understood that gender transition is a process at the same time of organic and prosthetic body management and the assumption of your own identity. Thus, they build a politic of identity that creatively fixes a person's category as rights holder. The "transition" is therefore to transact from nonexistence to a place of humanity. This dissertation describes how this process takes place in the experiences of the speakers, observing the practices that bring out the male, front of class positions on the labor market, access to health, hormonization and own identity. Thereby, theories that fix them as expressing female masculinities or marginal to the hegemony do not find exactitude in their lives. The research methodologically started performing "multilocated ethnographies" that gave possibilities to in-depth interviews with 15 stakeholders from the Northeast, Midwest, Southeast and South of Brazil. Between 2014 and 2015, from the applying of network technique to the first dialogues in research, it was possible to build a participant observation by the trans men’s everyday life. Wherewith I was capable to behold their own private activities, as well as their public agency amid a trans activism collective in northeast, and the follow-up actions in which they were involved during the XII Encontro Nacional em Universidades de Diversidade Sexual e de Gênero (ENUDSG) held in Mossoró/RN. Therefore, the thesis engages to describe and understand the different ways of constructing trans male gender transitions in access to transsexuality and therefore a way of explaining their own trajectories in terms of people that exist as such, even though in the midst of narratives marked by emotions linked to "not live", to suffering and dehumanization.

No fio da meada: um estudo acerca da precarização do trabalho na indústria têxtil

In line with the process of financialization and globalization of capital, which has intensified in all latitudes of the globe, the world of work is permeated by his determinations arising and also has been (re) setting from numerous changes expressed by example, in the unbridled expansion of temporary forms of work activities, and flexible outsourced by the growth of informality, forming a new morphology of work. However, regardless of how these forms are expressed in concrete materiality, there is something that unifies: all of them are marked by exponentiation of insecurity and hence the numerous negative effects on the lives of individuals who need to sell their labor power to survive. Given this premise, the present work is devoted to study, within the framework of the Brazilian particularities of transition between Fordism and Toyotism, what we call composite settings of the conditions and labor relations processed within the North river- textile industry Grande. To this end, guided by historical and dialectical materialism, we made use of social research in its qualitative aspect, using semi-structured interviews, in addition to literature review, information retrieval and use of field notes. From our raids, we note that between the time span stretching from the 1990s to the current year, the Natal textile industry has been undergoing a process of successive and intense changes in their modus operandi, geared specifically to the organization and labor management causing, concomitantly, several repercussions for the entire working class.

No fio da meada: um estudo acerca da precarização do trabalho na indústria têxtil

In line with the process of financialization and globalization of capital, which has intensified in all latitudes of the globe, the world of work is permeated by his determinations arising and also has been (re) setting from numerous changes expressed by example, in the unbridled expansion of temporary forms of work activities, and flexible outsourced by the growth of informality, forming a new morphology of work. However, regardless of how these forms are expressed in concrete materiality, there is something that unifies: all of them are marked by exponentiation of insecurity and hence the numerous negative effects on the lives of individuals who need to sell their labor power to survive. Given this premise, the present work is devoted to study, within the framework of the Brazilian particularities of transition between Fordism and Toyotism, what we call composite settings of the conditions and labor relations processed within the North river- textile industry Grande. To this end, guided by historical and dialectical materialism, we made use of social research in its qualitative aspect, using semi-structured interviews, in addition to literature review, information retrieval and use of field notes. From our raids, we note that between the time span stretching from the 1990s to the current year, the Natal textile industry has been undergoing a process of successive and intense changes in their modus operandi, geared specifically to the organization and labor management causing, concomitantly, several repercussions for the entire working class.

Imaginários da morte: poética das imagens em cemitérios brasileiros

The thesis presented is committed to a poetic reading that results in the creation of meaning and images of the death from the various cultural practices and symbolic representations exposed in urban cemeteries in some Brazilian cities, aiming to give visibility to new understandings about the imaginary of the in the contemporary scene. Death, therefore, will be seen as a imagining condition of anthroposwhen starts itself from the prerogative of the human consciousness of death (MORIN, 1970), in other words, this awareness that man has he will die and that triggers reflections about their existence allows the emergence of a number of practices such as: mourning, funeral rituals and the creation of several impregnated representations of human emotions emerged from the death facing the man and present, in a more evident form in cemeterial spaces. For this, it focuses on the conflictuous dimension that man establishes with death, because the cultural practices and symbolic representations observed in the research field are the result of this conflict and allow the expansion of the senses about this issue, to the extent that these are coated with a fantastic aura, mystical, secret, spooky, fearful, religious, building a complex imagination. The general plan of this study is to discuss and create, from a phenomenology of imagination and materials / dynamics imagination, as well as along the lines treated by Gaston Bachelard, images of death, from a field experience in cemeteries in Brazil. For this, it is assumed, to observe the cultural practices and symbolic representations in these spaces, a posture able to make the experience into the search field a moment of symbolic exchanges and creation. Thus, it was used observation, conversations with visitors and employees of the cemeteries and the capture of photographic records. The data produced as a fragment of a conversation, a tearful outburst about the loss of a relative, a melancholic epitaph, a flower on the grave or a cry captured by photography were seen as detonators of meanings and a poetic of the imagination.

Imaginários da morte: poética das imagens em cemitérios brasileiros

The thesis presented is committed to a poetic reading that results in the creation of meaning and images of the death from the various cultural practices and symbolic representations exposed in urban cemeteries in some Brazilian cities, aiming to give visibility to new understandings about the imaginary of the in the contemporary scene. Death, therefore, will be seen as a imagining condition of anthroposwhen starts itself from the prerogative of the human consciousness of death (MORIN, 1970), in other words, this awareness that man has he will die and that triggers reflections about their existence allows the emergence of a number of practices such as: mourning, funeral rituals and the creation of several impregnated representations of human emotions emerged from the death facing the man and present, in a more evident form in cemeterial spaces. For this, it focuses on the conflictuous dimension that man establishes with death, because the cultural practices and symbolic representations observed in the research field are the result of this conflict and allow the expansion of the senses about this issue, to the extent that these are coated with a fantastic aura, mystical, secret, spooky, fearful, religious, building a complex imagination. The general plan of this study is to discuss and create, from a phenomenology of imagination and materials / dynamics imagination, as well as along the lines treated by Gaston Bachelard, images of death, from a field experience in cemeteries in Brazil. For this, it is assumed, to observe the cultural practices and symbolic representations in these spaces, a posture able to make the experience into the search field a moment of symbolic exchanges and creation. Thus, it was used observation, conversations with visitors and employees of the cemeteries and the capture of photographic records. The data produced as a fragment of a conversation, a tearful outburst about the loss of a relative, a melancholic epitaph, a flower on the grave or a cry captured by photography were seen as detonators of meanings and a poetic of the imagination.

O ensino de arte pós-moderno na arte de Daniel Francisco de Souza

This thesis presents a research that links cultural history and visual culture in a sociobiographical approach. It gives a “political treatment” to the educational experience in the transition of art teaching from the modern to the postmodern. By taking into account my experiences as an educator and the poetic practice in Daniel Francisco de Souza’s visual art, I propose a dialogue with his art and a series of visual narratives this artist/student produced at the time of his education and recently. Such visual narratives were taken as research source and research subject. They were created in a rural setting in dialogue with formal art teaching in two phases: 1992–6, when Daniel Fran cisco attended elementary school in the rural area of Uberlândia, MG; and 2008–10, when he attended Visual Arts graduation at Federal University of Uberlândia city. I analyze historical processes related to art and teaching, from the early sixteenth century to the present times, to realize residues in students’ poetic experiences. I relate Brazilian educational public policies with experi- ences in that rural school. I try to show the extent to which our educational practices triggered experiences — from ones common to intense ones — and promoted forms of “emancipation-knowledge” or “regulation-knowledge” and how the “selective tradition” was and how art predetermined history images gave way to everyday visual references, pointing to the “broad field” of visual culture. I make an effort to show Daniel Francisco’s work as an adult by tak- ing it according to different approaches. In a poetic reading, first, I emphasixe the material and the symbolic in his art. In a second look, I approach his work through the intertwining experiences of three characters from different times and places that participated in the making of his art: the artist farmer, the artist teacher and the teacher researcher. I assume the existence of a mutual cultural incompleteness in these three characters; which means that parts of their “structures of feeling” built on the interrelationship among them are part of the artist’ work as a historical content decanted. Thirdly, I demonstrate how the artist sees his place as a key re ference to his poetic creation. His work does not reflect the rural bucolic as something untouched. In showing the difficulty in distinguishing the archaic residual, I identify emerging issues in his work. I conclude that the artist — Daniel Francisco — and the researcher — myself — present maverick features: both are scavengers; their productions approach the working with scraps in art and in the academy; even momentarily, they live in exile in the warmth of the borders or the edges, from where one sees the center clearly. In these spaces, when certain structures and normative codes enter into coalition, they fragment pre-established strategies and stimulate the creation of survival tactics.

Na Hora do conto: Entre o Sentir, o Imaginar e o Pensar – Contributos para o desenvolvimento de competências socioemocionais

Este trabalho retrata um estudo caso desenvolvido com um grupo de oito professores e 13 educadores de infância do agrupamento de escolas Henrique Sommer de Maceira. Neste pressuposto, o estudo caso que se apresenta visa compreender qual a perceção dos professores e educadores de infância sobre a importância da literatura para a infância (os contos) como prática educativa com vista ao desenvolvimento de competências socioemocionais e cognitivas das crianças que frequentam o jardim-deinfância e primeiro ciclo (3 aos 10 anos). Pretende-se, igualmente, conhecer como os educadores percecionam o papel da literatura para a infância no desenvolvimento de sentimentos, emoções, e problematizam o seu papel para o desenvolvimento de um conjunto de capacidades que permitem potenciar a educação emocional ao mesmo tempo que facilitam o desempenho académico. O acompanhamento da criança, por um adulto na primeira década de vida, assente numa relação afetiva de amor e confiança, é fundamental para que esta adquira conhecimentos e se desenvolva emocionalmente. Neste processo de promoção do desenvolvimento emocional, o educador marca um ponto de equilíbrio entre meio interno e os desafios externos. Os dados recolhidos, através de inquérito, por questionário, confirmam a importância de educadores e professores em explorarem as potencialidades da literatura para a infância, em contexto de sala de aula, assumindo-se como participantes da construção da aprendizagem das emoções e do desenvolvimento emocional das crianças. Especificamente, os professores reconhecem que o uso desta estratégia pedagógica tem como objetivo dar cumprimento ao plano curricular, responder de forma eficaz à heterogeneidade dos alunos, desenvolver e despertar para os valores e emoções, no respeito pela diferença e para o desenvolvimento de competências cognitivas.

Design de interação na web

O seguinte relatório foi elaborado durante o estágio curricular na empresa Terra Design, e decorreu desde o dia 6 de Janeiro de 2014 até 23 de Março de 2014, com uma extensão de quatrocentas e cinco horas, permitindo o desenvolvimento de projectos em diversas áreas do design gráfico. Durante este estágio, foi desenvolvido um trabalho para a empresa Lisbon Rooms, que consistiu no desenvolvimento de um website para uma residência de estudantes, que no verão funciona como hostel. Este projecto enquadra-se na área de web design com uma ema análise teórica sobre design de interação que será a matéria de estudo neste relatório de estágio. Este trabalho divide-se em três módulos: introdução à prática do estádio, enquadramento teórico e desenvolvimento prático do projecto. No primeiro módulo, é descrita a estrutura do estágio curricular na empresa, os objectivos do mesmo, metodologias e integração na equipa. No segundo módulo encontra-se todo o estudo referente às emoções, experiência do utilizador (UX) e web. Por fim, no capítulo do desenvolvimento prático da dissertação, é apresentado o projeto realizado no estágio. Tendo como base o enquadramento teórico realizado pós estágio, sobre a usabilidade, experiência do utilizador e design de interação, é feita uma análise do trabalho prático e justificação, ou crítica, dos elementos nele contidos. Foi dado particular ênfase ao desenvolvimento do interface.

El debate sobre la educación universitaria en la Argentina : Entre el estado y el mercado. Crisis y reformas pendientes

El desafío que enfrenta la educación superior en la Argentina se inscribe en un contexto externo donde se ha producido el reacomodamiento de las fuerzas económicas, ideológicas y políticas, en un ambiente interno de profunda crisis. La universidad pública viene soportando intensas presiones que reclaman su adaptación a las nuevas demandas económicas, técnicas y administrativas, que exigen que esta institución exhiba resultados mensurables y, para muchos, comercializables. Es la intensificación de la lógica empresarial y comercial que va configurando nuevos discursos, y que intenta incorporarse también al ámbito de la universidad pública. Educación y eficiencia, educación y productividad se constituyen en nuevos referentes. En tanto, la educación/bien de consumo se organizaría y regularía según las reglas del mercado, y se convierte en un bien al que tienen acceso los individuos/consumidores. De tal suerte, lo que está en pugna no es una mera posición sino la conformación de nuevos referentes que se configuran en relación a la finalidad y función de la universidad pública, al tipo de individuos que se pretende formar, al tipo de saberes que se producirán. En este marco, creemos que revisar la relación universidad-estado y universidad-mercado y las actuales demandas que en función de ellos se registran, adquiere especial significación. La priorización de una visión eficientista de la educación superior, la aplicación de criterios economicistas y de gerenciamiento en el ámbito de la educación publica, así como la mercantilización de la educación superior, son algunos de los grandes dilemas para el debate. El presente trabajo intenta reflexionar sobre las problemáticas mencionadas, en tanto gran parte de las reformas que se vienen impulsando en esta área se orientan según criterios economicistas, privatizantes, característicos del perfil empresarial, globalizado. Por consiguiente, lo que está juego, entre otras cosas, es no sólo qué tipo de universidad pública queremos construir para el futuro sino, también, si nuestras universidades formarán estudiantes-consumidores o estudiantes-ciudadanos

El debate sobre la educación universitaria en la Argentina : Entre el estado y el mercado. Crisis y reformas pendientes

El desafío que enfrenta la educación superior en la Argentina se inscribe en un contexto externo donde se ha producido el reacomodamiento de las fuerzas económicas, ideológicas y políticas, en un ambiente interno de profunda crisis. La universidad pública viene soportando intensas presiones que reclaman su adaptación a las nuevas demandas económicas, técnicas y administrativas, que exigen que esta institución exhiba resultados mensurables y, para muchos, comercializables. Es la intensificación de la lógica empresarial y comercial que va configurando nuevos discursos, y que intenta incorporarse también al ámbito de la universidad pública. Educación y eficiencia, educación y productividad se constituyen en nuevos referentes. En tanto, la educación/bien de consumo se organizaría y regularía según las reglas del mercado, y se convierte en un bien al que tienen acceso los individuos/consumidores. De tal suerte, lo que está en pugna no es una mera posición sino la conformación de nuevos referentes que se configuran en relación a la finalidad y función de la universidad pública, al tipo de individuos que se pretende formar, al tipo de saberes que se producirán. En este marco, creemos que revisar la relación universidad-estado y universidad-mercado y las actuales demandas que en función de ellos se registran, adquiere especial significación. La priorización de una visión eficientista de la educación superior, la aplicación de criterios economicistas y de gerenciamiento en el ámbito de la educación publica, así como la mercantilización de la educación superior, son algunos de los grandes dilemas para el debate. El presente trabajo intenta reflexionar sobre las problemáticas mencionadas, en tanto gran parte de las reformas que se vienen impulsando en esta área se orientan según criterios economicistas, privatizantes, característicos del perfil empresarial, globalizado. Por consiguiente, lo que está juego, entre otras cosas, es no sólo qué tipo de universidad pública queremos construir para el futuro sino, también, si nuestras universidades formarán estudiantes-consumidores o estudiantes-ciudadanos

El debate sobre la educación universitaria en la Argentina : Entre el estado y el mercado. Crisis y reformas pendientes

El desafío que enfrenta la educación superior en la Argentina se inscribe en un contexto externo donde se ha producido el reacomodamiento de las fuerzas económicas, ideológicas y políticas, en un ambiente interno de profunda crisis. La universidad pública viene soportando intensas presiones que reclaman su adaptación a las nuevas demandas económicas, técnicas y administrativas, que exigen que esta institución exhiba resultados mensurables y, para muchos, comercializables. Es la intensificación de la lógica empresarial y comercial que va configurando nuevos discursos, y que intenta incorporarse también al ámbito de la universidad pública. Educación y eficiencia, educación y productividad se constituyen en nuevos referentes. En tanto, la educación/bien de consumo se organizaría y regularía según las reglas del mercado, y se convierte en un bien al que tienen acceso los individuos/consumidores. De tal suerte, lo que está en pugna no es una mera posición sino la conformación de nuevos referentes que se configuran en relación a la finalidad y función de la universidad pública, al tipo de individuos que se pretende formar, al tipo de saberes que se producirán. En este marco, creemos que revisar la relación universidad-estado y universidad-mercado y las actuales demandas que en función de ellos se registran, adquiere especial significación. La priorización de una visión eficientista de la educación superior, la aplicación de criterios economicistas y de gerenciamiento en el ámbito de la educación publica, así como la mercantilización de la educación superior, son algunos de los grandes dilemas para el debate. El presente trabajo intenta reflexionar sobre las problemáticas mencionadas, en tanto gran parte de las reformas que se vienen impulsando en esta área se orientan según criterios economicistas, privatizantes, característicos del perfil empresarial, globalizado. Por consiguiente, lo que está juego, entre otras cosas, es no sólo qué tipo de universidad pública queremos construir para el futuro sino, también, si nuestras universidades formarán estudiantes-consumidores o estudiantes-ciudadanos

Experiencias de danzaterapia de mujeres que han sufrido cáncer de mama. Un estudio fenomenológico

Objective: This essay aims at identifying, describing and analyzing possible changes both in the experience of the body and in interpersonal relations of women with breast cancer, which result from their participation in Dance Therapy group meetings.Method: This is a phenomenologically oriented qualitative research using Maria Fux´s dance therapy method for group experiences. Eight meetings are described here, and an analysis of descriptions based primarily on Merleau-Ponty and María Fux is provided.Results: The participants have been able to express pain and sorrow over the circumstances that breast cancer and its relational environments have brought to their lives. They have been able to go through moments of creation and surrender to the rhythmic body sensations and experiential environment with different emotions lived separately and jointly. They have revived memories and sensations of their childhood and adolescence, and finally, they have rediscovered their sensitive body through body resignifications marked by the absence of the breast, and by means of feelings of greater acceptance and integration of lived experiences in new gestalts.Conclusions: This project is still under way, but it is already possible to conclude that the life experiences provided in dance therapy have allowed these women to improve their integration and welfare. Likewise, they have felt positive changes in the perception of their corporality and in their way of being in the world and with other subjects, thus experiencing the body in a new and different way.

A representação social do cuidado no programa saúde da família na cidade de Natal

RODRIGUES, M. P.; LIMA, K. C.; RONCALLI, A. G. A representação social do cuidado no programa saúde da família na cidade de Natal. Ciênc. Saúde Coletiva, v. 13, n. 1, p. 71-82. 2008. ISSN 1413-8123.